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Your Mama Don't Dance
"Your Mama Don't Dance" is a hit 1972 song by the rock duo Loggins and Messina. Released on their self-titled album ''Loggins and Messina'', it reached number four on the ''Billboard'' pop chart and number 19 on the ''Billboard'' Easy Listening Chart as a single in early 1973. Overview This song, whose refrain and first verse is done in a blues format, deals with the 1950s and 1960s lifestyle concerning the generation gap, where the parents oppose the Rock and Roll Revolution of the younger generation, which includes the rebelliousness against the old society that monitors curfews on dating; as well as being arrested for making love with a girl in the back seat of a car during a drive-in movie, which happens during the bridge section of the song. When released as a single, it was the duo's biggest hit as well as their only Gold single. "Your Mama Don't Dance" was covered in 1973 by Australian band the Bootleg Family Band, which made the top 5 in Australia. It was also cove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loggins And Messina
Loggins and Messina was an American rock- pop duo consisting of Kenny Loggins and Jim Messina, who achieved their success in the early to mid-1970s. Among their well-known songs are "Danny's Song", "House at Pooh Corner", and " Your Mama Don't Dance". After selling more than 16 million records and becoming one of the leading musical duos of the 1970s,"Together again: Kenny Loggins and Jim Messina bring their hits to Biloxi," by Ron Thibodeaux, The Times-Picayune (New Orleans), July 29, 2005. Loggins and Messina broke up in 1976. Although Messina would find only limited popularity following the breakup, Loggins went on to further success in the 1980s. In 2005 and again in 2009, Loggins and Messina reformed for tours in the United States. History Initial career 1971–1976 Jim Messina, formerly of Buffalo Springfield and Poco, was working as an independent record producer for Columbia Records in 1970 when he met Kenny Loggins, a little-known singer/songwriter and guitarist wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open Up And Say
Open or OPEN may refer to: Music * Open (band), Australian pop/rock band * The Open (band), English indie rock band * ''Open'' (Blues Image album), 1969 * ''Open'' (Gotthard album), 1999 * ''Open'' (Cowboy Junkies album), 2001 * ''Open'' (YFriday album), 2001 * ''Open'' (Shaznay Lewis album), 2004 * ''Open'' (Jon Anderson EP), 2011 * ''Open'' (Stick Men album), 2012 * ''Open'' (The Necks album), 2013 * ''Open'', a 1967 album by Julie Driscoll, Brian Auger and the Trinity * ''Open'', a 1979 album by Steve Hillage * "Open" (Queensrÿche song) * "Open" (Mýa song) * "Open", the first song on The Cure album ''Wish'' Literature * ''Open'' (Mexican magazine), a lifestyle Mexican publication * ''Open'' (Indian magazine), an Indian weekly English language magazine featuring current affairs * ''OPEN'' (North Dakota magazine), an out-of-print magazine that was printed in the Fargo, North Dakota area of the U.S. * Open: An Autobiography, Andre Agassi's 2009 memoir Comput ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts * European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs bre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated '' Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the '' NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and '' Top of the Pops'', as well as the US '' Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine '' Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cash Box
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were ''Billboard'' and ''Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainstream Rock
Mainstream rock (also known as heritage rock) is a radio format used by many commercial radio stations in the United States and Canada. Format background Mainstream rock stations represent the middle ground between classic rock and active rock on the programming spectrum, in that they play more classic rock songs from the 1970s and 1980s and fewer songs from emerging acts than active rock stations, and only rarely play songs on the softer edge of the classic rock format. They program a balanced airplay of tracks found on active rock and classic rock playlists, but the music playlist tends to focus on charting hard rock music from the 1970s through the 2000s. Mainstream rock is the true successor to the widespread album-oriented rock (AOR) format created in the 1970s. However, mainstream rock can be used as a modernized update of classic rock if any radio station playlist has to cut back on some active rock artists and songs due to ratings and popularity demand, which is an abso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unskinny Bop
"Unskinny Bop" is a song by American glam metal band Poison, released as the first single from their third studio album, '' Flesh & Blood'' (1990), on June 18, 1990. The song peaked at number three on the US ''Billboard'' Hot 100, number five on the ''Billboard'' Album Rock Tracks chart, and number three on the Canadian and New Zealand charts. It also entered the top 20 in Australia, Sweden, and the United Kingdom. Background The meaning of "Unskinny Bop" has always been shrouded in obscurity. C.C. DeVille later confessed that the phrase "unskinny bop" has no particular meaning: he invented it as a temporary measure while writing the song, before vocalist Bret Michaels had begun working on the lyrics. The phrase was used on the basis that it was phonetically suited to the music. The song was later played to producer Bruce Fairbairn, who stated that, although he did not know what an "unskinny bop" was, the phrase was perfect. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Every Rose Has Its Thorn
"Every Rose Has Its Thorn" is a power ballad by American glam metal band Poison. It was released in October 1988 as the third single from Poison's second album '' Open Up and Say... Ahh!''. The band's signature song, it is also their only number-one hit in the US, reaching the top spot on December 24, 1988, for three weeks. It also charted at number 11 on the Mainstream Rock chart. It was a number 13 hit in the UK. "Every Rose Has Its Thorn" was named number 34 on VH1's "100 Greatest Songs of the 80s", number 100 on their "100 Greatest Love Songs" and number seven on MTV and VH1 "Top 25 Power Ballads". ''Billboard'' ranked the song number five on their list of "The 10 Best Poison Songs". Background and writing In an interview with VH1's ''Behind the Music'', Bret Michaels said the inspiration for the song came from a night when he was in a laundromat in Dallas waiting for his clothes to dry, and called his girlfriend on a pay phone. Michaels said he heard a male voice in the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Werman
Tom Werman (born 1945) is an American former record producer responsible for many hard rock and heavy metal albums. Early life and education Werman was born in Boston, Massachusetts, and grew up in Newton. He earned a bachelor's degree and an MBA from Columbia University; he played guitar in college. Producing career In 1970, bored with his work in advertising, he sent a letter to Clive Davis at CBS Records and landed a job at Epic Records as an A&R man. His discoveries included Boston, Cheap Trick, REO Speedwagon, and Ted Nugent, whose first album he co-produced as his first production credit. He also brought Kiss, Lynyrd Skynyrd, and Rush to Epic, but the label passed on all three. After combining A&R with record producing at Epic until the end of 1982, Werman moved to Elektra Records the following year, but left after four months and continued in producing as an independent; he also worked for a while as an executive at Capitol Records. He retired from the music business ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
