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XDCAM
XDCAM is a series of products for digital recording using random access solid-state memory media, introduced by Sony in 2003. Four different product lines the XDCAM SD, XDCAM HD, XDCAM EX and XDCAM HD422 differ in types of encoder used, frame size, container type and in recording media. None of the later products have made earlier product lines obsolete. Sony maintains that different formats within XDCAM family have been designed to meet different applications and budget constraints. The XDCAM range includes cameras and decks which act as drop-in replacements for traditional VTRs allowing XDCAM discs to be used within a traditional videotape-based workflow. These decks can also serve as random access computer hard drives for easy import of the video data files into non-linear editing systems (NLE) via FireWire (IEEE 1394) and Ethernet. In September 2008, JVC announced its alliance with Sony to support the XDCAM EX format. In August 2009, Convergent Desig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Professional Disc
Professional Disc (PFD) is a digital recording optical disc format introduced by Sony in 2003 primarily for XDCAM, its tapeless camcorder system. It was one of the first optical formats to utilize a blue laser, which allowed for a higher density of data to be stored on optical media compared to infrared laser technology used in the CD and red laser technology used in the DVD format. Technology PFD uses a 405 nm wavelength and a numerical aperture (NA) of 0.85 for the laser, allowing 23 GB of data to be stored on one 12 cm disc – the equivalent to nearly five single-layer DVDs, and a 1x speed data transfer rate of 88 Mbit/s for reading and 72 Mbit/s for writing. After the 23 GB disc was released, a dual-layer 50 GB was developed and released. This format is sometimes confused with the Blu-ray Disc format, another optical disc format using blue-violet lasers and supported by Sony. Even the PFD's caddy and Blu-ray's original caddy (later dropped) l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DV (video Format)
DV (from ''Digital Video'') is a family of codecs and Videotape, tape formats used for storing digital video, launched in 1995 by a consortium of camcorder, video camera manufacturers led by Sony and Panasonic. It includes the recording or cassette formats DV, MiniDV, HDV, DVCAM, DVCPro, DVCPro50, DVCProHD, Digital8, and Digital-S. DV has been used primarily for video recording with camcorders in the amateur and professional sectors. DV was designed to be a standard for home video using digital data instead of Analog video, analog. Compared to the analog 8 mm video format, Video8/Hi8, VHS-C and VHS formats, DV features a higher video resolution (on par with professional-grade Digital Betacam); it records uncompressed 16-bit Pulse-code modulation, PCM audio like Compact Disc Digital Audio, CD. The most popular tape format using a DV codec was MiniDV; these cassettes measured just 6.35 mm/¼ inch, making it ideal for video cameras and rendering older analog formats obsolete. In the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MPEG-2
MPEG-2 (a.k.a. H.222/H.262 as was defined by the ITU) is a standard for "the generic coding of moving pictures and associated audio information". It describes a combination of lossy video compression and lossy audio data compression methods, which permit storage and transmission of movies using currently available storage media and transmission bandwidth. While MPEG-2 is not as efficient as newer standards such as H.264/AVC and H.265/HEVC, backwards compatibility with existing hardware and software means it is still widely used, for example in over-the-air digital television broadcasting and in the DVD-Video standard. Main characteristics MPEG-2 is widely used as the format of digital television signals that are broadcast by terrestrial (over-the-air), cable, and direct broadcast satellite TV systems. It also specifies the format of movies and other programs that are distributed on DVD and similar discs. TV stations, TV receivers, DVD players, and other equipment are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Material Exchange Format
Material Exchange Format (MXF) is a container format for professional digital video and audio media defined by a set of SMPTE standards. A typical example of its use is for delivering advertisements to TV stations and tapeless archiving of broadcast TV programs. It is also used as part of the Digital Cinema Package for delivering movies to commercial theaters. Summary MXF, when used in the form of "Operational Pattern OP1A" or "OPAtom", can be used as a ''container'', ''wrapper'' or ''reference file'' format which supports a number of different streams of coded "essence", encoded in any of a variety of video and audio compression formats, together with a metadata wrapper which describes the material contained within the MXF file. Other "Operational Patterns" can contain or reference multiple materials, just like a simple timeline of a video editing program. MXF has full timecode and metadata support and is intended as a platform-agnostic stable standard for future professio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Videotape
Videotape is magnetic tape used for storing video and usually Sound recording and reproduction, sound in addition. Information stored can be in the form of either an analog signal, analog or Digital signal (signal processing), digital signal. Videotape is used in both video tape recorders (VTRs) and, more commonly, videocassette recorders (VCRs) and camcorders. Videotapes have also been used for storing scientific or medical data, such as the data produced by an electrocardiogram. Because video signals have a very high Bandwidth (signal processing), bandwidth, and Tape head, stationary heads would require extremely high tape speeds, in most cases, a helical scan, helical-scan video head rotates against the moving tape to record the data in two dimensions. Tape is a Linear motion, linear method of storing information and thus imposes delays to access a portion of the tape that is not already against the heads. The early 2000s saw the introduction and rise to prominence of high-q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MPEG-2 Part 2
H.262 or MPEG-2 Part 2 (formally known as ITU-T Recommendation H.262 and ISO/IEC 13818-2, also known as MPEG-2 Video) is a video coding format standardised and jointly maintained by ITU-T Study Group 16 Video Coding Experts Group (VCEG) and ISO/ IEC Moving Picture Experts Group (MPEG), and developed with the involvement of many companies. It is the second part of the ISO/IEC MPEG-2 standard. The ITU-T Recommendation H.262 and ISO/IEC 13818-2 documents are identical. The standard is available for a fee from the ITU-T and ISO. MPEG-2 Video is very similar to MPEG-1, but also provides support for interlaced video (an encoding technique used in analog NTSC, PAL and SECAM television systems). MPEG-2 video is not optimized for low bit-rates (e.g., less than 1 Mbit/s), but somewhat outperforms MPEG-1 at higher bit rates (e.g., 3 Mbit/s and above), although not by a large margin unless the video is interlaced. All standards-conforming MPEG-2 Video decoders are also fully capab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Betacam
Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, ''Betacam'' singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself. All Betacam variants from analog Betacam, Betacam SP and Digital Betacam, HDCAM and HDCAM SR use the same shape videocassettes, meaning vaults and other storage facilities do not have to be changed when upgrading to a new format. The cassette shell and case for each Betacam cassette is colored differently depending on the format, allowing for easy visual identification. There is also a mechanical key that allows a video tape recorder to identify which format has been inserted. The cassettes are available in two sizes: S (short or small) and L (long or large). The Betacam camcorder can only load S magnetic tapes, while television studio sized video tape recorders (VTR) designed for video editing can play both S and L tapes. The format s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tapeless Camcorder
A camcorder is a self-contained portable electronic device with video camera, video and recording as its primary function. It is typically equipped with an articulating screen mounted on the left side, a belt to facilitate holding on the right side, hot-swappable battery facing towards the user, hot-swappable recording media, and an internally contained quiet optical zoom lens. The earliest camcorders were tape-based, recording analog signals onto videotape cassettes. In the 2000s, Digital video, digital recording became the norm, and additionally tape was replaced by storage media such as mini-Hard disk drive, HDD, MiniDVD, internal flash memory and Secure Digital, SD cards. More recent devices capable of recording video are camera phones and digital cameras primarily intended for still pictures, whereas dedicated camcorders are often equipped with more functions and Electrical connector, interfaces than more common cameras, such as an internal optical zoom lens that is able to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Audio
Digital audio is a representation of sound recorded in, or converted into, digital signal (signal processing), digital form. In digital audio, the sound wave of the audio signal is typically encoded as numerical sampling (signal processing), samples in a continuous sequence. For example, in CD audio, samples are taken 44,100 Hertz, times per second, each with 16-bit audio bit depth, resolution. Digital audio is also the name for the entire technology of sound recording and reproduction using audio signals that have been encoded in digital form. Following significant advances in digital audio technology during the 1970s and 1980s, it gradually replaced comparison of analog and digital recording, analog audio technology in many areas of audio engineering, record production and telecommunications in the 1990s and 2000s. In a digital audio system, an analog signal, analog electrical signal representing the sound is converted with an analog-to-digital converter (ADC) into a digital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Video
Digital video is an electronic representation of moving visual images (video) in the form of encoded digital data. This is in contrast to analog video, which represents moving visual images in the form of analog signals. Digital video comprises a series of digital images displayed in rapid succession, usually at 24, 30, or 60 frames per second. Digital video has many advantages such as easy copying, multicasting, sharing and storage. Digital video was first introduced commercially in 1986 with the D1 (Sony), Sony D1 format, which recorded an uncompressed standard-definition component video signal in digital form. In addition to uncompressed formats, popular Data compression, compressed digital video formats today include H.264 and MPEG-4. Modern interconnect standards used for playback of digital video include HDMI, DisplayPort, Digital Visual Interface (DVI) and serial digital interface (SDI). Digital video can be copied and reproduced with no degradation in quality. In contra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Recording
In digital recording, an audio signal, audio or video signal is converted into a stream of discrete numbers representing the changes over time in air pressure for audio, or Color, chroma and luminance values for video. This number stream is saved to a storage device. To play back a digital recording, the numbers are retrieved and converted back into their original analog signal, analog audio or video forms so that they can be heard or seen. In a properly matched analog-to-digital converter (ADC) and digital-to-analog converter (DAC) pair, the analog signal is accurately reconstructed, within the constraints of the Nyquist–Shannon sampling theorem, which dictates the sampling rate and quantization error dependent on the Audio bit depth, audio or Bit depth (computer graphics), video bit depth. Because the signal is stored digitally, assuming proper error detection and correction, the recording is not degraded by copying, storage or interference. Timeline *October 3, 1938: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High-definition Video
High-definition video (HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for ''high-definition'', generally any video image with considerably more than 480 vertical scan lines (North America) or 576 vertical lines (Europe) is considered high-definition. 480 scan lines is generally the minimum even though the majority of systems greatly exceed that. Images of standard resolution captured at rates faster than normal (60 frames/second North America, 50 fps Europe), by a high-speed camera may be considered high-definition in some contexts. Some television series shot on high-definition video are made to look as if they have been shot on film, a technique which is often known as filmizing. History The first electronic scanning format, 405 lines, was the first ''high definition'' television system, since the mechanical systems it replaced had far fewer. From 1939, Europe and the US tried 605 and 441 lines until, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
