World's Peace Jubilee And International Musical Festival
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World's Peace Jubilee And International Musical Festival
The World's Peace Jubilee and International Musical Festival of 1872 took place in the Back Bay area of Boston, Massachusetts. Patrick Sarsfield Gilmore directed the festival, which lasted some 18 days. The jubilee honored the ending of the Franco-Prussian War. Brief history For this well-publicized, high-profile, widely anticipated event, architect William G. Preston designed the "colosseum, with a seating capacity of 100,000, ...erected at a cost of half a million dollars." J.H. Wilcox & Co. designed the 43-foot high pipe organ. At opening ceremonies on June 17, 1872, before some 15,000 spectators, Phillips Brooks presented a prayer and Boston mayor William Gaston and Nathaniel Prentice Banks gave speeches. "Unfortunately the size of the building and the din of the workmen caused passages of the prayer and speeches to be inaudible." Many musicians performed at the jubilee. During the festival "the bands of the Grenadier guards, from London, of the Garde republicaine, fr ...
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Franz Bendel
Franz Bendel (23 March 18333 July 1874) was a German Bohemian pianist, composer, and teacher. Bendel was born in Schönlinde, Bohemia, Austrian Empire. He was a student of Franz Liszt for five years in Weimar. From 1862, he lived in Berlin and taught at Theodor Kullak's Music Academy, Neue Akademie der Tonkunst. He was also the author of over four hundred compositions, many of them for the piano, including one piano concerto. Bendel was a superb pianist who toured extensively until his death from typhoid fever in Boston while on an American tour. He was aged 41. Life Franz Bendel was a son of an elementary school teacher. After the first instruction from his father, he became a student of Josef Proksch. Through his teacher, who encouraged him very much, Bendel later went to Franz Liszt in Weimar, where he also met Wendelin Weißheimer. In 1848, Count Otto von Westphal hired Bendel as a house and music teacher. He held this office for 14 years. Bendel had already emerged ...
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Festivals In Boston
A festival is an event ordinarily celebrated by a community and centering on some characteristic aspect or aspects of that community and its religion or cultures. It is often marked as a local or national holiday, mela, or eid. A festival constitutes typical cases of glocalization, as well as the high culture-low culture interrelationship. Next to religion and folklore, a significant origin is agricultural. Food is such a vital resource that many festivals are associated with harvest time. Religious commemoration and thanksgiving for good harvests are blended in events that take place in autumn, such as Halloween in the northern hemisphere and Easter in the southern. Festivals often serve to fulfill specific communal purposes, especially in regard to commemoration or thanking to the gods, goddesses or saints: they are called patronal festivals. They may also provide entertainment, which was particularly important to local communities before the advent of mass-produced ...
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Cultural History Of Boston
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typical ...
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National Peace Jubilee
The National Peace Jubilee was a celebration that commemorated the end of the American Civil War, organized by Patrick Gilmore in Boston from June 15-19, 1869. It featured an orchestra and a chorus, as well as numerous soloists. More than 11,000 performers participated, including the famous violinist Ole Bull as the orchestra's concertmaster,Hansen, pg. 229 and Carl Zerrahn as director of the choral forces. The Jubilee became the "high-water mark in the influence of the band in American life". Along with the World's Peace Jubilee and International Musical Festival in 1872, it made Gilmore a famous composer and bandmaster. For the Jubilee, a newly commissioned "Hymn of Peace" was written by Dr. Oliver Wendell Holmes, set to the music from "American Hymn" by Matthias Keller (1813-1875) and performed on the opening day.Hall, pg. 14-16 Participants included: *100 choral groups with a total of 10,926 singers *525 musicians with the orchestra *486 musicians with the wind band See also ...
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Oliver Ditson
Oliver Ditson (October 20, 1811 – December 21, 1888) was an American businessman and founder of Oliver Ditson and Company, one of the major music publishing houses of the late 19th century. Early life and career Oliver Ditson was born in Boston, Massachusetts, of Scottish ancestry, on October 20, 1811. His parents lived near the home of Paul Revere at the lower end of Hanover Street. In 1823, just out of grammar school, Oliver became an employee of Col. Samuel Hale Parker, father of J.C.D. Parker, the organist and composer. Col. Parker owned a book store on Washington street, near Franklin Street in Boston, and kept in addition to his regular stock a few pieces of music. At the time the Waverley novels were making their appearance and Col. Parker was republishing them as rapidly as they could be gotten from England. Oliver left the bookstore to master the printer’s trade. About 1834, fire destroyed the store of Col. Parker. With what was saved he moved with his now ind ...
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Louis P
Louis may refer to: * Louis (coin) * Louis (given name), origin and several individuals with this name * Louis (surname) * Louis (singer), Serbian singer * HMS ''Louis'', two ships of the Royal Navy See also Derived or associated terms * Lewis (other) * Louie (other) * Luis (other) * Louise (other) * Louisville (other) * Louis Cruise Lines * Louis dressing, for salad * Louis Quinze, design style Associated names * * Chlodwig, the origin of the name Ludwig, which is translated to English as "Louis" * Ladislav and László - names sometimes erroneously associated with "Louis" * Ludovic, Ludwig, Ludwick Ludwick is a surname of German origin, and may refer to: * Andrew K. Ludwick (born 1946), American businessman *Christopher Ludwick (1720–1801), American baker * Eric Ludwick (born 1971), American baseball player * Robert Ludwick-Forster (born 19 ..., Ludwik, names sometimes translated to English as "Louis" {{disambiguation ...
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Julius Benedict
Sir Julius Benedict (27 November 1804 – 5 June 1885) was a German-born composer and conductor, resident in England for most of his career. Life and music Benedict was born in Stuttgart, the son of a Jewish banker, and in 1820 learnt composition from Johann Nepomuk Hummel at Weimar and in 1821 from Carl Maria von Weber at Dresden; it was Weber who introduced him in Vienna to Beethoven on 5 October 1823. In the same year, he was appointed Kapellmeister of the Kärnthnerthor theatre at Vienna, and two years later in 1825, he became Kapellmeister of the San Carlo theatre at Naples. It was here he gave piano lessons to the young prodigy Theodor Döhler. In Naples his first opera, ''Giacinta ed Ernesto'', premiered in 1827, and another, written for his native city, ''I Portoghesi in Goa'', was given there in 1830; neither of these was a great success, and in 1834 he went to Paris, leaving it in 1835 at the suggestion of Maria Malibran for London, where he spent the remai ...
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Alberto Randegger
Alberto Randegger (13 April 1832 – 18 December 1911) was an Italian-born composer, conductor and singing teacher, best known for promoting opera and new works of British music in England during the Victorian era and for his widely used textbook on singing technique. His compositions included ballets, masses and other church music, operas and numerous other vocal pieces. He also edited several collections of vocal music. He began his composing and conducting career in Italy, where he knew Giuseppe Verdi, but in 1854 he moved to London, which became his base for the rest of his life. From 1857 he conducted Italian opera at the St. James's Theatre and was professor of singing at the Royal College of Music and the Royal Academy of Music, retaining both posts for the rest of his life. From 1859 to 1870 he was organist at St Paul's Church, Regent's Park. Randegger served as musical director of the Carl Rosa Opera Company from 1879 to 1885, gaining a reputation for high quality produc ...
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Dwight's Journal Of Music
''Dwight's Journal of Music'' (1852–1881, ''DJM'') was an American music journal, one of the most respected and influential such periodicals in the country in the mid-19th century. John Sullivan Dwight created the Journal, and published it in Boston, Massachusetts. Among the early writers was Alexander Wheelock Thayer, who would become one of the first major music historians in the country. Other contributors have included John Knowles Paine, William F. Apthorp, W. S. B. Mathews and C. H. Brittan. The ''Journal'' was eventually purchased by music publisher Oliver Ditson.''Continuum'' Publication details The ''Journal'' was published weekly beginning on Saturday, April 10, 1852, with each volume consisting of 26 numbers. Thus, the odd-numbered volumes ran from April to near the end of September, and the even-numbered volumes, from early October to the end of March of the following year. In 1865 the journal was published biweekly and each volume ran for one complete year. In ...
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John Sullivan Dwight
John Sullivan Dwight (May 13, 1813 – September 5, 1893) was a transcendentalist, America's first influential classical music critic, and a school director. Biography Dwight was born in Boston, Massachusetts, the son of John Dwight, M.D. (1773–1852), and Mary Corey. He was a member of the New England Dwight family through his paternal grandfather, John Dwight, Jr. (1740–1816). He graduated from Harvard College in 1832 and then prepared for the Unitarian ministry at Harvard Divinity School, from which he graduated in 1836. Dwight was ordained a minister in 1840, but ministry proved not to be his vocation. Instead it was incredibly brief and tumultuous. Instead he developed a deep interest in music, in particular that of Ludwig van Beethoven. Dwight served as director of the school at the Brook Farm commune, the farm being a utopian communal living experiment, where he also taught music and organized musical and theatrical events. About this time he began writing a reg ...
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Telegraphy
Telegraphy is the long-distance transmission of messages where the sender uses symbolic codes, known to the recipient, rather than a physical exchange of an object bearing the message. Thus flag semaphore is a method of telegraphy, whereas pigeon post is not. Ancient signalling systems, although sometimes quite extensive and sophisticated as in China, were generally not capable of transmitting arbitrary text messages. Possible messages were fixed and predetermined and such systems are thus not true telegraphs. The earliest true telegraph put into widespread use was the optical telegraph of Claude Chappe, invented in the late 18th century. The system was used extensively in France, and European nations occupied by France, during the Napoleonic era. The electric telegraph started to replace the optical telegraph in the mid-19th century. It was first taken up in Britain in the form of the Cooke and Wheatstone telegraph, initially used mostly as an aid to railway signalling. Th ...
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