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Words Get In The Way
"Words Get in the Way" is a song written by Gloria Estefan and released as the third single from her band, Miami Sound Machine, on their second English language album, and ninth overall, ''Primitive Love''. The song is a ballad and became the highest-charting song off the album. Song history As a ballad, "Words Get in the Way" marked a change in sound from the band's earlier singles and foreshadowed Estefan's later success. The song was their first to crack the Top 5 on the U.S. ''Billboard'' Hot 100, peaking at #5, and became their first number-one hit on '' Billboards Adult Contemporary chart in 1986. They didn't achieve the same success internationally, but still managed to reach the Top 20 in other countries. The single was certified Gold by the ARIA for its sales of 35,000 copies. The band re-recorded the song in Spanish Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain **Spanish language, spoken in S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miami Sound Machine
Miami Sound Machine was an American band of Latin-influenced music that had featured the vocals of Cuban-born recording artist Gloria Estefan (née Fajardo). Established in 1975 by Emilio Estefan Jr., the band was originally known as the Miami Latin Boys before becoming the Miami Sound Machine in 1977. The band had a number of albums and a string of hit singles until 1989. The band's 1985 album ''Primitive Love'' credited the band whereas their follow-up album '' Let It Loose'' in 1987 placed Gloria Estefan at the forefront. From 1988 to 1989, the latter album was also repackaged as ''Anything For You'' with new cover art with the international release in Europe, South Africa, Australia and New Zealand. In 1989, the group's name ceased being included on the CD or album products—as Estefan continued as a solo artist. Background In 1975, Gloria and her cousin Mercedes "Merci" Navarro (1957–2007) met Emilio Estefan Jr. while performing at a church ensemble rehearsal. Estefan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Always Tomorrow
"Always Tomorrow" is a song by Cuban American singer and songwriter Gloria Estefan, released worldwide on October 12, 1992 as the first single by Epic Records from her compilation album, ''Greatest Hits''. The song is written by Estefan and produced by her husband Emilio Estefan, Jr., Jorge Casas and Clay Ostwald. It is a guitar-driven acoustic ballad about starting over in the wake of tragedy or disaster. While on tour, Estefan has played the guitar while singing the song. She donated royalties from single sales to the victims of Hurricane Andrew. In 2005, the song was featured in a medley with her No. 1 smash " Coming Out of the Dark" in the compilation "Hurricane Relief: Come Together now", created for Hurricane Katrina relief. Critical reception Larry Flick from '' Billboard'' described the song as a "earnest, thoughtful ballad", and noted further that Estefan's "warm and distinctive alto floats lightly over an arrangement of acoustic guitar strumming and soft, swirling s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Contemporary
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence. Adult contemporary is generally a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music. Adult contemporary tends to have lush, soothing and highly polished qualities where emphasis on melody and harmonies is accentuated. It is usually melodic enough to get a listener's attention, and is inoffensive and pleasurable enough to work well as background music. Like most of pop music, its songs tend to be written in a basic format employing a verse–chorus structure. The format is heavy on romantic sentimental ballads which mostly use acoustic instruments (though bass guitar is usually used) such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Airplay
Airplay is how frequently a song is being played through broadcasting on radio stations. A song which is being played several times every day (spins) would have a significant amount of airplay. Music which became very popular on jukeboxes, in nightclubs and at discotheques between the 1940s and 1960s would also have airplay. Background For commercial broadcasting, airplay is usually the result of being placed into rotation, also called adding it to the station's playlist by the music director, possibly as the result of a Pay for Play sponsored by the record label. For student radio and other community radio or indie radio stations, it is often the selection by each disc jockey, usually at the suggestion of a music director. Geography Most countries have at least one radio airplay chart in existence, although larger countries such as Canada, the United States, the United Kingdom, Germany, Australia, Japan, and Brazil have several, to cover different genres and areas of the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CHR/Pop
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Latin Tracks
The ''Billboard'' Hot Latin Songs (formerly Hot Latin Tracks and Hot Latin 50) is a record chart in the United States for Latin songs, published weekly by ''Billboard'' magazine. Since October 2012, chart rankings are based on digital sales, radio airplay, and online streaming, and only predominantly Spanish language songs are allowed to rank. The chart was established by the magazine on September 6, 1986, and was originally based on airplay on Latin music radio stations. Songs on the chart were not necessarily in Spanish language, since a few songs in English and Portuguese language have also charted. The first number one song of the Hot Latin Songs chart was " La Guirnalda" by Rocío Dúrcal on September 6, 1986. As of the issue for the week ending on December 24, 2022, the chart has had 452 different number one hits, while 181 artists have reached number one (as a lead or a featured act). The current number one song is "Tití Me Preguntó" by Bad Bunny. History On September ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent (historian), David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram Records, Phonogram records and had developed the report initially as a hobby ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga (song)
"Conga" is the first hit single released by the American band Miami Sound Machine, led by Gloria Estefan, on their second English-language album, '' Primitive Love''. The song was written by the band's drummer and lead songwriter Enrique Garcia. The song first appeared on August 31, 1985, as part of the album. The single was released in Australia on September 9, 1985. "Conga" became a worldwide success and is recognized as the Miami Sound Machine and Gloria Estefan's signature song. The single reached the top 10 in various countries, including the United States and the Netherlands. Background According to Gloria Estefan in an interview in the Netherlands television show RTL Late Night, Conga was written after the band had performed "Dr. Beat" in a club called Cartouche in Utrecht, the Netherlands. "Conga" is written in the key of E minor. "Conga" was re-recorded as a new remix in 2001, including samples of "Dr. Beat" and "Rhythm Is Gonna Get You" and was released on Estefan's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Betcha Say That
"Betcha Say That" is a song from 1987 performed by Gloria Estefan and Miami Sound Machine from their 1987 album, '' Let It Loose''. It was written by Larry Dermer, Joe Galdo and Rafael Vigil. Released as the second single from ''Let It Loose'', "Betcha Say That" was not among Estefan's bigger hits of the 1980s, peaking at #36 on the ''Billboard'' Hot 100 chart in October 1987. It was more successful on the ''Billboard'' adult contemporary chart, where the song reached #19. Chart positions from allmusic.comRetrieved 03-17-2009. In the UK, the single was released in September 1987 and like the previous release of Rhythm Is Gonna Get You, it failed to chart. In the US, a single remix was released on 7", and an extended remix was released on a 12" single. The song was not selected for inclusion on the singer's 1992 greatest hits album. Formats and track listings Official versions and remixes Original versions # Album Version — (4:36) Pabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
