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Wind Horse
The wind horse is a symbol of the human soul in the shamanistic tradition of East Asia and Central Asia. In Tibetan Buddhism, it was included as the pivotal element in the center of the four animals symbolizing the cardinal directions and a symbol of the idea of well-being or good fortune. It has also given the name to a type of prayer flag that has the five animals printed on it. Depending on the language, the symbol has slightly different names. * , pronounced ''lungta'', Tibetan for "wind horse" * mn, хийморь, Khiimori, literally "gas horse," semantically "wind horse," colloquial meaning ''soul''. In Tibetan usage In Tibet, a distinction was made between Buddhism (, literally "divine dharma") and folk religion (, "human dharma"). Windhorse was predominantly a feature of the folk culture, a "mundane notion of the layman rather than a Buddhist religious ideal," as Tibetan scholar Samten G. Karmay explains.Karmay, Samten G. ''The Arrow and the Spindle: Studies in H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lungta Symbol
The wind horse is a symbol of the human soul in the shamanistic tradition of East Asia and Central Asia. In Tibetan Buddhism, it was included as the pivotal element in the center of the four animals symbolizing the cardinal directions and a symbol of the idea of well-being or good fortune. It has also given the name to a type of prayer flag that has the five animals printed on it. Depending on the language, the symbol has slightly different names. * , pronounced ''lungta'', Tibetan for "wind horse" * mn, хийморь, Khiimori, literally "gas horse," semantically "wind horse," colloquial meaning ''soul''. In Tibetan usage In Tibet, a distinction was made between Buddhism (, literally "divine dharma") and folk religion (, "human dharma"). Windhorse was predominantly a feature of the folk culture, a "mundane notion of the layman rather than a Buddhist religious ideal," as Tibetan scholar Samten G. Karmay explains.Karmay, Samten G. ''The Arrow and the Spindle: Studies in His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalachakra Tantra
''Kālacakra'' () is a polysemic term in Vajrayana Buddhism that means "wheel of time" or "time cycles". "''Kālacakra''" is also the name of a series of Buddhist texts and a major practice lineage in Indian Buddhism and Tibetan Buddhism. The tantra is considered to belong to the unexcelled yoga ('' anuttara-yoga'') class. Kālacakra also refers both to a patron tantric deity or yidam in Vajrayana and to the philosophies and yogas of the Kālacakra tradition. The tradition's origins are in India and its most active later history and presence has been in Tibet. The tradition contains teachings on cosmology, theology, philosophy, sociology, soteriology, myth, prophecy, medicine and yoga. It depicts a mythic reality whereby cosmic and socio-historical events correspond to processes in the bodies of individuals. These teachings are meant to lead to a transformation of one's body and mind into perfect Buddhahood through various yogic methods. The Kālacakra tradition is based on Mah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chögyam Trungpa
Chögyam Trungpa ( Wylie: ''Chos rgyam Drung pa''; March 5, 1939 – April 4, 1987) was a Tibetan Buddhist meditation master and holder of both the Kagyu and Nyingma lineages of Tibetan Buddhism, the 11th of the Trungpa tülkus, a tertön, supreme abbot of the Surmang monasteries, scholar, teacher, poet, artist, and originator of a radical re-presentation of Tibetan Buddhist teachings and the myth of Shambhala as an enlightened society that was later called Shambhala Buddhism. Recognized both by Tibetan Buddhists and by other spiritual practitioners and scholars as a preeminent teacher of Tibetan Buddhism, he was a major figure in the dissemination of Buddhism in the West, founding Vajradhatu and Naropa University and establishing the Shambhala Training method. Among his contributions are the translation of numerous Tibetan Buddhist texts, and the introduction of the Vajrayana teachings to the West. Trungpa coined the term crazy wisdom. Some of his teaching methods and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Of King Gesar
The Epic of King Gesar ( Tibetan, Bhutanese: གླིང་གེ་སར །), also spelled Geser (especially in Mongolian contexts) or Kesar (), is a work of epic literature of Tibet and greater Central Asia. The epic originally developed around 200 BCE or 300 BCE and about 600 CE. Following this, folk balladeers continued to pass on the story orally; this enriched the plot and embellished the language. The story reached its final form and height of popularity in the early 12th Century. The Epic relates the heroic deeds of the culture hero Gesar, the fearless lord of the legendary kingdom of Ling (). It is recorded variously in poetry and prose, through oral poetry performance, and is sung widely throughout Central Asia and North East of South Asia. Its classic version is to be found in central Tibet. Some 100 bards of this epic (, "tale") are still active today in the Gesar belt of China. Tibetan, Mongolian, Buryat, Balti, Ladakhi and Monguor singers maintain t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Mythology
Chinese mythology () is mythology that has been passed down in oral form or recorded in literature in the geographic area now known as Greater China. Chinese mythology includes many varied myths from regional and cultural traditions. Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese mythology has in the past been believed to be, at least in part, a factual recording of history. Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion. Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which present a more mythological version. Many myths involve the creation and cosmology of the universe and its deities and inhabitants. Some mythology involves creation myths, the origin of things, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Mythology
Hindu mythology is the body of myths and literature attributed to, and espoused by, the adherents of the Hindu religion, found in Hindu texts such as the Vedic literature, epics like ''Mahabharata'' and ''Ramayana'', the Puranas, and regional literature like the Tamil '' Periya Puranam'' and ''Divya Prabandham'', and the '' Mangal Kavya'' of Bengal. Hindu myths are also found in widely translated popular texts such as the fables of the '' Panchatantra'' and the '' Hitopadesha'', as well as in Southeast Asian texts. Primary sources * Vedas ** Rig ** Sama ** Yajur ** Atharva * Itihasa ** Ramayana ** Mahabharata * Maha- Puranas **Agni Purana **Brahma Purana ** Brahmanda Purana **Bhagavata Purana ** Devi-Bhagavata Purana **Garuda Purana ** Kurma Purana **Shiva Purana ** Skanda Purana **Markandeya Purana ** Matsya Purana ** Narada Purana **Linga Purana **Padma Purana ** Varaha Purana **Vayu Purana **Vishnu Purana *Bengali literature **Mangal-Kāvya *Tamil literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Mythology
The Buddhist traditions have created and maintained a vast body of mythological literature. The central myth of Buddhism is the life of the Buddha. This is told in relatively realistic terms in the earliest texts, and was soon elaborated into a complex literary mythology. The chief motif of this story, and the most distinctive feature of Buddhist myth, is the Buddha's renunciation: leaving his home and family for a spiritual quest. Alongside this central myth, the traditions contain large numbers of smaller stories, which are usually supposed to convey an ethical or Buddhist teaching. These include the popular Jātakas, folk tales or legends believed to be past lives of Gautama Buddha. Since these are regarded as episodes in the life of the Buddha, they are treated here as “myth”, rather than distinguishing between myth, legend, and folk-tale. Buddhist mythology is maintained in texts, but these have always existed alongside oral traditions of storytelling, as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cintamani
Cintāmaṇi ( Sanskrit; Devanagari: चिंतामणि; Chinese: 如意寶珠; Pinyin: ''Rúyì bǎozhū''; Japanese Romaji: ''Nyoihōju; Tamil:சிந்தாமணி''), also spelled as Chintamani (or the ''Chintamani Stone''), is a wish -fulfilling jewel within both Hindu and Buddhist traditions, said by some to be the equivalent of the philosopher's stone in Western alchemy. It is one of several Mani Jewel images found in Buddhist scripture. Within Hinduism, it is connected with the gods Vishnu and Ganesha. In Hindu tradition, it is often depicted as a fabulous jewel in the possession of Vishnu as the Kaustubha Mani or as on the forehead of the Naga king called as Naga Mani, or on the forehead of the Makara. The '' Yoga Vasistha'', originally written in the 10th century CE, contains a story about the cintamani. The Hindu Vishnu Purana speaks of the " Syamanta jewel, bestowing prosperity upon its owner, encapsulates the Yadu clan system". The Vishnu Purana i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Three Jewels
In Buddhism, refuge or taking refuge refers to a religious practice, which often includes a prayer or recitation performed at the beginning of the day or of a practice session. Since the period of Early Buddhism until present time, all Theravada and mainstream Mahayana schools only take refuge in the Three Jewels (also known as the Triple Gem or Three Refuges, Pali: ''ti-ratana'' or ''ratana-ttaya''; Sanskrit: ''tri-ratna'' or ''ratna-traya'') which are the Buddha, the Dharma and the Sangha. However, only Vajrayana school includes an expanded refuge formula known as the Three Jewels and Three Roots. Taking refuge is a form of aspiration to lead a life with the Triple Gem at its core. Taking refuge is done by a short formula in which one names the Buddha, the dharma and the saṅgha as refuges. In early Buddhist scriptures, taking refuge is an expression of determination to follow the Buddha's path, but not a relinquishing of responsibility. Refuge is common to all major schools ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Tiger (China)
The White Tiger ( Chinese: 白虎, Pinyin: ''Báihǔ''), known in Chinese as Baihu, is one of the Four Symbols of the Chinese constellations. It is sometimes called the White Tiger of the West (). It represents the west in terms of direction and the autumn season. It is known as Byakko in Japanese, Baekho in Korean, and Bạch Hổ in Vietnamese. Seven Mansions As with the other three Symbols, there are seven astrological "Mansions" (positions of the Moon) within the White Tiger. The names and determinative stars are: Origin In Chinese culture, the tiger is the king of the beasts and has been presented with a () on his forehead for centuries. According to legend, the tiger's tail would turn white when it reached the age of 500 years. In this way, the white tiger became a kind of mythological creature. It was said that the white tiger would only appear when the emperor ruled with absolute virtue or if there was peace throughout the world. Because the color white of the Wu X ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
