We'll To The Woods No More (John Ireland)
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We'll To The Woods No More (John Ireland)
''We'll to the Woods No More'' is a song cycle for voice and piano composed in 1928 by John Ireland. It consists of settings of two poems by A. E. Housman Alfred Edward Housman (; 26 March 1859 – 30 April 1936) was an English classical scholar and poet. After an initially poor performance while at university, he took employment as a clerk in London and established his academic reputation by pub ... (18591936) and a concluding piece for solo piano named after a third. A performance takes about 8 minutes. The poems are: # "We'll to the Woods No More" ( Last Poems (1922), unnumbered preface) # "In Boyhood" ("When I would muse in boyhood"; Last Poems, No. XXXII) # "Spring Will Not Wait" ("'Tis time, I think, by Wenlock town"; A Shropshire Lad (1896), No. XXXIX) John France has written, "The mood of this cycle is typically a deep sense of the fragility of life, love and friendship that so influenced both men." Rob Barnett has written of the piano piece "Spring Will Not Wait ...
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Song Cycle
A song cycle (german: Liederkreis or Liederzyklus) is a group, or cycle (music), cycle, of individually complete Art song, songs designed to be performed in a sequence as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces. The number of songs in a song cycle may be as brief as two songs or as long as 30 or more songs. The term "song cycle" did not enter lexicography until 1865, in Arrey von Dommer's edition of ''Koch’s Musikalisches Lexikon'', but works definable in retrospect as song cycles existed long before then. One of the earliest examples may be the set of seven Cantiga de amigo, Cantigas de amigo by the 13th-century Galicians, Galician jongleur Martin Codax. Jeffrey Mark identified the group of dialect songs 'Hodge und Malkyn' from Thomas Ravenscroft's ''The Briefe Discourse'' (1614) as the first of a number of early 17th Century examples in England. A song cycle is ...
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John Ireland (composer)
John Nicholson Ireland (13 August 187912 June 1962) was an English composer and teacher of music. The majority of his output consists of piano miniatures and of songs with piano. His best-known works include the short instrumental or orchestral work " The Holy Boy", a setting of the poem " Sea-Fever" by John Masefield, a formerly much-played Piano Concerto, the hymn tune Love Unknown and the choral motet "Greater Love Hath No Man". Life John Ireland was born in Bowdon, near Altrincham, Cheshire, into a family of English and Scottish descent and some cultural distinction. His father, Alexander Ireland, a publisher and newspaper proprietor, was aged 69 at John's birth. John was the youngest of the five children from Alexander's second marriage (his first wife had died). His mother, Annie Elizabeth Nicholson Ireland, was a biographer and 30 years younger than Alexander. She died in October 1893, when John was 14, and Alexander died the following year, when John was 15.
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Last Poems
''Last Poems'' (1922) was the last of the two volumes of poems which A. E. Housman published during his lifetime. Of the 42 poems there, seventeen were given titles, a greater proportion than in his previous collection, ''A Shropshire Lad'' (1896). Although it was not quite so popular with composers, the majority of the poems there have been set to music. Background Housman was an emotionally withdrawn man whose closest friend and lifelong unrequited love Moses Jackson had been his roommate when he was at Oxford in 187782. In the 1920s, when Jackson was dying in Canada, Housman compiled forty-two poems into a volume entitled ''Last Poems'' for him to read. The introduction to the volume, dated September 1922, explains his rationale: :''I publish these poems, few though they are, because it is not likely that I shall ever be impelled to write much more. I can no longer expect to be revisited by the continuous excitement under which in the early months of 1895 I wrote the ...
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Much Wenlock
Much Wenlock is a market town and parish in Shropshire, England, situated on the A458 road between Shrewsbury and Bridgnorth. Nearby, to the northeast, is the Ironbridge Gorge, and the new town of Telford. The civil parish includes the villages of Homer (1 mile north of the town), Wyke (2 miles northeast), Atterley (2 miles southeast), Stretton Westwood (2 miles southwest) and Bourton (3 miles southwest). The population of the civil parish, according to the 2001 census, was 2,605, increasing to 2,877 at the 2011 Census. Notable historic attractions in the town are Wenlock Priory and the Guildhall. The Wenlock Olympian Games established by William Penny Brookes in 1850 are centred in the town. Brookes is credited as a founding father of the modern Olympic Games, and one of the London 2012 Summer Olympics mascots was named Wenlock after the town. Toponym Much Wenlock is historically the chief town of the ancient borough of Wenlock. "Much" was added to distinguish it fro ...
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A Shropshire Lad
''A Shropshire Lad'' is a collection of sixty-three poems by the English poet Alfred Edward Housman, published in 1896. Selling slowly at first, it then rapidly grew in popularity, particularly among young readers. Composers began setting the poems to music less than ten years after their first appearance, and many parodists have satirised Housman's themes and poetic style. A Shropshire Rhapsody Housman is said originally to have titled his book ''The Poems of Terence Hearsay'', referring to a character there, but changed the title to ''A Shropshire Lad'' at the suggestion of a colleague in the British Museum. A friend of his remembered otherwise, however, and claimed that Housman's choice of title was always the latter. He had more than a year to think about it, since most of the poems he chose to include in his collection were written in 1895, while he was living at Byron Cottage in Highgate. The book was published the following year, partly at the author's expense, after ...
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Song Cycles By John Ireland
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical compos ...
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1928 Compositions
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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