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Walking In Space
''Walking in Space'' is a 1969 studio album by Quincy Jones. The album was recorded for A&M who released the album with a cover photo of Jones taken by Pete Turner. Vocalist Valerie Simpson is featured on the title track, an arrangement of a song from the hit rock musical '' Hair''. "Dead End" is also from ''Hair'' and "Killer Joe" features Ray Brown on bass and Grady Tate on drums. Track listing # "Dead End" (Galt MacDermot, James Rado, Gerome Ragni) – 4:05 # "Walking in Space" (MacDermot, Rado, Ragni) – 12:06 as Hair (Original Broadway Cast Recording) # "Killer Joe" ( Benny Golson) – 5:12 # "Love and Peace" ( Arthur Adams) – 5:48 # "I Never Told You" (Arthur Hamilton, Johnny Mandel) – 4:18 # "Oh Happy Day" (Edwin Hawkins) – 3:37 Personnel * Quincy Jones - conductor, arranger * Freddie Hubbard, Lloyd Michaels, Dick Williams, John Frosk, Marvin Stamm, Snooky Young – trumpet * Jimmy Cleveland, J. J. Johnson, Alan Raph, Tony Studd, Norman Pride, Kai Windin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quincy Jones
Quincy Delight Jones Jr. (born March 14, 1933) is an American record producer, musician, songwriter, composer, arranger, and film and television producer. His career spans 70 years in the entertainment industry with a record of 80 Grammy Award nominations, 28 Grammys, and a Grammy Legend Award in 1992. Jones came to prominence in the 1950s as a jazz arranger and conductor before working on pop music and film scores. He moved easily between musical genres, producing pop hit records for Lesley Gore in the early 1960s (including " It's My Party") and serving as an arranger and conductor for several collaborations between the jazz artists Frank Sinatra and Count Basie in the same time period. In 1968, Jones became the first African American to be nominated for an Academy Award for Best Original Song for "The Eyes of Love" from the film '' Banning''. Jones was also nominated for an Academy Award for Best Original Score for his work on the 1967 film ''In Cold Blood'', making him the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hair (Original Broadway Cast Recording)
''Hair'' is a 1968 cast recording of the musical '' Hair'' on the RCA Victor label. Sarah Erlewine, for AllMusic, wrote: "The music is heartening and invigorating, including the classics 'Aquarius,' ' Good Morning Starshine,' ' Let the Sunshine In,' 'Frank Mills' ... and 'Easy to Be Hard.' The joy that has been instilled in this original Broadway cast recording shines through, capturing in the performances of creators Gerome Ragni and James Rado exactly what they were aiming for — not to speak for their generation, but to speak for themselves."Erlewine, Sarah".html" ;"title="riginal Broadway Cast Recording">"''Hair'' "">riginal_Broadway_Cast_Recording">"''Hair''_[Original_Broadway_Cast_Recording/nowiki>"_AllMusic.com,_accessed_October_1,_2015 The_album_charted_at_No._1_on_the_Billboard_200.html" ;"title="riginal Broadway Cast Recording/nowiki>"">riginal Broadway Cast Recording">"''Hair'' [Original Broadway Cast Recording/nowiki>" AllMusic.com, accessed October 1, 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many disti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snooky Young
Eugene Edward "Snooky" Young (February 3, 1919 – May 11, 2011) was an American jazz trumpeter. He was known for his mastery of the plunger mute, with which he was able to create a wide range of sounds. Biography Young was lead trumpeter of the Jimmie Lunceford band from 1939 to 1942. He played with Count Basie (three stints totalling eight years), Gerald Wilson and Lionel Hampton, among others, and was an original member of the Thad Jones/Mel Lewis Big Band. His longest engagement was with NBC, where, as a studio trumpeter, he joined ''The Tonight Show'' Band in 1967 and remained with them until 1992, when the band was replaced by a new, smaller group. He was part of the touring ensemble, the "Now Generation Brass" that traveled with Doc Severinsen, an ensemble that included other jazz greats such as reed man Lew Tabackin, drummer Ed Shaughnessy, saxophonist & arranger Tommy Newsom as well as singer Robert Ozn. Young went on to performing live concert dates, corporate e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marvin Stamm
Marvin Louis Stamm (born May 23, 1939) is an American jazz trumpeter. Career Stamm was born in Memphis, Tennessee, United States. Stamm began on trumpet at age twelve. He attended North Texas State University, where he was a member of the One O'Clock Lab Band. He was a member of Stan Kenton's Mellophonium Orchestra from 1961 to 1963, then worked with Woody Herman from 1965 to 1966. Following this he was with The Thad Jones/Mel Lewis Orchestra from 1966 to 1972 and with Benny Goodman from 1974 to 1975. In the 1970s, he began a decades-long career as a prolific studio and session musician. In the studio he has recorded with Paul McCartney, Average White Band, Bill Evans, Quincy Jones, Donald Fagen, Oliver Nelson, Duke Pearson, Wes Montgomery, Freddie Hubbard, Stanley Turrentine, Grover Washington, Jr., Patrick Williams, Michel Legrand, Lena Horne, Frank Foster, Paul Desmond, Frankie Valli, Deodato, Les DeMerle, and George Benson. He played the flugelhorn solo on " Un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Williams (musician)
Richard Gene Williams (May 4, 1931 – November 4, 1985) was an American jazz trumpeter. Biography Williams was born in Galveston, Texas, and played tenor saxophone early in his life before picking up trumpet as a teenager. He played in local Texas bands and attended Wiley College, where he majored in music. After serving in the Air Force from 1952–56, he toured Europe with Lionel Hampton, and upon his return took a master's degree at the Manhattan School of Music. Williams played with Charles Mingus at the Newport Jazz Festival in 1959, and recorded with Mingus starting in that year. He recorded his only session as a leader, ''New Horn in Town'' (1960) for Candid Records, and featuring Reggie Workman, Leo Wright, Richard Wyands, and Bobby Thomas. Williams was a sideman on many releases for Blue Note, Impulse!, New Jazz, Riverside, and Atlantic in the 1960s. Among the musicians he worked with, apart from Mingus, are Oliver Nelson, Grant Green, Lou Donaldson, Yusef Lateef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Hubbard
Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. Career beginnings Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin studying at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, the principal trumpeter of the Indianapolis Symphony Orchestra. In his teens, Hubbard worked locally with brothers Wes and Monk Montgomery, and worked with bassist Larry Ridley and saxophonist James Spaulding. In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly Joe Jones, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arranger
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' pieces. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edwin Hawkins
Edwin Reuben Hawkins (August 19, 1943 – January 15, 2018) was an American gospel musician, pianist, choir master, composer, and arranger. He was one of the originators of the urban contemporary gospel sound. He (as leader of the Edwin Hawkins Singers) was probably best known for his arrangement of " Oh Happy Day" (1968–69), which was included on the " Songs of the Century" list. The Edwin Hawkins Singers made a second foray into the charts exactly one year later, backing folk singer Melanie on " Lay Down (Candles in the Rain)". Biography Hawkins was born in Oakland, California, on August 19, 1943. At the age of seven, he was already the keyboardist to accompany the family's gospel group. Together with Betty Watson in May 1967, he was co-founder of the Northern California State Youth Choir of the Church of God in Christ (COGIC), which included almost fifty members. This ensemble recorded its first album, ''Let Us Go into the House of the Lord'', at the Ephesian Church of God ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oh Happy Day
"Oh Happy Day" is a 1967 gospel music arrangement of the 1755 hymn by clergyman Philip Doddridge. Recorded by the Edwin Hawkins Singers, it became an international hit in 1969, reaching No. 4 on the US Singles Chart, No. 1 in France, Germany, and the Netherlands and No. 2 on the Canadian Singles Chart, UK Singles Chart, and Irish Singles Chart. It has since become a gospel music standard. The recording begins with a muted piano, drum, and bass, backing lead singer Dorothy Combs Morrison on the left-hand stereo channel, then alternates twice with a full-throated chorus that includes a large ensemble, rising to a crescendo with handclaps, and ending with a return to the muted sound as at the beginning. The track is notable for its clear sound given the powerful vocals and the modest equipment used to capture them. It was made at Hawkins' church, the Ephesian Church of God in Christ in Berkeley, California. Origins The gospel style arrangement of the hymn "Oh, Happy Day" by Edwi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Mandel
John Alfred Mandel (November 23, 1925June 29, 2020) was an American composer and arranger of popular songs, film music and jazz. The musicians he worked with include Count Basie, Frank Sinatra, Peggy Lee, Anita O'Day, Barbra Streisand, Tony Bennett, Diane Schuur and Shirley Horn. He won five Grammy Awards - from 17 nominations; his first nomination was for his debut film score for the multi-nominated 1958 film ''I Want to Live!'' Early life Mandel was born in the borough of Manhattan in New York City on November 23, 1925. His father, Alfred, was a garment manufacturer who ran Mandel & Cash; his mother, Hannah (Hart-Rubin), had aimed to be an opera singer and discovered her son had perfect pitch at the age of five. His family was Jewish. They moved to Los Angeles in 1934, after his father's business collapsed during the Great Depression. Mandel was given piano lessons, but switched to the trumpet and later the trombone. Career Mandel studied at the Manhattan School of Music and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
