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Vittore Grubicy De Dragon
Vittore Grubicy de Dragon (15 October 1851 – 4 August 1920) was an Italian painter, art critic and art gallery owner who was largely responsible for introducing into Italian painting the optical theories of Divisionism. His writings and paintings influenced a generation of late 19th-century Italian painters. In addition, the Grubicy Gallery became one of the first art enterprises to be run on the concept of exhibiting living artists that were represented as clients of the gallery. Biography Grubicy grew up in a well-to-do family in Milan. Both of his parents were great art lovers, and from an early age he was introduced to the art circles in Milan and other European cities. After his father died in 1870, Grubicy became involved with a bohemian group of Milanese artists, poets and writers known as the Scapigliatura, who sought to blur the differences between art and life. He was so taken with this new lifestyle that he convinced his brother Alberto to join him in buying ...
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Giovanni Segantini
Giovanni Segantini (15 January 1858 – 28 September 1899) was an Italian painter known for his large pastoral landscapes of the Alps. He was one of the most famous artists in Europe in the late 19th century, and his paintings were collected by major museums. In later life, he combined a Divisionist painting style with Symbolist images of nature. He was active in Switzerland during the last period of his life. Biography Giovanni Battista Emanuele Maria Segatini 'sic''was born at Arco in Trentino, which was then part of the County of Tyrol in the Austro-Hungarian Empire. He later changed his family name by adding an "n" after the "a". He was the second child of Agostino Segatini (1802–1866) and Margarita De Girardi (1828–1865). His older brother, Lodovico, died in a fire the year Giovanni was born. During the first seven years of his life, his father, who was a tradesman, traveled extensively while looking for work. Except for a six-month period in 1864 when Agostino re ...
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Triptych
A triptych ( ; from the Greek adjective ''τρίπτυχον'' "''triptukhon''" ("three-fold"), from ''tri'', i.e., "three" and ''ptysso'', i.e., "to fold" or ''ptyx'', i.e., "fold") is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry. Beyond its association with art, the term is sometimes used more generally to connote anything with three parts, particularly if integrated into a single unit. In art The triptych form appears in early Christian art, and was a popular standard format for altar paintings from the Middle Ages onwards. Its geographical range was from the eastern Byzantine churches to the ...
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19th-century Italian Male Artists
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ...
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19th-century Italian Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ...
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Divisionist Painters
Divisionism, also called chromoluminarism, was the characteristic style in Neo-Impressionist painting defined by the separation of colors into individual dots or patches which interacted optically..Homer, William I. ''Seurat and the Science of Painting.'' Cambridge, MA: The MIT Press, 1964. By requiring the viewer to combine the colors optically instead of physically mixing pigments, Divisionists believed they were achieving the maximum luminosity scientifically possible. Georges Seurat founded the style around 1884 as chromoluminarism, drawing from his understanding of the scientific theories of Michel Eugène Chevreul, Ogden Rood and Charles Blanc, among others. Divisionism developed along with another style, Pointillism, which is defined specifically by the use of dots of paint and does not necessarily focus on the separation of colors.Ratliff, Floyd. ''Paul Signac and Color in Neo-Impressionism.'' New York: Rockefeller UP, 1992. . Theoretical foundations and development ...
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1920 Deaths
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * '' Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by S ...
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1851 Births
Events January–March * January 11 – Hong Xiuquan officially begins the Taiping Rebellion. * January 15 – Christian Female College, modern-day Columbia College, receives its charter from the Missouri General Assembly. * January 23 – The flip of a coin, subsequently named Portland Penny, determines whether a new city in the Oregon Territory is named after Boston, Massachusetts, or Portland, Maine, with Portland winning. * January 28 – Northwestern University is founded in Illinois. * February 1 – ''Brandtaucher'', the oldest surviving submersible craft, sinks during acceptance trials in the German port of Kiel, but the designer, Wilhelm Bauer, and the two crew escape successfully. * February 6 – Black Thursday in Australia: Bushfires sweep across the state of Victoria, burning about a quarter of its area. * February 12 – Edward Hargraves claims to have found gold in Australia. * February 15 – In Boston ...
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Fondazione Cassa Di Risparmio Di Tortona
Cassa di Risparmio di Tortona was an Italian savings bank based in Tortona, Piedmont. The bank was merged into Banca Lombarda in 1999 (the predecessor of UBI Banca), while the former owner of the bank, ''Fondazione Cassa di Risparmio di Tortona'', still operates as a charity organization. History Cassa di Risparmio di Tortona was found in 1911. In 1991 due to Legge Amato, the daily banking operation and ownership were split into a Società per azioni (Banca Cassa di Risparmio di Tortona SpA) and Fondazione Cassa di Risparmio di Tortona. Cassa di Risparmio di Torino (Banca CRT) acquired minority ownership on CR Tortona in 1990s, for 25%. The shares of CR Tortona was sold CR Alessandria after Banca CRT joined Unicredito. In 1999, the majority owner of CR Tortona SpA, Foundation CR Tortona, sold 60% shares of the bank to Banca Lombarda e Piemontese, which was completely disposed in 2006. The intermediate holding company of the bank circa 2004–05 was Banca Regionale Europea (60%), ...
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Giuseppe Pellizza Da Volpedo
Giuseppe Pellizza da Volpedo (28 July 1868 – 14 June 1907) was an Italian divisionist painter. He was born and died in Volpedo, in the Piedmont region of northern Italy. Pellizza was a pupil of Pio Sanquirico. He used a divisionist technique in which a painting is created by juxtaposing small dots of paint according to specific color theory. Although he exhibited often, his work achieved popularity in death through their reproduction in socialist magazines and the acclaim they received from 20th century art critics. Biography Giuseppe Pellizza was born in Volpedo, of the Province of Alessandria on July 28, 1868, to Pietro and Maddalena Cantù and into a wealthy peasant family. He attended the technical school of Castelnuovo Scrivia, where he learned the first elements of drawing. Thanks to the knowledge gained with the commercialization of their products, the Pellizzas contacted the brothers Grubicy, who promoted the enrollment of Giuseppe in the Brera Academy. There, Pe ...
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Arturo Tosi
Arturo Tosi (1871–1956) was an Italian painter known best for his landscapes. Biography He was born in Busto Arsizio (Varese). He moved to Milan in 1882 and attended the school of nude studies at the Brera Academy of Fine Arts from 1890 to 1891. He made his debut at the 1st Esposizione Triennale di Belle Arti in 1891 and attracted the attention of Vittore Grubicy, who steered him towards the late 19th-century Lombard tradition. Specialising in landscapes of the valleys around Bergamo, he presented work at the national exhibition held in Milan to mark the inauguration of the Sempione tunnel in 1906. His participation in the Venice Biennale began in 1909 with the 8th Esposizione Internazionale d’Arte della Città di Venezia and continued uninterruptedly until 1956. Tosi came into contact with the critic Margherita Sarfatti in the 1920s and held his first solo show in 1923 at the Galleria Pesaro in Milan. He served on the Novecento Italiano governing committee and took part in ...
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Pietro Angelini
Pietro Angelini (born 7 December 1971 in L'Aquila) is an Italian former professional tennis player. Active in the 1990s, Angelini is a native of L'Aquila and reached a best world ranking of 253, competing mostly in satellite and Challenger tournaments. He featured in the qualifying draw for the 1993 French Open and made an ATP Tour The ATP Tour is a worldwide top-tier tennis tour for men organized by the Association of Tennis Professionals. The second-tier tour is the ATP Challenger Tour and the third-tier is the ITF Men's World Tennis Tour. The equivalent women's organ ... main draw appearance at the 1998 Campionati Internazionali di San Marino, losing at the first stage in both. ITF Futures titles Singles: (1) References External links * * {{DEFAULTSORT:Angelini, Pietro 1971 births Living people Italian male tennis players Sportspeople from L'Aquila ...
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Carlo Carrà
Carlo Carrà (; February 11, 1881 – April 13, 1966) was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art. He taught for many years in the city of Milan. Biography Carrà was born in Quargnento, near Alessandria (Piedmont). At the age of 12 he left home in order to work as a mural decorator. In 1899–1900, Carrà was in Paris decorating pavilions at the Exposition Universelle, where he became acquainted with contemporary French art. He then spent a few months in London in contact with exiled Italian anarchists, and returned to Milan in 1901. In 1906, he enrolled at Brera Academy (''Accademia di Brera'') in the city, and studied under Cesare Tallone. In 1910 he signed, along with Umberto Boccioni, Luigi Russolo and Giacomo Balla the ''Manifesto of Futurist Painters'', and began a phase of painting that became his ...
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