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Vicente Do Rego Monteiro (film)
Vicente do Rego Monteiro (December 19, 1899 — June 5, 1970), born in Recife, was a Brazilian painter, sculptor, and poet, born to a rich family. He was part of the Semana de Arte Moderna exhibition and helped form the later Brazilian Modernism. Biography Vicente do Rego Monteiro was part of a rich Pernambuco family in Recife. His mother was a professor and his father a businessman. He was born December 19, 1899. He was known for being a Brazilian painter, poet and sculptor, by 1911 he went to Paris, in company of his older sister. He attended a course, for little time, at the Académie Julian, as well as the academies Colarossi and the Grande Chaumiére. At those academies he established close friendships with Parisian Modernists. With precocious talent, in 1913 and 1914 he showed his art for the first time by participating in the Hall of the Independent Artists (Salons des Indépendents), in the French capital. He returned to Brazil in 1917, and established himself in R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noble Savage
A noble savage is a literary stock character who embodies the concept of the Indigenous peoples, indigene, outsider, wild human, an "Other (philosophy), other" who has not been "corrupted" by civilization, and therefore symbolizes humanity's innate goodness. Besides appearing in many works of fiction and philosophy, the stereotype was also heavily employed in early Anthropology, anthropological works. In English, the phrase first appeared in the 17th century in John Dryden's heroic play ''The Conquest of Granada'' (1672), wherein it was used in reference to newly created man. "Savage" at that time could mean "wild beast" as well as "wild man". The phrase later became identified with the idealized picture of "nature's gentleman", which was an aspect of 18th-century Moral sense theory, sentimentalism. The noble savage achieved prominence as an oxymoronic rhetorical device after 1851, when used sarcastically as the title for a satirical essay by English novelist Charles Dickens, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marajó
Marajó () is a large coastal island in the state of Pará, Brazil. It is the main and largest of the islands in the Marajó Archipelago. Marajó Island is separated from the mainland by Marajó Bay, Pará River, smaller rivers (especially Macacos and Tajapuru), Companhia River, Jacaré Grande River, Vieira Grande Bay and Atlantic Ocean. From approximately 400 BC to 1600 AD, Marajó was the site of an advanced Pre-Columbian society called the Marajoara culture, which may have numbered more than 100,000 people at its peak. Today, the island is known for its large water buffalo population, as well as the ''pororoca'' tidal bore periodically exhibited by high tides overcoming the usual complex hydrodynamic interactions in the surrounding rivers. It is the second-largest island in South America, and the 35th largest island in the world. With a land area of Marajó is comparable in size to Switzerland. Its maximum span is long and in perpendicular width. Geography Maraj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Deco
Art Deco, short for the French ''Arts Décoratifs'', and sometimes just called Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s (just before World War I), and flourished in the United States and Europe during the 1920s and 1930s. Through styling and design of the exterior and interior of anything from large structures to small objects, including how people look (clothing, fashion and jewelry), Art Deco has influenced bridges, buildings (from skyscrapers to cinemas), ships, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects like radios and vacuum cleaners. It got its name after the 1925 Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. Art Deco combined modern styles with fine craftsmanship and rich materials. During its heyday, it represented luxury, glamour, exuberance, and faith in socia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Futurism
Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 '' Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting ''Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurists would later go on to found groups of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock Printing In Japan
Woodblock printing in Japan (, ''mokuhanga'') is a technique best known for its use in the ''ukiyo-e'' artistic genre of single sheets, but it was also used for printing books in the same period. Widely adopted in Japan during the Edo period (1603–1868) and similar to woodcut in Western printmaking in some regards, the mokuhanga technique differs in that it uses water-based inks—as opposed to western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency. History Early, to 13th century In 764 the Empress Kōken commissioned one million small wooden pagodas, each containing a small woodblock scroll printed with a Buddhist text ('' Hyakumantō Darani''). These were distributed to temples around the country as thanks for the suppression of the Emi Rebellion of 764. These are the earliest examples of woodblock printing known, or documented, from Japan. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paubrasilia
''Paubrasilia echinata'' is a species of flowering plant in the legume family, Fabaceae, that is endemic to the Atlantic Forest of Brazil. It is a Brazilian timber tree commonly known as Pernambuco wood or brazilwood ( pt, pau-de-pernambuco, ; Tupi: ) and is the national tree of Brazil. This plant has a dense, orange-red heartwood that takes a high shine, and it is the premier wood used for making bows for stringed instruments. The wood also yields a historically important red dye called brazilin, which oxidizes to brazilein. The name ''pau-brasil'' was applied to certain species of the genus ''Caesalpinia'' in the medieval period, and was given its original scientific name ''Caesalpinia echinata'' in 1785 by Jean-Baptiste Lamarck. More recent taxonomic studies have suggested that it merits recognition as a separate genus, and it was thus renamed ''Paubrasilia echinata'' in 2016. The Latin specific epithet of ''echinata'' refers to hedgehog, from ''echinus'', and describ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manifesto Antropófago
The Anthropophagic Manifesto (Portuguese: ') was published in 1928 by the Brazilian poet and polemicist Oswald de Andrade, a key figure in the cultural movement of Brazilian Modernism and contributor to the publication '' Revista de Antropofagia''. It was inspired by "'' Abaporu''," a painting by Tarsila do Amaral, modernist artist and wife of Oswald de Andrade. The essay was translated to English in 1991 by Leslie Bary; Content Written in poetic prose in the modernist style of ''Une Saison en Enfer'' by Rimbaud, the ''Manifesto Antropófago'' is more directly political than Oswald's previous manifesto, ''Manifesto Pau-Brasil'', which was created in the interest of propagating a Brazilian poetry for export. The "Manifesto" has often been interpreted as an essay in which the main argument proposes that Brazil's history of "cannibalizing" other cultures is its greatest strength, while playing on the modernists' primitivist interest in cannibalism as an alleged tribal rite. Cann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anita Malfatti
Anita Catarina Malfatti (December 2, 1889 – November 6, 1964) is heralded as the first Brazilian artist to introduce European and American forms of Modernism to Brazil. Her solo exhibition in Sao Paulo, from 1917–1918, was controversial at the time, and her expressionist style and subject were revolutionary for the complacently old-fashioned art expectations of Brazilians who were searching for a national identity in art, but who were not prepared for the influences Malfatti would bring to the country. Malfatti's presence was also highly felt during the Week of Modern Art (''Semana de Arte Moderna'') in 1922, where she and the ''Group of Five'' made huge revolutionary changes in the structure and response to modern art in Brazil. Historical background The cultural history throughout Brazil is relevant to the changing theories of art's purpose and the consequential role that Modernist artists played. There were not many art institutions in Brazil and the country lacked a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mário De Andrade
Mário Raul de Morais Andrade (October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. He wrote one of the first and most influential collections of modern Brazilian poetry, '' Paulicéia Desvairada'' (''Hallucinated City''), published in 1922. He has had considerable influence on modern Brazilian literature, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil. Andrade was a central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism. His photography and essays on a wide variety of subjects, from history to literature and music, were widely published. He was the driving force behind the Week of Modern Art, the 1922 event that reshaped both literature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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