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Vessel Orchestra
The ''Vessel Orchestra'' is a sound-based art installation created by British artist Oliver Beer (artist), Oliver Beer. It is the first sound-oriented installation ever commissioned by the Metropolitan Museum of Art. The installation is composed of 32 objects from the museum's collection. Each object has a microphone placed in its hollow space in order to capture the natural sounds that each piece resonates. Beer chose each object for its unique Pitch (music), pitch. For instance, a clay vase by Joan Miró resonates the musical note low F. The internal microphones, which do not touch the objects, are connected to a mixer, which is hooked up to a keyboard, therefore allowing a musician to "play" the objects, creating music. The installation was opened to the general public on July 2, 2019, and was on display at the Met Breuer until August 11, 2019. During the exhibit the installation played repeatedly a 20-minute loop of a composition by Beer. In addition, the instrument was played on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliver Beer (artist)
Oliver Beer (born 1985) is a British artist who lives and works in Kent and Paris. He graduated in 2009 from the Ruskin School of Drawing and Fine Art, University of Oxford, England and in 2007 from the Academy of Contemporary Music in England. Biography Beer's background in both music and fine art led to an early interest in the relationship between sound and space, particularly the voice and architecture. He has translated his research into fascinating performances in which spectators take part by the mere fact of their presence, and he makes sculptures and videos that embody, literally or metaphorically, the plastic expression of this subtle relationship and the way the human body experiences it. Within and alongside his work with sound, Oliver Beer creates subtle and diverse sculptural, installation and film projects whose provenance sometimes seems biographical; but in which his play with universal – often intimate – concerns draws on shared emotions and perceptions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iranian Pottery
Persian pottery or Iranian pottery is the pottery made by the artists of Persia (Iran) and its history goes back to early Neolithic Age (7th millennium BCE). Agriculture gave rise to the baking of clay, and the making of utensils by the people of Iran. Through the centuries, Persian potters have responded to the demands and changes brought by political turmoil by adopting and refining newly introduced forms and blending them into their own culture. This innovative attitude has survived through time and influenced many other cultures around the world. There were two types of earthenware that were prevalent in Iran around 4,000 BC: red and black ceramics that were simplistic in their decorative style. As the art expanded, earthenware incorporated geometric designs which resulted in a more developed decorative style. This increasingly complex style was accompanied by the creation of a wider variety of the kinds of pottery that were made. In the prehistoric period, the produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tepe Sialk
Tepe Sialk ( fa, تپه سیلک) is a large ancient archeological site (a ''tepe'', "hill, tell") in a suburb of the city of Kashan, Isfahan Province, in central Iran, close to Fin Garden. The culture that inhabited this area has been linked to the Zayandeh River Culture. History A joint study between Iran's Cultural Heritage Organization, the Louvre, and the Institut Francais de Recherche en Iran also verifies the oldest settlements in Sialk to date to around 6000–5500 BC. The Sialk ziggurat was built around 3000 BC. Sialk, and the entire area around it, is thought to have originated as a result of the pristine large water sources nearby that still run today. The Cheshmeh ye Soleiman ("Solomon's Spring") has been bringing water to this area from nearby mountains for thousands of years. The Fin garden, built in its present form in the 17th century, is a popular tourist attraction. It is here that the kings of the Safavid dynasty would spend their vacations away from their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jingdezhen Ware
Jingdezhen porcelain () is Chinese porcelain produced in or near Jingdezhen in Jiangxi province in southern China. Jingdezhen may have produced pottery as early as the sixth century CE, though it is named after the reign name of Emperor Zhenzong, in whose reign it became a major kiln site, around 1004. By the 14th century it had become the largest centre of production of Chinese porcelain, which it has remained, increasing its dominance in subsequent centuries. From the Ming period onwards, official kilns in Jingdezhen were controlled by the emperor, making imperial porcelain in large quantity for the court and the emperor to give as gifts. Although apparently an unpromising location for potteries, being a remote town in a hilly region, Jingdezhen is close to the best quality deposits of petuntse, or porcelain stone, in China, as well as being surrounded by forests, mostly of pine, providing wood for the kilns. It also has a river leading to river systems flowing north and sout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Ceramics
Chinese ceramics show a continuous development since Chinese Neolithic, pre-dynastic times and are one of the most significant forms of Chinese art and ceramics globally. The first pottery was made during the List of Palaeolithic sites in China, Palaeolithic era. Chinese ceramics range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court and for export. Porcelain was a Chinese invention and is so identified with China that it is still called "china" in everyday English usage. Most later Chinese ceramics, even of the finest quality, were made on an industrial scale, thus few names of individual potters were recorded. Many of the most important kiln workshops were owned by or reserved for the emperor, and large quantities of Chinese export porcelain were exported as diplomatic gifts or for trade from an early date, initially to East Asia and the Islam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qianlong
The Qianlong Emperor (25 September 17117 February 1799), also known by his Temple name, temple name Emperor Gaozong of Qing, born Hongli, was the fifth List of emperors of the Qing dynasty, Emperor of the Qing dynasty and the fourth Qing emperor to rule over China proper, reigning from 1735 to 1796. The fourth son of the Yongzheng Emperor, he reigned officially from 11 October 1735 to 8 February 1796. In 1796, he abdicated in favour of his son, the Jiaqing Emperor, out of filial piety towards his grandfather, the Kangxi Emperor, who ruled for 61 years, so that he not officially usurp him as the longest-reigning emperor. Despite his retirement, however, the Qianlong Emperor retained ultimate power as the Taishang Huang, Emperor Emeritus until his death in 1799, making him one of the List of longest-reigning monarchs, longest-reigning monarchs in history, and dying at the age of 87, one of the longest-lived. As a capable and cultured ruler inheriting a thriving empire, during hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qing Dynasty
The Qing dynasty ( ), officially the Great Qing,, was a Manchu-led imperial dynasty of China and the last orthodox dynasty in Chinese history. It emerged from the Later Jin dynasty founded by the Jianzhou Jurchens, a Tungusic-speaking ethnic group who unified other Jurchen tribes to form a new "Manchu" ethnic identity. The dynasty was officially proclaimed in 1636 in Manchuria (modern-day Northeast China and Outer Manchuria). It seized control of Beijing in 1644, then later expanded its rule over the whole of China proper and Taiwan, and finally expanded into Inner Asia. The dynasty lasted until 1912 when it was overthrown in the Xinhai Revolution. In orthodox Chinese historiography, the Qing dynasty was preceded by the Ming dynasty and succeeded by the Republic of China. The multiethnic Qing dynasty lasted for almost three centuries and assembled the territorial base for modern China. It was the largest imperial dynasty in the history of China and in 1790 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josep Llorens Artigas
Josep Llorens i Artigas (16 June 1892 – 11 December 1980) was a Spanish ceramic artist known for his collaboration with Joan Miró. He is credited with relaunching ceramics as a European art form. Life Artigas was born in Barcelona on 16 June 1892. He went to Escola superior d'arts i indústries i belles arts. He worked as an art critic on the Barcelona-based newspaper '' La Veu''. Artigas went to France and he wrote a thesis on Egyptian pottery and their blue glazes at the Sorbonne. In 1924 he had a studio on the rue Blomet in Paris. There he joined the avant-garde joining a group originally started by Gustave Courbet. He met Albert Marquet, Raoul Dufy, Pablo Picasso, Luis Buñuel and Georges Braque. In 1930 Buñuel created the surrealist film ''L'Age d'Or'' which included actors who were to be famous artists like Max Ernst. Llorens Artigas plays a governor who lays a foundation stone. In 1936 he returned to Barcelona during the Spanish Civil War. He earned his living by tea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pewter
Pewter () is a malleable metal alloy consisting of tin (85–99%), antimony (approximately 5–10%), copper (2%), bismuth, and sometimes silver. Copper and antimony (and in antiquity lead) act as hardeners, but lead may be used in lower grades of pewter, imparting a bluish tint. Pewter has a low melting point, around , depending on the exact mixture of metals. The word ''pewter'' is probably a variation of the word '' spelter'', a term for zinc alloys (originally a colloquial name for zinc). History Pewter was first used around the beginning of the Bronze Age in the Near East. The earliest known piece of pewter was found in an Egyptian tomb, c. 1450 BC, but it is unlikely that this was the first use of the material. Pewter was used for decorative metal items and tableware in ancient times by the Egyptians and later the Romans, and came into extensive use in Europe from the Middle Ages until the various developments in pottery and glass-making during the 18th and 19th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Levantine Pottery
Pottery and ceramics have been produced in the Levant since prehistoric times. Historic background Neolithic Period The history of pottery in the region begins in the Late Neolithic period, sometimes known as Pottery Neolithic (PN) or occasionally, based on a supposed local sequence of the site of Jericho, Pottery Neolithic A. Pre-Pottery Neolithic (ca. 8300– ca. 5500 BC) There is no good evidence for pottery production in Early Neolithic (Pre-pottery Neolithic/PP) times, but the existence of pyrotechnology that allowed humans to attain temperatures in excess of 1000 °C for reducing limestone to lime to make plaster, indicates a level of technology ripe for the discovery of pottery and its spread. In the PPN period portable vessels of lime plaster, called "vaisselles blanche" or " White Ware" served some of the functions that pottery later fulfilled. These vessels tended to be rather large and coarse and were somewhat rare. There are some indications that pottery ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canaan
Canaan (; Phoenician: 𐤊𐤍𐤏𐤍 – ; he, כְּנַעַן – , in pausa – ; grc-bib, Χανααν – ;The current scholarly edition of the Greek Old Testament spells the word without any accents, cf. Septuaginta : id est Vetus Testamentum graece iuxta LXX interpretes. 2. ed. / recogn. et emendavit Robert Hanhart. Stuttgart : Dt. Bibelges., 2006 . However, in modern Greek the accentuation is , while the current (28th) scholarly edition of the New Testament has . ar, كَنْعَانُ – ) was a Semitic-speaking civilization and region in the Ancient Near East during the late 2nd millennium BC. Canaan had significant geopolitical importance in the Late Bronze Age Amarna Period (14th century BC) as the area where the spheres of interest of the Egyptian, Hittite, Mitanni and Assyrian Empires converged or overlapped. Much of present-day knowledge about Canaan stems from archaeological excavation in this area at sites such as Tel Hazor, Tel Megiddo, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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