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Virgin And Child With An Angel (Botticelli, Florence)
The ''Madonna and Child with an Angel'' is a painting by the Italian Renaissance painter Sandro Botticelli, c. 1465–1467. It is housed in Spedale degli Innocenti of Florence. A majority of Botticelli's works date to the 1480s. This painting, one of Botticelli's earliest, reveals Botticelli's close artistic relationship with his teacher, Filippo Lippi, and is modelled on the latter's '' The Virgin and Child with Two Angels''. With the realistic depiction of his live infant models, Botticelli's Madonna may be the earliest known depiction of the neurological Babinski reflex. Botticelli is also known for his contributions to the Sistine Chapel. Description This depiction of Madonna and Child poses both Mary and the Infant Jesus in the center of the image, framing the gaze between Mary and her son with a blue background. The position of Mary and Child are also framed by a church-like arch being supported by Composite order pillar. The Madonna is in dressed in red covered by a black ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo shape) and also some portraits. His best-known works are '' The Birth of Venus'' and '' Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s works. Botticelli lived all his life in the same neighbourhood of Florence; his only signi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composite Order
The Composite order is a mixed order, combining the volutes of the Ionic order capital with the acanthus leaves of the Corinthian order.Henig, Martin (ed.), ''A Handbook of Roman Art'', p. 50, Phaidon, 1983, In many versions the composite order volutes are larger, however, and there is generally some ornament placed centrally between the volutes. The column of the composite order is typically ten diameters high, though as with all the orders these details may be adjusted by the architect for particular buildings. The Composite order is essentially treated as Corinthian except for the capital, with no consistent differences to that above or below the capital. The Composite order is not found in ancient Greek architecture and until the Renaissance was not ranked as a separate order. Instead it was considered as an imperial Roman form of the Corinthian order. Though the Arch of Titus, in the forum in Rome and built in 82 AD, is sometimes cited as the first prominent survivi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Sandro Botticelli In The Uffizi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1460s Paintings
146 may refer to: *146 (number), a natural number *AD 146, a year in the 2nd century AD *146 BC, a year in the 2nd century BC *146 (Antrim Artillery) Corps Engineer Regiment, Royal Engineers 146 may refer to: *146 (number), a natural number *AD 146, a year in the 2nd century AD *146 BC __NOTOC__ Year 146 BC was a year of the pre-Julian Roman calendar. At the time it was known as the Year of the Consulship of Lentulus and Achaicus ( ... See also * List of highways numbered 146 * {{Number disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant'Ambrogio Altarpiece (Botticelli)
The ''Madonna and Child with Six Saints'', also known as ''Sant'Ambrogio Altarpiece'', is a painting by the Italian Renaissance master Sandro Botticelli, finished around 1470. It is housed in the Galleria degli Uffizi, in Florence. It portrays the Virgin enthroned with the saints Mary Magdalene, John the Baptist, Francis of Assisi, Catherine of Alexandria and, kneeling, Cosmas and Damian (patrons of the House of Medici). It is in fact most likely that the latter are portraits of Medici members. Lorenzo il Magnifico and his brother Giuliano have been considered. See also * List of works by Sandro Botticelli The following is a list of panel paintings, works on canvas and frescoes by the Italian painter Sandro Botticelli.Barbara Deimling. ''Botticelli.'' Taschen. Cologne 2007. The few surviving drawings are excluded. It is not indicated if some works m ... References External linksPage at artonline.it 1470s paintings Paintings by Sandro Botticelli in the Uffizi Paintings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna Of The Magnificat
The ''Madonna of the Magnificat'' ( it, Madonna del Magnificat), is a painting of circular or '' tondo'' form by the Italian Renaissance painter Sandro Botticelli. It is also referred to as the ''Virgin and Child with Five Angels.'' In the ''tondo'', we see the Virgin Mary writing the ''Magnificat'' with her right hand, with a pomegranate in her left, as two angels crown her with the Christ child on her lap. It is now in the galleries of the Uffizi, in Florence. History The history of the painting is not known, but the Uffizi acquired it from a private collection in 1784. It may have come from one of the many monasteries suppressed by the Archduke Pietro Leopoldo. There are several copies of the painting, including one in the Louvre and one in the Morgan Library & Museum in New York. In the Louvre's copy, the leftmost angel, crowning the Virgin, is erased, leaving room for a large spread of wings for the highest angel in the trio to the left. Description The work portrays t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna And Child (Botticelli, Avignon)
In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the ''Theotokos of Vladimir'', ''Agiosoritissa'', ''Blachernitissa'', etc., or descriptive of the depicted posture, as in ''Hodegetria'', ''Eleusa'', etc. The term ''Madonna'' in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as ''Theotokos''. "Madonna" may be generally used of representations of Mary, with or without the infant Jesus, is the focus and central figure of the image, possibly flanked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cruciform
Cruciform is a term for physical manifestations resembling a common cross or Christian cross. The label can be extended to architectural shapes, biology, art, and design. Cruciform architectural plan Christian churches are commonly described as having a cruciform architecture. In Early Christian, Byzantine and other Eastern Orthodox forms of church architecture this is likely to mean a tetraconch plan, a Greek cross, with arms of equal length or, later, a cross-in-square plan. In the Western churches, a cruciform architecture usually, though not exclusively, means a church built with the layout developed in Gothic architecture. This layout comprises the following: *An east end, containing an altar and often with an elaborate, decorated window, through which light will shine in the early part of the day. *A west end, which sometimes contains a baptismal font, being a large decorated bowl, in which water can be firstly, blessed (dedicated to the use and purposes of God) and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angel
In various theistic religious traditions an angel is a supernatural spiritual being who serves God. Abrahamic religions often depict angels as benevolent celestial intermediaries between God (or Heaven) and humanity. Other roles include protectors and guides for humans, and servants of God. Abrahamic religions describe angelic hierarchies, which vary by religion and sect. Some angels have specific names (such as Gabriel or Michael) or titles (such as seraph or archangel). Those expelled from Heaven are called fallen angels, distinct from the heavenly host. Angels in art are usually shaped like humans of extraordinary beauty. They are often identified in Christian artwork with bird wings, halos, and divine light. Etymology The word ''angel'' arrives in modern English from Old English ''engel'' (with a hard ''g'') and the Old French ''angele''. Both of these derive from Late Latin ''angelus'', which in turn was borrowed from Late Greek ''angelos'' (lit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna (art)
In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the ''Theotokos of Vladimir'', '' Agiosoritissa'', '' Blachernitissa'', etc., or descriptive of the depicted posture, as in ''Hodegetria'', '' Eleusa'', etc. The term ''Madonna'' in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as ''Theotokos''. "Madonna" may be generally used of representations of Mary, with or without the infant Jesus, is the focus and central figure of the image, possibly fla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesus
Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and religious leader; he is the central figure of Christianity, the world's largest religion. Most Christians believe he is the incarnation of God the Son and the awaited Messiah (the Christ) prophesied in the Hebrew Bible. Virtually all modern scholars of antiquity agree that Jesus existed historically. Research into the historical Jesus has yielded some uncertainty on the historical reliability of the Gospels and on how closely the Jesus portrayed in the New Testament reflects the historical Jesus, as the only detailed records of Jesus' life are contained in the Gospels. Jesus was a Galilean Jew who was circumcised, was baptized by John the Baptist, began his own ministry and was often referred to as "rabbi". Jesus debated with fellow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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