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Urban Renewal (Tower Of Power Album)
''Urban Renewal'' is a Tower of Power album recorded in 1974 and released in 1975. It was the last to feature lead singer Lenny Williams, who would leave to continue a successful solo career. Drummer David Garibaldi left the band temporarily, although he does appear on the song "Willing To Learn," the first single. David Bartlett is the drummer for the rest of the album. Conga player Carter Collins replaced Brent Byars, who left after the previous album, ''Back to Oakland''. Track listing # "Only So Much Oil in the Ground" (Stephen "Doc" Kupka, Emilio Castillo) - 3:46 # "Come Back, Baby" (Bruce Conte, Lenny Williams) - 3:21 # "It's Not the Crime" (Stephen "Doc" Kupka, Emilio Castillo) - 1:45 # "I Won't Leave Unless You Want Me To" (Stephen "Doc" Kupka, Emilio Castillo, Greg Adams) - 3:28 # "Maybe It'll Rub Off" (Stephen "Doc" Kupka, Emilio Castillo, Chester D. Thompson) - 3:15 # "(To Say the Least) You're the Most" (Johnny "Guitar" Watson) - 2:28 # "Willing to Learn" (Emilio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. The Harmonium used pressure, and the American reed organ or pump organ used suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greg Adams (musician)
Greg Adams is an American trumpet/flugelhorn player and music arranger, probably best known for his work with the band Tower of Power. Early life Adams grew up in the San Francisco Bay Area, and while attending Westmoor High School in Daly City he had already established a reputation as a musical prodigy. Career He had made plans to attend the Berklee School of Music in Boston, but instead accepted an invitation to join Tower of Power for their first album, ''East Bay Grease'' (1970). He remained with the band for 25 years and was responsible for many of their distinctive horn arrangements, including "What Is Hip?" (1973) which earned him a Grammy Award nomination. In 1995 Adams recorded his first solo album, ''Hidden Agenda'' (Epic), which reached #1 on the U.S. smooth jazz charts. His subsequent albums include ''Midnight Morning'' (Ripa, Blue Note) (2002), ''Firefly'' (215) (2004), and ''Cool To The Touch'' (Ripa) (2006). Adams has recorded with and/or arranged for othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mic Gillette
Mic Gillette (May 7, 1951 – January 17, 2016) was an American brass player, born and raised in the San Francisco Bay Area's East Bay. He is best known for being a member of the bands; Tower of Power, Cold Blood, and The Sons of Champlin. He played in the horn section with Tower of Power for 19 years. Early life His father Ray Gillette was a trombonist, playing with acts such as Harry James, Tommy Dorsey, Stan Kenton, and other big bands. A child prodigy, Gillette picked up the trumpet and was reading music by age four. Career At age 15, he joined the band that would later be known as Tower of Power, playing various brass instruments for the band including the trumpet, trombone, baritone horn and tuba. He took a brief break from Tower of Power to tour in the 1970s and record with the band Cold Blood. He re-joined Tower of Power a year later, touring and opening for Santana and Creedence Clearwater Revival. As its reputation as a premier horn band grew, Tower of Power to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilio Castillo
Emilio Castillo (born September 24, 1950) is an American saxophone player and composer, best known as the founder of the band Tower of Power. Background In 1965, Emilio Castillo took to music after he and his brother Jack were caught stealing by his father who told him he could stay in his room until he thought of something to 'Keep him off the street'. Castillo and his brother chose music. Emilio chose saxophone and Jack chose drums. He took lessons in saxophone, piano, and guitar, and also took lessons in music theory from one-time Dave Brubeck bass player Norman Bates. His first musical endeavor was in Extension Five which later became The Gotham City Crime Fighters due to the Batman craze at the time. He played both organ and sax. The group also consisted of his brother Jack on drums, Jody Lopez on guitar Frank “Rocco’ Houghton on bass (later going by the name of Francis Rocco Prestia), and Dave Genthner on vocals. In March, 1966 they released the song "Who Stole Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen "Doc" Kupka
Tower of Power is an American R&B and funk based band and horn section, originating in Oakland, California, that has been performing since 1968. The band has had a number of lead vocalists, the best-known being Lenny Williams, who fronted the band between early 1973 and late 1974, the period of their greatest commercial success. They have had eight songs on the ''Billboard'' Hot 100; their highest-charting songs include "You're Still a Young Man", " So Very Hard to Go", "What Is Hip?", and "Don't Change Horses (in the Middle of a Stream)". History In the summer of 1968, tenor saxophonist/vocalist Emilio Castillo met Stephen "Doc" Kupka, who played baritone sax. Castillo had played in several bands, and hired Kupka after a home audition on the advice of his father. Within months the group, then known as The Motowns, began playing various gigs around Oakland and Berkeley, attracting audiences from minority and counterculture communities. In order to play Bill Graham's Fill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Flute
The alto flute is an instrument in the Western concert flute family, pitched below the standard C flute and the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the piccolo. It is characterized by its rich, mellow tone in the lower portion of its range. The bore of the alto flute is considerably larger in diameter and longer than the C flute and requires a larger column of air (volume of air) from the player, though it also requires a slower airspeed. This gives it a greater dynamic presence in the bottom octave and a half of its range. Its range is from G3 (the G below middle C) to G6 (4 ledger lines above the treble clef staff) plus an altissimo register stretching to D♭7. It uses the same fingerings as the C flute and piccolo, but is a transposing instrument in G (sounding a perfect fourth lower than written). British music that uses this instrument often refers to it as a bass flute, which can be confusing since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common Soprano clarinet, soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave below the soprano B clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare (in contrast to the regular A clarinet, which is quite common in classical music). Bass clarinets regularly perform in orchestras, concert band, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinettist or a bass clarinetist. Description Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in shape, some having a doubled body making them look similar to bassoons. The bass clarinet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a Single-reed instrument, single-reed musical instrument in the woodwind family, with a nearly cylindrical bore (wind instruments), bore and a flared bell. Clarinets comprise a Family (musical instruments), family of instruments of differing sizes and pitches. The clarinet family is the largest woodwind family, ranging from the contrabass clarinet, BB♭ contrabass to the A-flat clarinet, A♭ piccolo. The B soprano clarinet is the most common type, and is the instrument usually indicated by the word "clarinet". German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime around 1700 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and airtight pads were added to improve the tone and playability. Today the clarinet is a standard fixture of the orchestra and concert band and is used in classical music, military bands, klezmer, jazz, and other styles. Etymol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lenny Pickett
Lenny Pickett (born April 10, 1954) is an American saxophonist and musical director of the ''Saturday Night Live'' band. enny Pickett Is a Sax Machine by Devon Ivie, New York Magazine, Vulture From 1973 to 1981 he was a member of the band . Pickett has worked extensively as a for a wide range of performers and genres. Career In the 1970s and early 1980s, Pickett led the horn section for |
Francis Rocco Prestia
Francis Rocco Prestia Jr. (March 7, 1951 – September 29, 2020) was an American bassist, best known for his work with the funk band Tower of Power. Biography Born in Sonora, California, Prestia started playing electric guitar as an adolescent. When he auditioned for Emilio Castillo's band, Tower of Power, Castillo persuaded him to switch to electric bass. Prestia worked with the band for the next three decades, before he became seriously ill in 2001. His fans and friends created a foundation in order to help pay the artist's medical costs. On December 5, 2014, Prestia underwent successful liver transplant surgery. Rocco is survived by the loves of his life, Julian Francis Rocco Prestia and Alicia-Lyn JoAnn Prestia. Technique and influences Prestia was a master of fingerstyle funk bass playing. His technique made heavy use of left hand muting. He muted his strings lightly to create a thick percussive sound while maintaining pitch clarity. He also frequently incorporated ghost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
