Tuchulcha
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Tuchulcha
In Etruscan mythology, Tuchulcha was a chthonic daemon (not to be confused with the Christian term "demon") with pointed ears (perhaps those of a donkey), and hair made of snakes and a beak (perhaps that of a vulture). Tuchulcha lived in the underworld known as Aita. Many scholars refer to this deity as male because of masculine features, such as animalistic facial hair that may resemble a beard. According to Nancy de Grummond, "This monster is often referred to as male but in fact is very likely female (or neither gender), for she wears a woman’s dress, has decidedly pale pinkish skin (compare the standard brick-red male flesh of These), and even appears to have breasts." She also identifies the diamond-marking of Tuchulcha's serpents as identifying the poisonous adder ('' Vipera berus berus''). Emeline Hill Richardson and Graeme Barker and Tom Rasmussen also state that Tuchulcha is female. Tuchulcha's garment is known to classical historians as a chiton and is worn by both men ...
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Charun
In Etruscan mythology, Charun (also spelled Charu, or Karun) acted as one of the psychopompoi of the underworld (not to be confused with the god of the underworld, known to the Etruscans as Aita). He is often portrayed with Vanth, a winged figure also associated with the underworld. Origins His name was imported from Greek Charon, although it is uncertain whether Etruscans had a native name for a god of the underworld before this. As suggested by alternations in the Etruscan language such as ''θu'' "one" changing to ''θunśna'' "first", ''lev'' "lion" (from Greek leōn) and ''Apulu'' (from Greek ''Apóllōn''), words ending in ''-n'' after ''u'' were disappearing from the language which is why we see his name spelled ''Xarun'' and later ''Xaru''. Appearance The Etruscan Charun was fundamentally different from his Greek counterpart. Guarding the entry to the underworld he is depicted with a hammer (his religious symbol) and is shown with pointed ears, snakes around his arms, ...
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Tomb Of Orcus II
The Tomb of Orcus ( it, Tomba dell'Orco), sometimes called the Tomb of Murina ( it, Tomba dei Murina), is a 4th-century BC Etruscan hypogeum (burial chamber) in Tarquinia, Italy. Discovered in 1868, it displays Hellenistic influences in its remarkable murals, which include the portrait of Velia Velcha, an Etruscan noblewoman, and the only known pictorial representation of the demon Tuchulcha. In general, the murals are noted for their depiction of death, evil, and unhappiness. Because the tomb was built in two sections at two stages, it is sometimes referred to as the ''Tombs of Orcus I'' and ''II''; it is believed to have belonged to the Murina family, an offshoot of the Etruscan Spurinnae. The foundation is inscribed with the following enigmatic phrase: History Orcus I was built between 470 and 450 BC (perhaps by a man named Leive; see below); a separate hypogeum, Orcus II, was built c. 325 BC. At some point in antiquity the wall between the two was removed, creating a larg ...
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Etruscan Mythology
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture. History Greek influence Greek traders brought their religion and hero figures with them to the coastal areas of the central Mediterranean. Odysseus, Menelaus and Diomedes from the Homeric tradition were recast in tales of the distant past that had them roaming the lands West of Greece. In Greek tradition, Heracles wandered these western areas, doing away with monsters ...
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Etruscan Deities
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture. History Greek influence Greek traders brought their religion and hero figures with them to the coastal areas of the central Mediterranean. Odysseus, Menelaus and Diomedes from the Homeric tradition were recast in tales of the distant past that had them roaming the lands West of Greece. In Greek tradition, Heracles wandered these western areas, doing away with monsters ...
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Christianity
Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth. It is the world's largest and most widespread religion with roughly 2.38 billion followers representing one-third of the global population. Its adherents, known as Christians, are estimated to make up a majority of the population in 157 countries and territories, and believe that Jesus is the Son of God, whose coming as the messiah was prophesied in the Hebrew Bible (called the Old Testament in Christianity) and chronicled in the New Testament. Christianity began as a Second Temple Judaic sect in the 1st century Hellenistic Judaism in the Roman province of Judea. Jesus' apostles and their followers spread around the Levant, Europe, Anatolia, Mesopotamia, the South Caucasus, Ancient Carthage, Egypt, and Ethiopia, despite significant initial persecution. It soon attracted gentile God-fearers, which led to a departure from Jewish customs, and, a ...
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Greek People
The Greeks or Hellenes (; el, Έλληνες, ''Éllines'' ) are an ethnic group and nation indigenous to the Eastern Mediterranean and the Black Sea regions, namely Greece, Cyprus, Albania, Italy, Turkey, Egypt, and, to a lesser extent, other countries surrounding the Mediterranean Sea. They also form a significant diaspora (), with Greek communities established around the world.. Greek colonies and communities have been historically established on the shores of the Mediterranean Sea and Black Sea, but the Greek people themselves have always been centered on the Aegean and Ionian seas, where the Greek language has been spoken since the Bronze Age.. Until the early 20th century, Greeks were distributed between the Greek peninsula, the western coast of Asia Minor, the Black Sea coast, Cappadocia in central Anatolia, Egypt, the Balkans, Cyprus, and Constantinople. Many of these regions coincided to a large extent with the borders of the Byzantine Empire of the late 11th century ...
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Chthonic Beings
The word chthonic (), or chthonian, is derived from the Ancient Greek word ''χθών, "khthon"'', meaning earth or soil. It translates more directly from χθόνιος or "in, under, or beneath the earth" which can be differentiated from Γῆ, or "ge", which speaks to the living surface of land on the earth. In Greek, chthonic is a descriptive word for things relating to the underworld and can be used in the context of chthonic gods, chthonic rituals, chthonic cults, and more. This is as compared to the more commonly referenced Olympic gods and their associated rites and cults. Olympic gods are understood to reference that which exists above the earth, particularly in the sky. Gods that are related to agriculture are also considered to have chthonic associations as planting and growing takes place in part under the earth. Chthonic deities Chthonic and ouranic, or olympic, are not completely opposite descriptors. They do not cleanly differentiate types of gods and worship int ...
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Cerveteri
Cerveteri () is a town and ''comune'' of northern Lazio in the region of the Metropolitan City of Rome. Known by the ancient Romans as Caere, and previously by the Etruscans as Caisra or Cisra, and as Agylla (or ) by the Greeks, its modern name derives from Caere Vetus used in the 13th century to distinguish it from Caere Novum (the current town). It is the site of the ancient Etruscan city which was one of the most important Etruscan cities with an area more than 15 times larger than today's town. Caere was one of the city-states of the Etruscan League and at its height, around 600 BC, its population was perhaps around 25,000 – 40,000 people. Site The ancient city was situated about 7 km from the sea, a location which made it a wealthy trading town derived originally from the iron-ore mines in the Tolfa Hills.Karl-Wilhelm Weber: Geschichte der Etrusker, Berlin, Köln, Mainz 1979, , S. 38 It had three sea ports including Pyrgi, connected to Caere by a road about 1 ...
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Spoleto
Spoleto (, also , , ; la, Spoletum) is an ancient city in the Italian province of Perugia in east-central Umbria on a foothill of the Apennines. It is S. of Trevi, N. of Terni, SE of Perugia; SE of Florence; and N of Rome. History Spoleto was situated on the eastern branch of the Via Flaminia, which forked into two roads at Narni and rejoined at ''Forum Flaminii'', near Foligno. An ancient road also ran hence to Nursia. The ''Ponte Sanguinario'' of the 1st century BC still exists. The Forum lies under today's marketplace. Located at the head of a large, broad valley, surrounded by mountains, Spoleto has long occupied a strategic geographical position. It appears to have been an important town to the original Umbri tribes, who built walls around their settlement in the 5th century BC, some of which are visible today. The first historical mention of ''Spoletium'' is the notice of the foundation of a colony there in 241 BC; and it was still, according to Cicero ''colonia ...
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Armando Crispino
Armando Crispino (18 October 1924 – 6 October 2003) was an Italian film director and screenwriter. He was born in Biella, Piedmont. He directed nine films between 1966 and 1975. He also wrote for nine films between 1965 and 1975. He also directed two Italian horror films, ''Autopsy'' and ''The Dead Are Alive''. Selected filmography * ''Pleasant Nights'' (1966 - director) * ''Commandos'' (1968 - director) * ''The Dead Are Alive'' (1972 - director) (aka "The Etruscan Kills Again") * ''Autopsy An autopsy (post-mortem examination, obduction, necropsy, or autopsia cadaverum) is a surgical procedure that consists of a thorough examination of a corpse by dissection to determine the cause, mode, and manner of death or to evaluate any di ...'' (1975 - director) (aka "Macchie Solari"/ "Sunspots") References External links * * 1924 births 2003 deaths People from the Province of Biella Italian film directors Giallo film directors Italian male screenwriters 20th-ce ...
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The Dead Are Alive
''The Dead Are Alive'' ( it, L'etrusco uccide ancora / ''The Etruscan Kills Again'') is a 1972 giallo film by Italian director Armando Crispino, with music by Riz Ortolani, and starring Alex Cord, Samantha Eggar and John Marley. It was released in Germany as ''Das Geheimnis des Gelben Grabes'' (''Mystery of the Yellow Grave''), in France as ''Overtime'', and in Spain as ''El dios de la muerte asesina otra vez'' (''The Death God Kills Again''). The film was produced by Artur Brauner and the story was based on a giallo novel written by Bryan Edgar Wallace. Cast * Alex Cord as Prof. Jason Porter * Samantha Eggar as Myra Shelton * John Marley as Nikos Samarakis * Enzo Tarascio as Inspector Giuranna * Carlo De Mejo as Igor Samarakis * Horst Frank as Stephen * Enzo Cerusico as Alberto * Daniela Surina Daniela Surina (born 20 September 1942) is an Italian singer, actress and television personality. Life and career Born in Trieste, Surina started her professional career in 1965, m ...
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Museum
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 countrie ...
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