Trilogy (Chick Corea Album)
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Trilogy (Chick Corea Album)
''Trilogy'' is a 2013 live album by Chick Corea and his trio, featuring Corea on piano with Christian McBride on double bass and Brian Blade on drums. The three-disc album was recorded live in Washington, D.C. and Oakland, California, and in Spain, Switzerland, Austria, Slovenia, Turkey, and Japan. In the '' Billboard'' Jazz albums charts 2014 the album peaked number 9. It won the 2014 Grammy Award for Best Jazz Instrumental Album. A follow up of this album, entitled ''Trilogy 2'', was issued in 2018 with the same personnel. Critical reception John Kelman of ''All About Jazz'' summarizes his review with the statement: "It's hard to believe that Corea is now 73 years old but, if anything, he's never been more active—and, with albums as superb as ''Trilogy'', in the company of the equally outstanding McBride and Blade, clearly at the top of his game." Steve Leggett wrote in his AllMusic review: "This expansive live release finds Corea working with bassist Christian McBride ...
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Chick Corea
Armando Anthony "Chick" Corea (June 12, 1941 – February 9, 2021) was an American jazz composer, pianist, keyboardist, bandleader, and occasional percussionist. His compositions "Spain", " 500 Miles High", "La Fiesta", "Armando's Rhumba", and "Windows" are widely considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed Return to Forever. Along with McCoy Tyner, Herbie Hancock, and Keith Jarrett, Corea is considered one of the foremost jazz pianists of the post- John Coltrane era. Corea continued to collaborate frequently while exploring different musical styles throughout the 1980s and 1990s. He won 27 Grammy Awards and was nominated more than 60 times. Early life and education Armando Corea was born in Chelsea, Massachusetts on June 12, 1941, to parents Anna (née Zaccone) and Armando J. Corea. He was of southern Italian descent, his father having been born to an immigrant from Albi ...
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Joe Henderson
Joe Henderson (April 24, 1937 – June 30, 2001) was an American jazz tenor saxophonist. In a career spanning more than four decades, Henderson played with many of the leading American players of his day and recorded for several prominent labels, including Blue Note, Milestone, and Verve. Biography Early life Born in Lima, Ohio, United States, Henderson was one of fourteen children. He was encouraged by his parents Dennis and Irene (née Farley) and older brother James T. to study music. He dedicated his first album to them "for being so understanding and tolerant" during his formative years. Early musical interests included drums, piano, saxophone and composition. According to Kenny Dorham, two local piano teachers who went to school with Henderson's brothers and sisters, Richard Patterson and Don Hurless, gave him a knowledge of the piano.Original liner notes to '' Page One'' by Kenny Dorham He was particularly enamored of his brother's record collection. It seems that ...
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Bob Hilliard
Bob Hilliard (born Hilliard Goldsmith; January 28, 1918 – February 1, 1971) was an American lyricist. He wrote the words for the songs: "Alice in Wonderland", "In the Wee Small Hours of the Morning", " Any Day Now", " Dear Hearts and Gentle People", " Our Day Will Come", "My Little Corner of the World", " Tower of Strength" and " Seven Little Girls (Sitting in the Back Seat)". Career After finishing high school, Hilliard began working as a lyricist in Tin Pan Alley. At the age of 28 he had his first success with " The Coffee Song". During his Broadway years, Hilliard wrote successful scores for both ''Angel in the Wings'' (1947) and '' Hazel Flagg'' (1953). He also worked as lyricist of the film score for ''Alice in Wonderland'' (1951). This included providing the words to the theme song, as well as "I'm Late" and the unused Cheshire Cat song "I'm Odd." The 1954 comedy film '' Living It Up'' included his songs "Money Burns a Hole in My Pocket" and "That's What I Like." Hill ...
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Sammy Fain
Sammy Fain (born Samuel E. Feinberg; June 17, 1902 – December 6, 1989) was an American composer of popular music. In the 1920s and early 1930s, he contributed numerous songs that form part of The Great American Songbook, and to Broadway theatre. Fain was also a popular musician and vocalist. Biography Sammy Fain was born in New York City, New York, United States, the son of a cantor. In 1923, Fain appeared in the short sound film, "Sammy Fain and Artie Dunn" directed by Lee De Forest filmed in DeForest's Phonofilm sound-on-film process. In 1925, Fain left the Fain-Dunn act to devote himself to music. Fain was a self-taught pianist who played by ear. He began working as a staff pianist and composer for music publisher Jack Mills. In 1932 he appeared in the short film "The Crooning Composer." Later, Fain worked extensively in collaboration with Irving Kahal. Together they wrote classics such as " Let a Smile Be Your Umbrella" and " You Brought a New Kind of Love to Me," (c ...
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Alice In Wonderland (song)
"Alice in Wonderland" is the theme song composed by Sammy Fain for the Walt Disney 1951 animated film '' Alice in Wonderland''. It was performed by The Jud Conlon Chorus and The Mellomen. The lyrics were written by Bob Hilliard and were arranged by Harry Simeone for treble voices. The song plays during the opening and end credits. Izumi Yukimura sang her own theme song for the Japanese release of the film. The "dreamy" song has become a jazz standard that has been performed by Bill Evans, Oscar Peterson, Dave Brubeck, and others. In his book ''The History of Jazz'', Ted Gioia cites "Alice in Wonderland" as one of Evans's most beautiful performances, likening its "pristine beauty" to his " Waltz for Debby". Evans recorded it at the Village Vanguard which featured on his 1961 album ''Sunday at the Village Vanguard''. Rosemary Clooney recorded the ballad with "The Unbirthday Song" which also appeared on the soundtrack to the movie, and Michael Feinstein has also recorded it along ...
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Kurt Weill
Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, '' The Threepenny Opera'', which included the ballad " Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill
Cjschuler.net. Retrieved on August 22, 2011.
''''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.


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Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as " I Got Rhythm", " Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studyin ...
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Spain (instrumental)
"Spain" is an instrumental jazz fusion composition by jazz pianist and composer Chick Corea. It is likely Corea's most recognized piece, and is considered a jazz standard. "Spain" was composed in 1971 and appeared in its original (and best-known) rendition on the album '' Light as a Feather'', with performances by Corea ( Rhodes electric piano), Airto Moreira (drums), Flora Purim (vocals and percussion), Stanley Clarke (bass), and Joe Farrell (flute). It has been recorded in several versions, by Corea himself as well as by other artists, including a flamenco version by Paco de Lucía, Al Di Meola and John McLaughlin in the 1980s, and a progressive bluegrass version by Béla Fleck in 1979. A version with lyrics by Al Jarreau, "Spain (I Can Recall)", appeared on the 1980 album '' This Time''. More recently, Corea had performed his composition as a duo with Japanese pianist Hiromi Uehara. A version of "Spain" was performed by Stevie Wonder at his 2008 Concert in London. The introd ...
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Victor Young
Albert Victor Young (August 8, 1899– November 10, 1956)"Victor Young, Composer, Dies of Heart Attack", ''Oakland Tribune'', November 12, 1956. was an American composer, arranger, violinist and conductor. Biography Young is commonly said to have been born in Chicago on August 8, 1900, but according to Census data and his birth certificate, his birth year is 1899. His grave marker shows his birth year as 1901. He was born into a very musical Jewish family, his father being a tenor with Joseph Sheehan's touring opera company. After his mother died, his father abandoned the family. The young Victor, who had begun playing violin at the age of six, and was sent to Poland when he was ten to stay with his grandfather and study at Warsaw Imperial Conservatory (his teacher was Polish composer Roman Statkowski), achieving the Diploma of Merit. He studied the piano with Isidor Philipp of the Paris Conservatory. While still a teenager he embarked on a career as a concert violinist with ...
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Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for " High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with ''Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiom ...
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My Foolish Heart (song)
"My Foolish Heart" is a popular song and jazz standard that was published in 1949. In the UK, the song reached No. 1 in the chart based on sales of sheet music, staying at the top spot for 11 weeks in 1950. Overview The music was composed by Victor Young, and the lyric was written by Ned Washington. The song was introduced by the singer Martha Mears in the 1949 film of the same name. The song failed to escape critics' general laceration of the film. ''Time'' wrote in its review that "nothing offsets the blight of such tear-splashed excesses as the bloop-bleep-bloop of a sentimental ballad on the sound track." Nevertheless, the song was nominated for the Academy Award for Best Original Song in 1949 but lost out to "Baby, It's Cold Outside" by Frank Loesser. Cover versions * The song was also a popular success, with two recordings of the song listed among the top 30 on the ''Billboard'' charts in 1950. Gordon Jenkins's recording of "My Foolish Heart", Sandy Evans, vocal, reac ...
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Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", " Blue Monk", " Straight, No Chaser", " Ruby, My Dear", " In Walked Bud", and " Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the c ...
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