Tomb Of Lyson And Kallikles
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Tomb Of Lyson And Kallikles
The Tomb of Lyson and Kallikles is an ancient Macedonian tomb of the Hellenistic period in Mieza (modern Lefkadia, near Naousa, Imathia), noted for the quality of its painted decoration. The tomb was originally built for the brothers Lyson and Kallikles, sons of Aristophanes, around 250 BC and it continued to be used by their descendants for around a century, going out of use around time of Roman conquest. Description The tomb consists of two vaulted chambers, an antechamber and a burial chamber on a north-south axis, entered from the south, and covered over by an earthen tumulus. The antechamber is 0.89 m wide and 0.86 m long. The walls are painted with pilasters, decked with garlands, support an architrave with guttae. This 'architectural style' of the wall paintings may be the earliest surviving example of " perspective" and is seen by Stella G. Miller as a precursor of the Pompeian second style. There is a painting of a ''perirrhanterion'' (a water sprinkler ...
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Ancient Mieza, Macedonian Tombs Of Lefkadia, Tomb Of Lyson And Kallikles A72b9b998c2e98a1390dbae9e032ea1c
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood a ...
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Vergina Sun
The Vergina Sun ( el, Ήλιος της Βεργίνας, Ilios tis Vergínas, Sun of Vergina), also known as the Star of Vergina, Vergina Star or Argead Star, is a rayed solar symbol first appearing in ancient Greek art of the period between the 6th and 2nd centuries BC. The Vergina Sun proper has sixteen triangular rays, while comparable symbols of the same period variously have sixteen, twelve, eight or (rarely) six rays. The name "Vergina Sun" became widely used after the archaeological excavations in and around the small town of Vergina, in northern Greece, during the late 1970s. In older references, the name "Argead Star" or "Star of the Argeadai" is used for the Sun as the possible royal symbol of the Argead dynasty of the ancient kingdom of Macedonia. There it was depicted on a golden larnax found in a 4th-century BC royal tomb belonging to either Philip II or Philip III of Macedon, the father and half-brother of Alexander the Great, respectively. Tentatively interpre ...
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Ancient Greek Archaeological Sites In Central Macedonia
Ancient history is a time period from the History of writing, beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian language, Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already Exponential growth, exponentially increasing due to the Neolithic Revolution, which was in full pro ...
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Tombs In Greece
A tomb ( grc-gre, τύμβος ''tumbos'') is a repository for the remains of the dead. It is generally any structurally enclosed interment space or burial chamber, of varying sizes. Placing a corpse into a tomb can be called ''immurement'', and is a method of final disposition, as an alternative to cremation or burial. Overview The word is used in a broad sense to encompass a number of such types of places of interment or, occasionally, burial, including: * Architectural shrines – in Christianity, an architectural shrine above a saint's first place of burial, as opposed to a similar shrine on which stands a reliquary or feretory into which the saint's remains have been transferred * Burial vault – a stone or brick-lined underground space for multiple burials, originally vaulted, often privately owned for specific family groups; usually beneath a religious building such as a church ** Cemetery ** Churchyard * Catacombs * Chamber tomb * Charnel house * Church mon ...
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Antigonid Macedonia
Macedonia (; grc-gre, Μακεδονία), also called Macedon (), was an ancient kingdom on the periphery of Archaic and Classical Greece, and later the dominant state of Hellenistic Greece. The kingdom was founded and initially ruled by the royal Argead dynasty, which was followed by the Antipatrid and Antigonid dynasties. Home to the ancient Macedonians, the earliest kingdom was centered on the northeastern part of the Greek peninsula,. and bordered by Epirus to the west, Paeonia to the north, Thrace to the east and Thessaly to the south. Before the 4th century BC, Macedonia was a small kingdom outside of the area dominated by the great city-states of Athens, Sparta and Thebes, and briefly subordinate to Achaemenid Persia. During the reign of the Argead king PhilipII (359–336 BC), Macedonia subdued mainland Greece and the Thracian Odrysian kingdom through conquest and diplomacy. With a reformed army containing phalanxes wielding the ''sarissa'' pike, PhilipII d ...
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Charalambos Makaronas
Saint Charalampos ( grc, Ἅγιος Χαράλαμπος) (also variously Charalampas, Charalampus, Charalambos, Haralampus, Haralampos, Haralabos or Haralambos) was an early Christian priest in Magnesia on the Maeander, a city in Asia Minor, in the diocese of the same name. His name means ''glowing with joy'' in Greek. He lived during the reign of Septimius Severus (193–211), when Lucian was Proconsul of Magnesia. According to one source, at the time of his martyrdom in 202, Charalambos was 113 years old. Life and martyrdom Charalambos was Bishop of Magnesia also known as the Assyrian Saint Mar Zayya and spread the Gospel in that region for many years. However, when news of his preaching reached the authorities of the area, the proconsul Lucian and military commander Lucius, the saint was arrested and brought to trial, where he confessed his faith in Christ and refused to offer sacrifice to idols. Despite his advanced age, he was tortured mercilessly. They lacerated his ...
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Cuirass
A cuirass (; french: cuirasse, la, coriaceus) is a piece of armour that covers the torso, formed of one or more pieces of metal or other rigid material. The word probably originates from the original material, leather, from the French '' cuirace'' and Latin word '' coriacea''. The use of the term "cuirass" generally refers to both the chest plate (or breastplate) and the back piece together; whereas a breastplate only protects the front, a cuirass protects both the front and the back. Description In Hellenistic and Roman times, the musculature of the male torso was idealized in the form of the muscle cuirass or "heroic cuirass" (in French the ''cuirasse esthétique'') sometimes further embellished with symbolic representation in relief, familiar in the Augustus of Prima Porta and other heroic representations in official Roman sculpture. As parts of the actual military equipment of classical antiquity, cuirasses and corsets of bronze, iron, or some other rigid substance were ...
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Antigonid
The Antigonid dynasty (; grc-gre, Ἀντιγονίδαι) was a Hellenistic dynasty of Dorian Greek provenance, descended from Alexander the Great's general Antigonus I Monophthalmus ("the One-Eyed") that ruled mainly in Macedonia. History Succeeding the Antipatrid dynasty in much of Macedonia, Antigonus ruled mostly over Asia Minor and northern Syria. His attempts to take control of the whole of Alexander's empire led to his defeat and death at the Battle of Ipsus in 301 BC. Antigonus's son Demetrius I Poliorcetes survived the battle, and managed to seize control of Macedon itself a few years later, but eventually lost his throne, dying as a prisoner of Seleucus I Nicator. After a period of confusion, Demetrius's son Antigonus II Gonatas was able to establish the family's control over the old Kingdom of Macedon, as well as over most of the Greek city-states, by 276 BC. Legacy It was one of four dynasties established by Alexander's successors, the others being the Seleuc ...
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Attic Helmet
The Attic helmet was a type of helmet that originated in Classical Greece and was widely used in Italy and the Hellenistic world until well into the Roman Empire. Its name is a modern historiographic convention: "Terms such as Illyrian and Attic are used in archaeology for convenience to denote a particular type of helmet and do not imply its origin". The Attic helmet was similar to the Chalcidian helmet but lacked a nose guard. Although in Greece itself its use was not as widespread as the Corinthian or Phrygian types, the Attic helmet became very popular in Italy, where most examples have been found. Many Italian peoples used variations of the attic helmet, but archaeologically it has been especially prominent in Samnite and Lucanian burials and their associated art (frescos etc.). As an artistic motif, variations of the Attic helmet long outlasted other contemporary helmet types, being used to impart an archaic look to depictions of generals, emperors and Praetorians throu ...
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Phrygian Helmet
The Phrygian helmet, also known as the Thracian helmet, was a type of helmet that originated in ancient Greece and was widely used in Thrace, Dacia, Magna Graecia and the Hellenistic world until well into the Roman Empire. Characteristics The names given to this type of helmet are derived from its shape, in particular the high and forward inclined apex, in which it resembles the caps (usually of leather) habitually worn by Phrygian and Thracian peoples. Like other types of Greek helmet, the vast majority of Phrygian helmets were made of bronze. The skull of the helmet was usually raised from a single sheet of bronze, though the forward-pointing apex was sometimes made separately and riveted to the skull. The skull was often drawn out into a peak at the front, this shaded the wearer's eyes and offered protection to the upper part of the face from downward blows. The face was further protected by large cheekpieces, made separately from the skullpiece. Sometimes these cheekpieces w ...
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Greave
A greave (from the Old French ''greve'' "shin, shin armour") or jambeau is a piece of armour that protects the leg. Description The primary purpose of greaves is to protect the tibia from attack. The tibia, or shinbone, is very close to the skin, and is therefore extremely vulnerable to just about any kind of attack. Furthermore, a successful attack on the shin results in that leg being rendered useless, greatly hampering one's ability to maneuver in any way. Greaves were used to counteract this. They usually consisted of a metal exterior with an inner padding of felt. The felt padding was particularly important because, without it, any blow would transfer directly from the metal plating to the shin. History Ancient Greece and Rome The reference to greaves (Ancient Greek: κνημίδες) exists in various texts of classical antiquity, including '' The Shield of Heracles'', ''The Iliad'' and ''The Odyssey'', ''The Bibliotheca of Pseudo-Apollodorus'', and ''The Aeneid''. In the ...
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Pompeian Styles
The Pompeian Styles are four periods which are distinguished in ancient Roman mural painting. They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii, which is one of the largest group of surviving examples of Roman frescoes. The wall painting styles have allowed art historians to delineate the various phases of interior decoration in the centuries leading up to the eruption of Mount Vesuvius in 79 AD, which both destroyed the city and preserved the paintings, and between stylistic shifts in Roman art during late Republican and Augustan periods. In the succession of styles, there is a reiteration of stylistic themes. The paintings also tell a great deal about the prosperity of the area and specific tastes during the times. The main purpose of these frescoes was to reduce the claustrophobic interiors of Roman rooms, which were windowless and dark. The paintings, full of color and life ...
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