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Throat Singing
Throat singing refers to several vocal practices found in different cultures around the world. The most distinctive feature of such vocal practices is to be associated to some type of guttural voice, that contrasts with the most common types of voices employed in singing, which are usually represented by chest ( modal) and head (light, or falsetto) registers. Also, throat singing is often described as producing the sensation of more than one pitch at a time, i.e., the listener perceives two or more distinct musical notes, while the singer is producing a single vocalization. Throat singing, therefore, consists of a wide range of singing techniques that originally belong to particular cultures and seem to share some sounding characteristics that make them especially noticeable by other cultures and users of mainstream singing styles. The term originates from the translation of the Tuvan/Mongolian word Xhöömei/Xhöömi, that literally means throat, guttural. Ethnic groups from Rus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guttural
Guttural speech sounds are those with a primary place of articulation near the back of the oral cavity, especially where it's difficult to distinguish a sound's place of articulation and its phonation. In popular usage it is an imprecise term for sounds produced relatively far back in the vocal tract, such as German ''ch'' or the Arabic ayin, but not simple glottal sounds like ''h''. A 'guttural language' is a language that has such sounds. As a technical term used by phoneticians and phonologists, it has had various definitions. The concept always includes pharyngeal consonants, but may include velar, uvular or laryngeal consonants as well. Guttural sounds are typically consonants, but murmured, pharyngealized, glottalized and strident vowels may be also considered guttural in nature. Some phonologists argue that all post-velar sounds constitute a natural class. Meaning and etymology The word ''guttural'' literally means 'of the throat' (from Latin ''guttur'', meaning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stiff Voice
The term stiff voice describes the pronunciation of consonants or vowels with a glottal opening narrower, and the vocal folds stiffer, than occurs in modal voice. Although there is no specific IPA diacritic for stiff voice, the voicing diacritic (a subscript wedge) may be used in conjunction with the symbol for a voiced consonant. In Bru, for example, stiff-voiced vowels have tenseness in the glottis and pharynx without going so far as to be creaky voiced, whereas slack-voiced vowels are lax in the glottis without going so far as to be breathy voice. One language with stiff voice is Thai: Javanese contrasts stiff and slack voiced bilabial, dental, retroflex, and velar stops: Mpi (Loloish) contrasts modals and stiff voice in its vowels. This is not register Register or registration may refer to: Arts entertainment, and media Music * Register (music), the relative "height" or range of a note, melody, part, instrument, etc. * ''Register'', a 2017 album by Travis Miller ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subharmonics
In music, the undertone series or subharmonic series is a sequence of notes that results from inverting the intervals of the overtone series. While overtones naturally occur with the physical production of music on instruments, undertones must be produced in unusual ways. While the overtone series is based upon arithmetic multiplication of frequencies, resulting in a harmonic series, the undertone series is based on arithmetic division. Nattiez shows the undertone series on E, as Riemann (''Handbuch der Harmonielehre'', 10th ed., 1929, p. 4) and D'Indy (''Cours de composition musicale'', vol. I, 1912, p. 100) had done. Terminology The hybrid term ''subharmonic'' is used in music in a few different ways. In its pure sense, the term ''subharmonic'' refers strictly to any member of the subharmonic series (, , , , etc.). When the subharmonic series is used to refer to frequency relationships, it is written with f representing some highest known reference frequency (, , , , et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Undertone Singing
Undertone singing is a set of singing techniques in which the vocalist makes use of vibrations of the vocal apparatus in order to produce subharmonic tones below the bass tone and extend the vocal range below the limits of the modal voice. In particular, the sound is produced via constricting the larynx in order to produce oscillations in the vocal cords and vestibular folds (or "''false vocal cords''") at certain frequencies of the vocal cords - corresponding to integer divisions of the frequency produced by the vestibular folds, such as 1:2, 1:3, and 1:4 ratios. This will produce the corresponding subharmonic to that frequency. For example, in a 1:2 ratio, each second vibration of the vocal folds, the vestibular fold will complete a single vibration cycle which will result in an subharmonic produced an octave below the bass tone produced by the vocal cords. This technique is found in certain Tibetan forms of Buddhist Chant, as practised by monks of the Gyuto Order, as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overtone Singing
Overtone singing – also known as overtone chanting, harmonic singing, polyphonic overtone singing, and diphonic singing – is a set of singing techniques in which the vocalist manipulates the resonances of the vocal tract, in order to arouse the perception of additional, separate notes beyond the fundamental frequency being produced. From a fundamental pitch, made by the human voice, the belonging harmonic overtones can be selectively amplified by changing the vocal tract, i.e. the dimensions and shape of the resonant cavities of the mouth and the pharynx. This resonant tuning allows singers to create more than one pitch at the same time (the fundamental and one or more selected overtones), while usually generating a single fundamental frequency with their vocal folds. Overtone singing should not be confused with throat singing, in spite of the fact that many throat singing techniques comprise overtone singing. As mentioned, overtone singing involves the careful manipula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantu A Tenore
The ( sc, su tenòre, su cuncòrdu, su cuntràttu, su cussèrtu, s'agorropamèntu, su cantu a pròa; it, canto a tenore) is a style of polyphonic folk singing characteristic of the island of Sardinia (Italy's second largest island), particularly the region of Barbagia, though some other Sardinian sub-regions bear examples of such tradition. In 2005, UNESCO proclaimed the to be an example of intangible cultural heritage. Etymology The word is not to be confused with the word "" as a simple description of vocal register; it refers to the actual style of folk singi ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rekuhkara
Rekuhkara (from Ainu language, Sakhalin Ainu ''rekuh'' レクㇷ 'throat'; ''rekut'' レクㇳ or レクッ in Hokkaidō Ainu) is a style of singing, similar to Inuit throat singing, that was practised by the Ainu people, Ainu until 1976 when the last practitioner died,Jean-Jacques Nattiez, Nattiez, Jean-Jacques although recent revival has been attempted in this video based on the old recordings. ''The Rekkukara of the Ainu (Japan) and the Katajjaq of the Inuit (Canada) A Comparison'' in ''Le Monde de la musique'', Vol. 25, No. 2, 1983. The Sakhalin spelling ''rekuxkara'' or the Japanese language, Japanese spelling ''rekukkara'' (レクッカラ in Katakana) can also be encountered.Shimomura Isao (下村五三夫), Itō Daisuke (伊藤大介) 樺太アイヌの喉交換遊びレクッカラについて'' Kitami Institute of Technology, 2008 The Ainu method involved two women facing each other, with one forming a tube with her hands and chanting into the human oral cavity, oral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inuit
Inuit (; iu, ᐃᓄᐃᑦ 'the people', singular: Inuk, , dual: Inuuk, ) are a group of culturally similar indigenous peoples inhabiting the Arctic and subarctic regions of Greenland, Labrador, Quebec, Nunavut, the Northwest Territories, and Alaska. Inuit languages are part of the Eskimo–Aleut languages, also known as Inuit-Yupik-Unangan, and also as Eskaleut. Inuit Sign Language is a critically endangered language isolate used in Nunavut. Inuit live throughout most of Northern Canada in the territory of Nunavut, Nunavik in the northern third of Quebec, Nunatsiavut and NunatuKavut in Labrador, and in various parts of the Northwest Territories, particularly around the Arctic Ocean, in the Inuvialuit Settlement Region. With the exception of NunatuKavut, these areas are known, primarily by Inuit Tapiriit Kanatami, as Inuit Nunangat. In Canada, sections 25 and 35 of the Constitution Act of 1982 classify Inuit as a distinctive group of Aboriginal Canadians wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inuit Throat Singing
Inuit throat singing, or ''katajjaq'' (Inuktitut syllabics: ᑲᑕᔾᔭᖅ), is a distinct type of throat singing uniquely found among the Inuit. It is a form of musical performance, traditionally consisting of two women who sing duets in a close face-to-face formation with no instrumental accompaniment, in an entertaining contest to see who can outlast the other; however, one of the genre's most famous practitioners, Tanya Tagaq, performs as a solo artist. Several groups, including Tudjaat, The Jerry Cans, Quantum Tangle and Silla + Rise, also now blend traditional throat singing with mainstream musical genres such as pop, folk, rock and dance music. An analogous form called '' rekuhkara'' was once practiced among the Ainu of Hokkaidō, Japan. Names The name for throat singing in Canada varies with the geography: * Iirngaaq [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Chant
A Buddhist chant is a form of musical verse or incantation, in some ways analogous to religious recitations of other faiths. Traditional chanting In Buddhism, chanting is the traditional means of preparing the mind for meditation, especially as part of formal practice (in either a lay or monastic context). Some forms of Buddhism also use chanting for ritualistic purposes. While the basis for most Theravada chants is the Pali Canon, Mahayana and Vajrayana chants draw from a wider range of sources. Theravada chants In the Theravada tradition, chanting is usually done in Pali, sometimes with vernacular translations interspersed.Khantipalo (1982, 1995). Among the most popular Theravada chants are: :*Buddhabhivadana (Preliminary Reverence for the Buddha) :*Tisarana (The Three Refuges). Audio file at http://www.buddhanet.net/filelib/mp3/03-chant-03.mp3 :* Pancasila (The Five Precepts) :*Buddha Vandana (Salutation to the Buddha) :*Dhamma Vandana (Salutation to his Teaching) :*Sangha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intangible Cultural Heritage
An intangible cultural heritage (ICH) is a practice, representation, expression, knowledge, or skill considered by UNESCO to be part of a place's cultural heritage. Buildings, historic places, monuments, and artifacts are cultural property. Intangible heritage consists of nonphysical intellectual wealth, such as folklore, customs, beliefs, traditions, knowledge, and language. Intangible cultural heritage is considered by member states of UNESCO in relation to the tangible World Heritage focusing on intangible aspects of culture. In 2001, UNESCO made a survey among States and NGOs to try to agree on a definition, and the Convention for the Safeguarding of the Intangible Cultural Heritage was drafted in 2003 for its protection and promotion. Definition The Convention for the Safeguarding of the Intangible Cultural Heritage defines the intangible cultural heritage as the practices, representations, expressions, as well as the knowledge and skills (including instruments, obje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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