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Theatre Of Wales
Theatre in Wales includes dramatic works in both the Welsh language and English language. Actors from Wales have also achieved international recognition. History Middle Ages The earliest known performance tradition is that of the mumming custom ''Mari Lwyd''. However, the existence of a Roman amphitheatre at Caerleon suggests that drama may well have been introduced during the classical period. Drama in Wales as a literary tradition dates to morality plays from north-east Wales in the second half of the 15th century. Two extant miracle plays ''Y tri Brenin o Gwlen'' ("The three kings from Cologne") and ''Y Dioddefaint a'r Atgyfodiad'' ("The Passion and the Resurrection") represent short individual plays rather than being elements of a larger cycle. ''Ymddiddan y Corff a'r Enaid'' ("Conversation of the body and the soul") can be compared to the Everyman tradition. Modern era The development of Renaissance theatre in England did not have great influence in Wales, as the gentry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caerleon Amphitheatre
Caerleon (; cy, Caerllion) is a town and Community (Wales), community in Newport, Wales. Situated on the River Usk, it lies northeast of Newport city centre, and southeast of Cwmbran. Caerleon is of archaeological importance, being the site of a notable Roman Empire, Roman legionary Castra, fortress, Isca Augusta, and an Iron Age hillfort. Close to the remains of Isca Augusta are the National Roman Legion Museum and the Roman Baths Museum. The town also has strong historical and literary associations: Geoffrey of Monmouth elevated the significance of Caerleon as a major centre of British history in his ''Historia Regum Britanniae'' (c. 1136), and Alfred Lord Tennyson wrote ''Idylls of the King'' (1859–1885) while staying in Caerleon. History Pre-Roman history The area around Caerleon is of considerable archaeological interest with a number of important Neolithic sites. By the British Iron Age, Iron age, the area was home to the powerful Silures tribe and appears to have bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Night Walker
''The Night Walker, or The Little Thief'' is an early seventeenth-century stage play, a comedy written by John Fletcher and later revised by his younger contemporary James Shirley. It was first published in 1640. Authorship The play enters the historical record on 11 May 1633, when it was licensed for performance by Sir Henry Herbert, the Master of the Revels. In his records, Herbert specifically describes it as "a play of Fletcher's, corrected by Shirley...." The revision is readily datable, since Shirley includes a reference to William Prynne's diatribe against the theatre, ''Histriomastix'', which was published in 1632. Shirley even gave an inadvertent guide to the extent of his revision: he changed the name of Fletcher's protagonist from Wildgoose to Wildbrain – but neglected to make the change consistently in the portions of the play he didn't revise. Inconsistencies in the text also reveal the revision. The most blatant example occurs in the final scene, when the Lady ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated "r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denbighshire
Denbighshire ( ; cy, Sir Ddinbych; ) is a county in the north-east of Wales. Its borders differ from the historic county of the same name. This part of Wales contains the country's oldest known evidence of habitation – Pontnewydd (Bontnewydd-Llanelwy) Palaeolithic site has Neanderthal remains of some 225,000 years ago. Castles include Denbigh, Rhuddlan, Rhyl, Prestatyn, Trefnant, Llangollen and Ruthin, Castell Dinas Bran, Bodelwyddan and St Asaph Cathedral. Denbighshire is bounded by coastline to the north and hills to the east, south and west. The River Clwyd follows a broad valley with little industry: crops appear in the Vale of Clwyd and cattle and sheep in the uplands. The coast attracts summer visitors; hikers frequent the Clwydian Range, part of the Clwydian Range and Dee Valley Area of Outstanding Natural Beauty. Llangollen International Musical Eisteddfod takes place each July. Formation The main area was formed on 1 April 1996 under the Local Government ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twm O'r Nant
Twm o'r Nant was the pseudonym of a Welsh language dramatist and poet, Thomas Edwards (January 1739 – 3 April 1810), also known as ''Tom of the Dingle''. He was famous for ''anterliwtau'' (interludes or short plays), which he performed mainly round his native Denbighshire. Earlier life Edwards was born in Llannefydd, Denbighshire (now in Conwy County Borough). As a child, he moved with his parents to , near Nantglyn, from which he took his pseudonym. Edwards had little formal education: he attended one of Griffith Jones's circulating schools, where he learnt to read, and a school in Denbigh for two weeks to learn English. However, he was eager to learn to write – he cadged writing paper and wrote with ink that he made from elderberries. In 1749 Edwards joined a company of touring actors, which typically performed on an improvised stage such as a cart. He wrote seven interludes before he was 20 years old, but all have been lost. In 1763 Edwards married Elizabeth Hughes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
For The Honour Of Wales
''For the Honour of Wales'' was a masque written by Ben Jonson and first performed on 17 February 1618. It was written in honour of Charles Stuart, Prince of Wales. Jonson's previous work, ''Pleasure Reconciled to Virtue'', had been written to celebrate Charles's investiture as Prince of Wales in 1616, but the prince's father, King James I of England, had made no secret of the fact that he found it tedious. Jonson responded with this more entertaining work, which included comic scenes featuring stereotypical Welshmen. He drew on William Camden William Camden (2 May 1551 – 9 November 1623) was an English antiquarian, historian, topographer, and herald, best known as author of ''Britannia'', the first chorographical survey of the islands of Great Britain and Ireland, and the ''Ann ...'s ''Britannia'' for his source material, as he had done for earlier works. A 1618 bill for yellow masque costumes for Mr Carre, Mr Abercromby, and Mr Auchmouty, each costing £55, rela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ben Jonson
Benjamin "Ben" Jonson (c. 11 June 1572 – c. 16 August 1637) was an English playwright and poet. Jonson's artistry exerted a lasting influence upon English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satirical plays ''Every Man in His Humour'' (1598), '' Volpone, or The Fox'' (c. 1606), '' The Alchemist'' (1610) and '' Bartholomew Fair'' (1614) and for his lyric and epigrammatic poetry. "He is generally regarded as the second most important English dramatist, after William Shakespeare, during the reign of James I." Jonson was a classically educated, well-read and cultured man of the English Renaissance with an appetite for controversy (personal and political, artistic and intellectual) whose cultural influence was of unparalleled breadth upon the playwrights and the poets of the Jacobean era (1603–1625) and of the Caroline era (1625–1642)."Ben Jonson", ''Grolier Encyclopedia of Knowledge'', volume 10, p. 388. His ancestor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Haughton (playwright)
William Haughton (died 1605) was an English playwright in the age of English Renaissance theatre.Chisholm, Hugh, ed. "Haughton, William". In ''Encyclopædia Britannica'' (11th ed.). Cambridge University Press, 1911; Vol. 13, p. 66. Life Most of what little biographical information there is about him is derived from the papers of Philip Henslowe, proprietor of the Rose Theatre. Henslowe's earliest reference to him refers to him as "young" Haughton. He wrote all his known dramatic work for Henslowe, for production by the Admiral's Men and Worcester's Men. (Henslowe's papers refer to Haughton as Hawton, Hauton, Haughtoun, Haulton, Howghton, Horton, Harton, and Harvghton Chambers, E. K. ''The Elizabethan Stage''. Oxford, Clarendon Press, 1923; Vol. 3, p. 334.—a fine example of the famously flexible Elizabethan orthography. His name is spelled Houghton in his 1605 will.) On 10 March 1600 Henslowe lent Haughton ten shillings "to release him out of The Clink". A William Haug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Chettle
Henry Chettle (c. 1564 – c. 1606) was an English dramatist and miscellaneous writer of the Elizabethan era, best known for his pamphleteering. Early life The son of Robert Chettle, a London dyer, he was apprenticed in 1577 and became a member of the Stationer's Company in 1584, traveling to Cambridge on their behalf in 1588. His career as a printer and author is shadowy. He may have set up some of the tracts printed in response to Martin Marprelate. In 1591, he entered into partnership with William Hoskins and John Danter, two stationers. They published a good many ballads, and some plays, including a surreptitious and botched first quarto of '' Romeo and Juliet'', to which it is suggested Chettle added lines and stage directions. ''The Groat's-Worth of Wit'' In 1592 '' Greene's Groats-Worth of Wit'', supposedly the work of the recently deceased, and very popular, Robert Greene, was published, having been entered in the register of the Stationer's Company "at the peril ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patient Grissel
''Patient Grissel'' is a play by Thomas Dekker, Henry Chettle, and William Haughton, first printed in 1603. It is mentioned in Henslowe's diary in the entry for December 1599. The plot is a variant of the medieval tale of Patient Griselda, as told in Chaucer's ''Canterbury Tales'' and Boccaccio's '' Decameron''. The play contains Dekker's poem "Golden Slumbers" (which was adapted by Paul McCartney for the song of the same title on The Beatles' ''Abbey Road ''Abbey Road'' is the eleventh studio album by the English rock band the Beatles. It is the last album the group started recording, although '' Let It Be'' was the last album completed before the band's break-up in April 1970. It was mostly ...'' album): :Golden slumbers kiss your eyes, :Smiles awake you when you rise. :Sleep, pretty wantons; do not cry, :And I will sing a lullaby: :Rock them, rock them, lullaby. :Care is heavy, therefore sleep you; :You are care, and care must keep you; :Sleep, pretty wantons; do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Webster
John Webster (c. 1580 – c. 1632) was an English Jacobean dramatist best known for his tragedies '' The White Devil'' and '' The Duchess of Malfi'', which are often seen as masterpieces of the early 17th-century English stage. His life and career overlapped with Shakespeare's. Biography Webster's life is obscure and the dates of his birth and death are not known. His father, a carriage maker also named John Webster, married a blacksmith's daughter named Elizabeth Coates on 4 November 1577 and it is likely that Webster was born not long after, in or near London. The family lived in St Sepulchre's parish. His father John and uncle Edward were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. On 1 August 1598, "John Webster, lately of the New Inn" was admitted to the Middle Temple, one of the Inns of Court; in view of the legal interests evident in his dramatic work, this may be the playwright. Webster married 17-yea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Dekker (poet)
Thomas Dekker (c. 1572 – 25 August 1632) was an English Elizabethan dramatist and pamphleteer, a versatile and prolific writer, whose career spanned several decades and brought him into contact with many of the period's most famous dramatists. Early life Little is known of Dekker's early life or origins. From references in his pamphlets, Dekker is believed to have been born in London around 1572, but nothing is known for certain about his youth. His last name suggests Dutch ancestry, and his work, some of which is translated from Latin, suggests that he attended grammar school. Career Dekker embarked on a career as a theatre writer in the middle 1590s. His handwriting is found in the manuscript of ''Sir Thomas More'', though the date of his involvement is undetermined. More certain is his work as a playwright for the Admiral's Men of Philip Henslowe, in whose account book he is first mentioned in early 1598. While there are plays connected with his name performed as early as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
