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Theatre Of Tragedy
Theatre of Tragedy was a Norwegian band from Stavanger, active between 1993 and 2010. They are best known for their earlier albums, which influenced the gothic metal genre. History Formation (1993) Theatre of Tragedy was founded on 2 October 1993 by vocalist Raymond István Rohonyi, guitarists Pål Bjåstad and Tommy Lindal. Drummer Hein Frode Hansen had recently quit his former band Phobia and started looking for a new musical project to play in. A friend of his told Hein that a band called Suffering Grief was looking for a new drummer, and after contacting them, he joined the band. At the time, Suffering Grief was composed of vocalist Raymond István Rohonyi and guitarists Pål Bjåstad and Tommy Lindal. No bassist had joined the band yet, but Eirik T. Saltrø had agreed to play with them in live concerts. After finding a rehearsal place, the band decided to work upon a couple of piano arrangements composed by Lorentz Aspen. The vocals, at the time, were almost entirely compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stavanger
Stavanger (, , American English, US usually , ) is a city and municipalities of Norway, municipality in Norway. It is the fourth largest city and third largest metropolitan area in Norway (through conurbation with neighboring Sandnes) and the administrative center of Rogaland county. The municipality is the fourth most populous in Norway. Located on the Stavanger Peninsula in southwest Norway, Stavanger counts its official founding year as 1125, the year the Stavanger Cathedral was completed. Stavanger's core is to a large degree 18th- and 19th-century wooden houses that are protected and considered part of the city's cultural heritage. This has caused the town center and inner city to retain a small-town character with an unusually high ratio of detached houses, and has contributed significantly to spreading the city's population growth to outlying parts of Greater Stavanger. The city's population rapidly grew in the late 20th century due to its oil industry. Stavanger is known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death Grunt
A death growl, or simply growl, is an extended vocal technique usually employed in extreme styles of music, particularly in death metal and other extreme subgenres of heavy metal music. Death growl vocals are sometimes criticized for their "ugliness", but their unintelligibility contributes to death metal's abrasive style and often dark and obscene subject matter.Sharpe-Young, Garry. ''Death Metal'', Definition Death metal, in particular, is associated with growled vocals; it tends to be lyrically and thematically darker and more morbid than other forms of metal, and features vocals which attempt to evoke chaos, death, and misery by being "usually very deep, guttural, and unintelligible." Natalie Purcell notes, "Although the vast majority of death metal bands use very low, beast-like, almost indiscernible growls as vocals, many also have high and screechy or operatic vocals, or simply deep and forcefully-sung vocals."Purcell, Natalie J. ''Death Metal Music:The Passion and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crest (band)
The Crest was a gothic metal/darkwave band from Oslo, Norway noted for their gothic metal with catchy melodies, massive guitar sound, and a soothing female voice. The band was formed in 1996 by Nell and Kristian Sigland. After going through changes in name and line-up, the band settled on the name "The Crest" in 1999, after recording their second demo when they started to develop their characteristic sound. In 2001, The Crest recorded their first full album, '' Letters from Fire'', in Sound Suite Studio, together with Terje Refsnes, the producer of Tristania, Carpathian Forest, and The Sins of Thy Beloved. In 2003 the band took a sabbatical to regain energy for their next album. Nell and Kristian spent time on a side project named "Rustflower Incorporated", experimenting with electronic music. Also in 2006, Nell replaced Liv Kristine as Theatre of Tragedy's vocalist. The Crest reunited in 2004 and recorded their second album, '' Vain City Chronicles'', at the Top Room Studio i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assembly (Theatre Of Tragedy Album)
''Assembly'' is the fifth studio album by the Norwegian metal band Theatre of Tragedy, released in 2002. It continued the group's move from gothic to a more electronic and pop style of music. This style was described as similar to "Siouxsie and the Banshees jamming with Ace of Base". ''Assembly'' was the last Theatre of Tragedy album featuring the vocals of Liv Kristine. According to Kristine the band fired her by email, citing musical differences. While '' Musique'' themes mentioned radios, streetfighting and nightlife, the songs on ''Assembly'' generally focus more on people than technology, such as in "Play" and "Let You Down". The album's modern setting is still emphasised by "Automatic Lover", which refers to modern nightlife, and "Universal Race", which uses space travel as a metaphor for sexual intercourse. A limited edition of the album contains the cover of " You Keep Me Hangin' On" as bonus track. The song was originally a hit by The Supremes and was also made f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments ( tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Modern English
Early Modern English or Early New English (sometimes abbreviated EModE, EMnE, or ENE) is the stage of the English language from the beginning of the Tudor period to the English Interregnum and Restoration, or from the transition from Middle English, in the late 15th century, to the transition to Modern English, in the mid-to-late 17th century. Before and after the accession of James I to the English throne in 1603, the emerging English standard began to influence the spoken and written Middle Scots of Scotland. The grammatical and orthographical conventions of literary English in the late 16th century and the 17th century are still very influential on modern Standard English. Most modern readers of English can understand texts written in the late phase of Early Modern English, such as the ''King James Bible'' and the works of William Shakespeare, and they have greatly influenced Modern English. Texts from the earlier phase of Early Modern English, such as the late-15th-cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musique (album)
''Musique'' is the fourth studio album by the Norwegian metal band Theatre of Tragedy, released in 2000. The title on the album's cover, , is the pronunciation of the English word "music" transcribed in the International Phonetic Alphabet. ''Musique'' is the album that marked for the band the change from gothic metal with Early Modern English lyrics to a more electronic style, using Modern English. The change in musical direction for Theatre of Tragedy was associated with a change from traditional gothic and supernatural themes to lyrics based on modern life, including technology ("Machine", "Radio"), nightlife ("Image", "The New Man") and streetfighting ("Crash/Concrete"). The song "Commute" has the line "It's more fun to commute" in its lyrics, possibly a reference to Kraftwerk's "It's more fun to compute" from their ''Computer World'' album, which in turn is a reference to "It's more fun to compete" found on old pinball machines. Metal Mind Productions reissued the alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of other than 78 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Rose For The Dead
''A Rose for the Dead'' is an EP released by the Norwegian gothic metal band Theatre of Tragedy in 1997. It was the band's last release using the doom metal-influenced sound that Theatre of Tragedy had originally adopted. "A Rose for the Dead" and "Der Spiegel" are leftovers from the '' Velvet Darkness They Fear '' recording sessions, which were completed after the release of that album. "As the Shadows Dance" is the English-sung version of the single " Der Tanz der Schatten", while the remixes involved the electro-industrial musician Bruno Kramm of the German duo Das Ich. Finally, "Decades" is a cover version of a Joy Division song, which Theatre of Tragedy had recorded for a Norwegian tribute album. Track listing Personnel Theatre of Tragedy *Raymond Rohonyi - vocals * Liv Kristine Espenæs - vocals *Tommy Lindal - guitars *Geir Flikkeid - guitars (he had already left the band at time of publication) *Lorentz Aspen - keyboards *Eirik T. Saltrø - bass *Hein Frode Hansen - dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Velvet Darkness They Fear
''Velvet Darkness They Fear'' is the second studio album by the Norwegian gothic metal band Theatre of Tragedy. It was released in 1996 by Massacre Records. The album was issued in the US by Century Media Records in 1997. In 2021, it was elected by ''Metal Hammer'' as the 14th best symphonic metal album of all time. Music ''Velvet Darkness They Fear'' continued Theatre of Tragedy's particular brand of gothic metal, first heard in their first album, ''Theatre of Tragedy'', defined by alternating and occasionally overlapping male death grunts and sung female vocals. This style, which was copied later by many metal bands, is generally known as 'Beauty and the Beast'. ''Velvet Darkness They Fear'' also continued the use of Raymond Rohonyi's Early Modern English lyrics. "Der Tanz der Schatten", which is written in German, is the exception. The songs themselves rarely have a clear story, but death, undeath, demons and similar supernatural elements are all prominent. The lyrics to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Tragedy (album)
''Theatre of Tragedy'' is the first studio album by the Norway, Norwegian gothic metal band Theatre of Tragedy. The album was issued in the US by Century Media Records in 1998. Track listing Personnel Theatre of Tragedy *Raymond I. Rohonyi - vocals, lyrics *Liv Kristine - vocals *Pål Bjåstad - guitar *Tommy Lindal - guitar *Eirik T. Saltrø - bass guitar *Lorentz Aspen - Keyboard instrument, keyboards *Hein Frode Hansen - drums Guest musicians *Anders Måreby - cello on tracks 4 and 5 Production *Dan Swanö - audio engineering, engineering, audio mixing, mixing with Theatre of Tragedy References External links * Theatre of Tragedy albums 1995 debut albums Massacre Records albums {{1990s-death-metal-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
