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The Ultimate Collection (The Kinks Album)
''The Ultimate Collection'' is a compilation of singles by British rock band the Kinks. It was released on Sanctuary Records on 27 May 2002 in the UK and 23 September 2003 in the United States. In August 2002, it reached no. 48 in the UK top 100 albums chart, and no. 1 in the UK Indie albums chart. It has been certified platinum by the British Phonographic Industry. The first disc contains every charting British single from 1964 to 1983 in chronological order, with the exception of the group's first two singles. Of the 24 tracks, 14 were top ten hits in the UK. The second disc contains songs that either were released as B-sides or singles that did not chart in the UK and/or charted as singles in the North American and European markets, with the following exceptions: "Stop Your Sobbing" from the band's debut album and covered in 1979 as the debut single by The Pretenders; "Celluloid Heroes", taken from the album ''Everybody's in Show-Biz'' and released as a single three months ...
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The Kinks
The Kinks were an English rock band formed in Muswell Hill, north London, in 1963 by brothers Ray and Dave Davies. They are regarded as one of the most influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned " You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. The Kinks' music drew from a wide range of influences, including American R&B and rock and roll initially, and later adopting British music hall, folk, and country. The band gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' wittily observational writing style, and made apparent in albums such as '' Face to Face'' (1966), '' Something Else'' (1967), '' The Village Green Preservation Society'' (196 ...
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Everybody's In Show-Biz
''Everybody's in Show-Biz'' is the eleventh studio album released by the English rock group the Kinks, released in 1972. A double album, the first disc features studio recordings, while the second disc documents a two-night Carnegie Hall stand. ''Everybody's in Show-Biz'' is often seen by fans as a transition album for the Kinks, marking the change in Ray Davies' songwriting style toward more theatrical, campy and vaudevillian work, as evidenced by the rock-opera concept albums that followed it. This album marks Davies' explorations of the trials of rock-star life and the monotony of touring, themes that would reappear in future releases like '' The Kinks Present A Soap Opera'' and the 1987 live album '' Live: The Road''. On 3 June 2016, a Legacy Edition was released, with disc 1 containing the original stereo album (studio and live tracks) and disc 2 containing bonus tracks including previously unreleased live tracks from the Carnegie Hall concerts, alternate mixes and studi ...
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Set Me Free (The Kinks Song)
"Set Me Free" is a song by Ray Davies, released first by the Kinks in 1965. Along with " Tired of Waiting for You", it is one of band's first attempts at a softer, more introspective sound. The song's B-side, " I Need You", makes prominent use of powerchords in the style of the Kinks' early, "raunchy" sound. "Set Me Free" was heard in the Ken Loach-directed ''Up the Junction'', a BBC '' Wednesday Play'' which aired in November 1965; this marked the first appearance of a Kinks song on a film or TV soundtrack. '' Billboard'' said of the single that "hot on the heels of he Kinks'' Tired of Waiting for You' smash comes this down home blues rhythm material with a good teen lyric." '' Cash Box'' described it as "a snappy tune that’s taken for an engaging disk ride." __TOC__ "I Need You" "I Need You" was released as a B-side to "Set Me Free". The song, along with "You Really Got Me" and " All Day and All of the Night", has been cited as one of the influences which shifted the ...
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Everybody's Gonna Be Happy
"Ev'rybody's Gonna Be Happy" is a song by Ray Davies, released as a UK single by the Kinks in 1965. As the follow-up to the number-one hit " Tired of Waiting for You", and having their previous three singles all chart among the top two, it was less successful, reaching number 17. It broke a run of what would have been thirteen consecutive top-ten singles in the UK. The song was written as a musical experiment, rather than as an intended single, according to Davies in an interview, where he also claimed that the demo became the master version of it. Background Both sides of the single were recorded in December 1964 in the same session as the B-side and final overdubs for "Tired of Waiting for You". "Ev'rybody's Gonna Be Happy" drew inspiration from the Earl Van Dyke trio, whom the Kinks had previously toured with. Upon hearing the playback, the Kinks producer Shel Talmy was skeptical of the single's release, as he did not like the sound, in contrast to Davies who was convinced ...
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Tired Of Waiting For You
"Tired of Waiting for You" is a song by the English rock band the Kinks. It was released as a single on 15 January 1965 in the UK and on 17 February 1965 in the USA. The single reached number one in the UK and number six in the US. It then appeared on their second studio album, '' Kinda Kinks''. It was the group's highest-charting single in the US - tied with "Come Dancing", which achieved the same chart position eighteen years later in 1983. Background According to Ray Davies, the music for "Tired of Waiting for You" was written on the train to the recording studio and the words were written at a coffee shop during a break in the session. The track was a leftover from the sessions of the band's debut album, ''Kinks''. During the recording sessions for the song, the band felt that the guitar sound evident on their previous two singles ("You Really Got Me" and " All Day and All of the Night") was missing. Dave Davies said: Davies also said of the song, "It was a change of styl ...
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You Really Got Me
"You Really Got Me" is a song written by Ray Davies for English rock band the Kinks. The song, originally performed in a more blues-oriented style, was inspired by artists such as Lead Belly and Big Bill Broonzy. Two versions of the song were recorded, with the second performance being used for the final single. Although it was rumoured that future Led Zeppelin guitarist Jimmy Page had performed the song's guitar solo, the myth has since been proven false. "You Really Got Me" was built around power chords (perfect fifths and octaves) and heavily influenced later rock musicians, particularly in the genres of heavy metal and punk rock. Built around a guitar riff played by Dave Davies, the song's lyrics were described by Dave as "a love song for street kids." "You Really Got Me" was released in the UK on 4 August 1964 by Pye Records as the group's third single, and reached number one on the ''Record Retailer'' chart the following month, remaining there for two weeks. It was r ...
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Living On A Thin Line
"Living on a Thin Line" is a track written by Dave Davies and performed by The Kinks on their 1984 album, ''Word of Mouth''. Background "Living on a Thin Line" is one of two songs on ''Word of Mouth'' written by Dave Davies (the other being "Guilty"). In his biography ''Kink'', Davies said that the track was influenced by The Kinks' long and difficult career, along with his hatred of politicians. The song was also influenced by the deterioration of English identity in the 20th century and Davies' longing for a return to "days of old". Release "Living on a Thin Line" was first released on ''Word Of Mouth'', but has since been released as a 12-inch promotional radio single (backed with "Sold Me Out") in America, and on numerous compilation albums, such as ''Come Dancing with the Kinks'', '' Lost & Found (1986-1989)'', '' The Ultimate Collection'', and ''Picture Book''. The song has also been played live by both The Kinks and Dave Davies. Reception "Living on a Thin Line" has bee ...
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Love Me Till The Sun Shines
"Love Me Till the Sun Shines" is a 1967 song by the British band The Kinks. Appearing on their album '' Something Else by The Kinks'', it was, unlike most of the band's songs, written by guitarist Dave Davies. Release It was originally released as the B-side to Dave Davies' debut single, " Death of a Clown" in August 1967. The song made a further two appearances on vinyl, as an album track on The Kinks album '' Something Else by The Kinks'' in September 1967 and as a track on the "Dave Davies Hits" EP released in April 1967. The latter record was a four track compilation of Davies' first two singles. Reception "Love Me Till the Sun Shines" has generally received positive reception from critics. ''Rolling Stone'' writer James Pomeroy said that "Dave is at his brutal and cynical best in 'Love Me Till the Sun Shines.'" ''AllMusic'' critic Stewart Mason said: The song was recorded by the Kinks twice for BBC radio, in 1967 and 1968. The 1968 version is widely considered to be ...
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Ray Davies
Sir Raymond Douglas Davies ( ; born 21 June 1944) is an English musician. He was the lead vocalist, rhythm guitarist, and main songwriter for the rock band the Kinks, which he led with his younger brother Dave on lead guitar and backing vocals. He has also acted in, directed, and produced shows for theatre and television. Known for focusing his lyrics on English culture, nostalgia, and social satire, he is often referred to as the "Godfather of Britpop", though he disputes this title. He was inducted into the Rock and Roll Hall of Fame as a member of the Kinks in 1990. After the dissolution of the Kinks in 1996, he embarked on a solo career. Early years Raymond Douglas Davies was born at 6 Denmark Terrace in the Fortis Green area of London on 21 June 1944. He is the seventh of eight children born to working-class parents, including six elder sisters and younger brother Dave Davies. His father, Frederick George Davies (1902–1975), was a slaughterhouse worker.London, Engl ...
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Dave Davies
David Russell Gordon Davies (born 3 February 1947) is an English guitarist, singer and songwriter. He was the lead guitarist and backing vocalist for the English rock band the Kinks, which also featured his elder brother Ray Davies. He was inducted into the Rock and Roll Hall of Fame in 1990 as a member of the Kinks. Davies is prolific with his innovative nature on the electric guitar, specifically in being one of the first to utilize electric guitar distortion and exposing the effect to the mainstream. His signature distorted power chord riffs on songs would heavily influence future heavy metal and punk rock acts. In 2003, Davies was ranked 91st in ''Rolling Stone'' ''Magazines list of the " 100 Greatest Guitarists of All Time". Early life David Russell Gordon Davies was born at 6 Denmark Terrace, Muswell Hill, North London. He was born the last of eight children, including six elder sisters and an elder brother, later bandmate Ray. As children, the Davies brothers were im ...
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Susannah's Still Alive
"Susannah's Still Alive" is a song by Dave Davies, released for his second solo single. The recording featured all of the Kinks' members as his backing band. It was a hit (peaking at #20 in the UK) but it did not live up to the expectations of Davies' last single "Death of a Clown", which was a Top 5 hit. It failed to chart in the US, but was a significant success in Europe, reaching #10 in the Netherlands, #27 in Germany, #18 in Belgium and #18 in Sweden. Although it was never featured on an LP, its B-side "Funny Face" was included on the Kinks' 1967 album ''Something Else by the Kinks''. Although all original UK singles used the spelling ''Suzanah'', in many other countries and on later compilation albums ''Suzannah'' or ''Susannah'' was used. Personnel According to band researcher Doug Hinman: The Kinks * Dave Davies lead vocal, electric guitar * Ray Davies acoustic guitar, piano, harmonica * Pete Quaife bass * Mick Avory drums Additional musician * Nicky Hopkinspiano ...
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