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The Ultimate Collection (Four Tops Album)
''The Ultimate Collection'' is a compact disc by The Four Tops, released on Motown Records, catalogue 314530825-2, in October 1997. It is a collection of single (music), singles comprising many of the group's greatest hits, with liner notes written by Stu Hackel. Content The disc contains all but three of the Top 40 hits on the Billboard Hot 100, ''Billboard'' Hot 100 enjoyed by the Four Tops and released on the Motown Records imprint. Four of the tracks included were b-sides — "I Got A Feeling," "If You Don't Want My Love," "I'll Turn to Stone," and "Sad Souvenirs" — "I Got A Feeling" being the b-side, flip to "Bernadette (Four Tops song), Bernadette," and "Sad Souvenirs" the flip to "I Can't Help Myself (Sugar Pie, Honey Bunch), I Can't Help Myself." "A Simple Game" was recorded in collaboration with The Moody Blues, and hit #3 on the UK Singles Chart. Every iconic song by the group is present, and five of the tracks were in the top ten on the chart, with "I Can't Help Myse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Four Tops
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
If You Don't Want My Love
"If You Don't Want My Love" is a song by Robert John The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honou ... (aka Ben Rochinski) from 1968. It became a hit in the U.S. (''Billboard'' #49, ''Cash Box'' #34) and the UK (#42). It did best in Canada, where it reached #21. The song was written and performed with Michael Gately, as was the B-side of the single, "Don't". "If You Don't Want My Love" was the first charting hit of John's adult career. At age 12 he had previously had a minor hit in 1958 with "White Bucks and Saddle Shoes" under his given name, Bobby Pedrick Jr. Chart history References External links Lyrics of this song* 1968 songs 1968 singles Robert John songs Columbia Records singles {{1960s-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Labels
A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label", derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positive m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead Single
A lead single (also known as a debut single) is the first single to be released from a studio album by an artist or a band, usually before the album itself is released and also occasionally on the same day of the album's release date. Release strategies Artists often choose songs that are more up-tempo, yet representative of the album's sound, as lead singles. Such songs are often catchier and attract the attention of listeners. The subsequent single might then be slower in tempo, in order to demonstrate the range of the album. Female vocalists like Mariah Carey and Christina Aguilera often maintain a formula of an up-tempo first lead single with a slow ballad follow-up. For example, two singles were released by Miley Cyrus before her album ''Bangerz'' - an up-tempo track called, " We Can't Stop" was released as the first single, and a slow-ballad song, " Wrecking Ball" as the second. This was a successful practice of 1980s heavy metal bands. Girls Aloud chose to use " The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LP Album
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Industry
The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. The industry also includes a range of professionals who assist singers and musicians with their music careers. These include talent managers, artist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reach Out I'll Be There
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a song recorded by the Four Tops from their fourth studio album '' Reach Out'' (1967). Written and produced by Motown's main production team, Holland–Dozier–Holland, the song is one of the most widely-known Motown hits of the 1960s and is today considered the Four Tops' signature song. It was the number one song on the Rhythm & Blues chart for two weeks and on the ''Billboard'' Hot 100 for two weeks, in October 15–22, 1966. The track also reached number one in the UK Singles Chart, becoming Motown's second UK chart-topper after The Supremes' 1964 release "Baby Love". It reached number one on October 27, 1966, and stayed there for three weeks. ''Rolling Stone'' later ranked “Reach Out” number 206 on its list of "The 500 Greatest Songs of All Time". ''Billboard'' ranked the record as the number four song for 1966. In 2022, the single was selected by the Library of Congress for preservation in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Moody Blues
The Moody Blues were an English rock music, rock band formed in Birmingham in 1964, initially consisting of keyboardist Mike Pinder, multi-instrumentalist Ray Thomas, guitarist Denny Laine, drummer Graeme Edge and bassist Clint Warwick. The group came to prominence playing rhythm and blues. They made some changes in musicians but settled on a line-up of Pinder, Thomas, Edge, guitarist Justin Hayward and bassist John Lodge (musician), John Lodge, who stayed together for most of the band's "classic era" into the early 1970s. Edge was the group’s sole continuous member throughout their entire history. Their second album, ''Days of Future Passed'', which was released in 1967, was a fusion of rock with classical music which established the band as pioneers in the development of art rock and progressive rock. It has been described as a "landmark" and "one of the first successful concept albums". The group toured extensively through the early 1970s, then took an extended hiatus fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Simple Game
"A Simple Game" is a 1968 song by the progressive rock band the Moody Blues. Written and sung by Mike Pinder, it was released as a non-album B-side to "Ride My See-Saw", a track from the album ''In Search of the Lost Chord''. The song was produced by Tony Clarke and arranged by Arthur Greenslade. The track was covered by The Four Tops, and their version was issued as a single in the United States in January 1972, reaching #90 on the Billboard Hot 100. The song had already been issued as a single in Britain in September 1971, having reached #3 in the UK and #14 in Ireland. Personnel * Mike Pinder: mellotron, piano, lead vocals * Justin Hayward: acoustic & electric guitars, backing vocals * John Lodge: bass guitar, backing vocals * Ray Thomas: tambourine, backing vocals * Graeme Edge: drums Four Tops version The Four Tops released a cover version in the UK in 1971. The single peaked at position three on the chart. The song's B-side for the UK release was "You Stole My Love", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Can't Help Myself (Sugar Pie, Honey Bunch)
"I Can't Help Myself (Sugar Pie Honey Bunch)" is a 1965 hit song recorded by the Four Tops for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, "I Can't Help Myself" is one of the most well-known Motown recordings of the 1960s and among the decade's biggest hits. The single topped the ''Billboards R&B chart for nine weeks (being named the biggest R&B single of the year by ''Billboard'') and also peaked at number one on the Hot 100 for two non-consecutive weeks, from June 12 to June 19 and from June 26 to July 3 in 1965. It replaced "Back in My Arms Again" by labelmates The Supremes. It was first unseated at number one by " Mr. Tambourine Man" by The Byrds, then regained the top spot before being replaced by the Rolling Stones blockbuster "(I Can't Get No) Satisfaction". ''Billboard'' ranked the record as the second biggest single of 1965. "I Can't Help Myself" was the Four Tops' first Top 40 single in the UK, peaking at 23 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernadette (Four Tops Song)
"Bernadette" is a 1967 hit song recorded by the Four Tops for the Motown label. The song was written and composed by Holland–Dozier–Holland, Motown's main songwriting team, and produced by Brian Holland and Lamont Dozier. ''Billboard'' described the song as a "hard-driving rocker" with an "outstanding performance by the group." ''Cash Box'' called the single a "pulsating Detroit lid underscored by that steady, danceable rhythm." The song reached #4 on the ''Billboard'' Hot 100, and was The Four Tops's final Top 10 hit of the 1960s. On the soul chart, "Bernadette" went to number three. It also reached #8 in the UK on its first release and was a hit again in 1972, reaching #23. The song is notable for its false ending, where the instruments drop out and the background singers hold a chord. Lead singer Levi Stubbs then shouts "Bernadette!" and the song resumes, ending in a fade-out. Critic Maury Dean described the effectiveness of Stubb's shout of "Bernadette!" as being the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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