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The Parable Of Arable Land
''The Parable of Arable Land'' is the first studio album by the Red Crayola (also known as Red Krayola) which features free improvised pieces involving industrial power tools and a revving motorcycle dubbed "Free Form Freak-Out" as well as notable instrumental cameos by label mate and 13th Floor Elevators frontman Roky Erickson. The album's title was coined by bassist Steve Cunningham. The album was considered psychedelic music when it was introduced, but later assessments describe it as a forerunner to avant/noise rock. With this album as introduction, Ritchie Unterberger assessed the band as a precursor to industrial rock. The Familiar Ugly The Familiar Ugly was the group of 50 people who joined the Red Crayola on stage with music that was made on anything from industrial power tools to a revving motorcycle, they perform on the "Free Form Freak-Out" tracks that are present between each song on the album. Rick Barthelme later reflected. "At heart we were as elitist as could b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Krayola
The Red Krayola (originally Red Crayola) is an American avant rock band from Houston, Texas formed in 1966 by the trio of singer/guitarist Mayo Thompson, drummer Frederick Barthelme, and bassist Steve Cunningham. The group were part of the 1960s Texas psychedelic music scene and were signed to independent record label International Artists, subsequently becoming labelmates with the 13th Floor Elevators. Their confrontational, experimental approach employed noise and free improvisation. The Red Crayola disbanded in the late 1960s, but were resurrected in the late 1970s when Thompson moved to England and found favor in the post-punk scene. Thompson has continued using the name, in its legally altered spelling for performances or releases in the US, for his musical projects since. The group has released recordings on European labels such as Rough Trade and Recommended. In the mid-1990s, Thompson returned to the United States, signing with Drag City and releasing further albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Rock
Industrial rock is a fusion genre that fuses industrial music and rock music. It initially originated in the 1970s, and drew influence from early experimental and industrial acts such as Cromagnon, Throbbing Gristle, Einstürzende Neubauten and Chrome. Industrial rock became more prominent in the 1980s with the success of artists such as Killing Joke, Swans, and partially Skinny Puppy, and later spawned the offshoot genre known as industrial metal. The genre was made more accessible to mainstream audiences in the 1990s with the aid of acts such as Nine Inch Nails and Marilyn Manson, both of which have released platinum-selling records. History Origins (late 1970s and 1980s) Richie Unterberger assessed the Red Krayola as "a precursor to industrial rock" with their 1967 record ''The Parable of Arable Land'' exhibiting music made by 50 people on anything from industrial power tools to a revving motorcycle whilst ''Pitchfork'''s Alex Lindhart assessed their 1968 fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition '' 4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945, Paul Du Noyer (ed.), "Contemporary", in the ''Illustrated Encyclopedia of Music: From Rock, Pop, Jazz, Blues and Hip Hop to Classical, Folk, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Ayler
Albert Ayler (; July 13, 1936 – November 25, 1970) was an American avant-garde jazz saxophonist, singer and composer. After early experience playing R&B and bebop, Ayler began recording music during the free jazz era of the 1960s. However, some critics argue that while Ayler's style is undeniably original and unorthodox, it does not adhere to the generally accepted critical understanding of free jazz. In fact, Ayler's style is difficult to categorize in any way, and it evoked incredibly strong and disparate reactions from critics and fans alike.Claghorn, 1982. His innovations have inspired subsequent jazz musicians. His trio and quartet records of 1964, such as '' Spiritual Unity'' and '' The Hilversum Session'', show him advancing the improvisational notions of John Coltrane and Ornette Coleman into abstract realms where whole timbre, and not just mainly harmony with melody, is the music's backbone. His ecstatic music of 1965 and 1966, such as "Spirits Rejoice" and "Tru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fugs
The Fugs are an American rock band formed in New York City in late 1964, by the poets Ed Sanders and Tuli Kupferberg, with Ken Weaver on drums. Soon afterward, they were joined by Peter Stampfel and Steve Weber of The Holy Modal Rounders. Kupferberg named the band from a euphemism for ''fuck'' used in Norman Mailer's novel '' The Naked and the Dead''. The band was one of the leaders of the underground scene of the 1960s and became an important part of the American counterculture of that decade. The group is known for its comedic, even lewd, nature but also earned fame through their persistent anti-Vietnam War sentiment during the 1960s. Some 1969 correspondence, found inside an FBI file on the rock group The Doors, called The Fugs the "most vulgar thing the human mind could possibly conceive". Aside from derision for their scatological lyrics, the Fugs have also been labeled avant-rock noise music. Formation The band's original core members, Ed Sanders, Tuli Kupferb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Zappa
Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and '' musique concrète'' works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation. As a self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
April Fool's Day
April Fools' Day or All Fools' Day is an annual custom on 1 April consisting of practical jokes and hoaxes. Jokesters often expose their actions by shouting "April Fools!" at the recipient. Mass media can be involved in these pranks, which may be revealed as such the following day. The custom of setting aside a day for playing harmless pranks upon one's neighbour has been relatively common in the world historically. Origins Although the origins of April Fools’ is unknown, there are many theories surrounding it. A disputed association between 1 April and foolishness is in Geoffrey Chaucer's '' The Canterbury Tales'' (1392). In the " Nun's Priest's Tale", a vain cock Chauntecleer is tricked by a fox on "Since March began thirty days and two," i.e. 32 days since March began, which is 1 April. However, it is not clear that Chaucer was referencing 1 April since the text of the "Nun's Priest's Tale" also states that the story takes place on the day when the sun is "in the sign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Improvisation
Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its own right. Free improvisation, as a genre of music, developed in the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and modern classical musics. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann, and John Zorn, composer Pauline Oliveros, drummer Christian Lillinger, trombonist George E. Lewis, guitarists Derek Bailey, Henry Kaiser and Fred Frith and the improvising groups Spontaneous Music Ensemble, The Music Improvisation Company, Iskra 1903, The Art Ensemble of Chicago and AMM. Characteristics In an atonal context, free improvisation refers to where the focus shifts from harmony to other dimensions of music: timbre, melodic intervals, rhy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise
Noise is unwanted sound considered unpleasant, loud or disruptive to hearing. From a physics standpoint, there is no distinction between noise and desired sound, as both are vibrations through a medium, such as air or water. The difference arises when the brain receives and perceives a sound. Acoustic noise is any sound in the acoustic domain, either deliberate (e.g., music or speech) or unintended. In contrast, noise in electronics may not be audible to the human ear and may require instruments for detection. In audio engineering, noise can refer to the unwanted residual electronic noise signal that gives rise to acoustic noise heard as a hiss. This signal noise is commonly measured using A-weighting or ITU-R 468 weighting. In experimental sciences, noise can refer to any random fluctuations of data that hinders perception of a signal. Measurement Sound is measured based on the amplitude and frequency of a sound wave. Amplitude measures how forceful the wave is. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mayo Thompson
Mayo Thompson (born February 26, 1944 in Houston, Texas, United States) is an American musician and visual artist best known as the leader of the experimental rock band Red Krayola. Background His formal education includes Garden of Arts Kindergarten until Holy Rosary Elementary School through fifth grade, then Moye Military School until high school at Cascia Hall College Preparatory School, from which he received a diploma in 1962. He went on to study at St. Thomas University, trying variously, off and on, in some cases simultaneously, pre-Law, Creative Writing, English and American Literature, Philosophy, and Art History, before dropping out and starting The Red Crayola with Frederick Barthelme in 1966. In college, Thompson began to find an affinity for jazz, "I learnt an awful lot from jazz". He states in the Red Krayola 1994 live documentary of their Japanese tour, "I was more interested in composing new material than interpreting old material". 1950s In 1955, Mayo Tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Barthelme
Fredrick Barthelme (born October 10, 1943) is an American novelist and short story writer, well-known as one of the seminal writers of minimalist fiction. Alongside his personal publishing history, his position as Director of The Center For Writers at The University of Southern Mississippi and editor of the nationally prominent literary journal ''Mississippi Review'' (1977 - 2010) have placed him at the forefront of the contemporary American literary scene. He is currently the editor of New World Writing (formerly Blip Magazine) Early life Barthelme was born in Houston, Texas. His father, Donald Barthelme, Sr., was a well-known and highly active Modernist architect in the city. The atmosphere of intellectual and aesthetic vigor encouraged by their father, pervasive in Barthelme family life, is described in ''Double Down: Reflections on Gambling and Loss'', a memoir co-written by Frederick and his brother, Steven. His other brothers, Donald and Steven, emerged from the creativ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
