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The Orb's Adventures Beyond The Ultraworld
''The Orb's Adventures Beyond the Ultraworld'' is the debut studio album by English electronic music group The Orb, released as a double album on 2 April 1991 by Big Life. It is a continuous, progressive composition evoking a two-hour psychedelic trip that draws from various genres (including ambient, house, dub reggae, and hip hop) and incorporates samples and sound effects. Much of the album was recorded after founding member Jimmy Cauty left the group, leaving Alex Paterson as the central member, with additional contributions by Andy Falconer, Kris Weston, and others. The album was preceded by the charting (#78) 1989 single " A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld," which closes the album. ''The Orb's Adventures Beyond the Ultraworld'' was well received in Europe and reached number 29 on the UK Albums Chart. It has since been credited with popularizing the UK's nascent ambient house movement. Background Alex Paterson began his mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Orb
The Orb are an English electronic music group founded in 1988 by Alex Paterson and Jimmy Cauty. Known for their psychedelic sound, the Orb developed a cult following among clubbers "coming down" from drug-induced highs. Their influential 1991 debut album '' The Orb's Adventures Beyond the Ultraworld'' pioneered the UK's nascent ambient house movement, while its UK chart-topping follow-up ''U.F.Orb'' represented the genre's commercial peak. Beginning as ambient and dub DJs in London, The Orb's early performances were inspired by electronic artists of the 1970s, most notably Brian Eno, Cluster, and Kraftwerk. The Orb have maintained their signature science fiction aesthetic despite numerous personnel changes, including the departure of Cauty and members Kris Weston, Andy Falconer, Simon Phillips, Nick Burton, and Andy Hughes. Paterson has been the only permanent member, continuing to work as the Orb with Swiss-German producer Thomas Fehlmann, and later, with Martin "You ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Ultraworld
"A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld" is the debut single by the ambient house group The Orb. It was originally released in October 1989 and made the UK Singles Chart in 1990, peaking at #78. The 'Peel Session' version was also voted into #10 place in John Peel's 1990 Festive Fifty. In April 1991, it was released on the debut album ''The Orb's Adventures Beyond the Ultraworld''. The title is taken from a sound effects track from ''Blake's 7'' on '' BBC Sound Effects No. 26 - Sci-Fi Sound Effects'' titled "The Core, A Huge Evergrowing Pulsating Brain which Rules from the Centre of Ultraworld". The ethereal chord progression used throughout was sampled from the Grace Jones classic " Slave to the Rhythm" in particular the album version (6'35) The song was featured on the soundtrack of the video game '' Grand Theft Auto: Episodes from Liberty City''. History Throughout 1989, The Orb, along with Martin "Youth" Glover, developed the mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Effect
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media. Traditionally, in the twentieth century, they were created with foley. In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point ''without'' the use of dialogue or music. The term often refers to a process applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, dialogue, music, and sound effects recordings are treated as separate elements. Dialogue and music recordings are never referred to as sound effects, even though the processes applied to such as reverberation or flanging effects, often are called "sound effects". This area and sound design have been slowly merged since th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sample (music)
Sample or samples may refer to: Base meaning * Sample (statistics), a subset of a population – complete data set * Sample (signal), a digital discrete sample of a continuous analog signal * Sample (material), a specimen or small quantity of something * Sample (graphics), an intersection of a color channel and a pixel * SAMPLE history, a mnemonic acronym for questions medical first responders should ask * Product sample, a sample of a consumer product that is given to the consumer so that he or she may try a product before committing to a purchase * Standard cross-cultural sample, a sample of 186 cultures, used by scholars engaged in cross-cultural studies People * Sample (surname) * Samples (surname) * Junior Samples (1926–1983), American comedian Places * Sample, Kentucky, unincorporated community, United States * Sampleville, Ohio, unincorporated community, United States * Hugh W. and Sarah Sample House, listed on the National Register of Historic Places in Iowa, Uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Reggae
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Music
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody.The Ambient Century by Mark Prendergast, Bloomsbury, London, 2003. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual",Prendergast, M. ''The Ambient Century''. 2001. Bloomsbury, USA or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer. The genre originated in the 1960s and 1970s, when new musical instruments were being introduced to a wider market, such as the synthesizer. It was presaged by Erik Satie's furniture music and styles such as musique concrète, minimal music, and German electronic music, but was prominently named and popularized by Briti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Experience
A psychedelic experience (known colloquially as a trip) is a temporary altered state of consciousness induced by the consumption of a psychedelic substance (most commonly LSD, mescaline, psilocybin mushrooms, or DMT). For example, an acid trip is a psychedelic experience brought on by the use of LSD, while a mushroom trip is a psychedelic experience brought on by the use of psilocybin. Psychedelic experiences feature alterations in normal perception such as visual distortions and a subjective loss of self-identity, sometimes interpreted as mystical experiences. Psychedelic experiences lack predictability, as they can range from being highly pleasurable (known as a good trip) to frightening (known as a bad trip). The outcome of a psychedelic experience is heavily influenced by the person's mood, personality, expectations, and environment (also known as set and setting). Researchers have interpreted psychedelic experiences in light of a range of scientific theories, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Electronic Music
Progressive music is music that attempts to expand existing stylistic boundaries associated with specific genres of music. The word comes from the basic concept of "progress", which refers to advancements through accumulation, and is often deployed in the context of distinct genres, with progressive rock being the most notable example. Music that is deemed "progressive" usually synthesizes influences from various cultural domains, such as European art music, Celtic folk, West Indian, or African. It is rooted in the idea of a cultural alternative and may also be associated with auteur-stars and concept albums, considered traditional structures of the music industry. As an art theory, the progressive approach falls between formalism and eclecticism. "Formalism" refers to a preoccupation with established external compositional systems, structural unity, and the autonomy of individual art works. Like formalism, "eclecticism" connotes a predilection toward style synthesis or i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Album
A double album (or double record) is an audio album that spans two units of the primary medium in which it is sold, typically either records or compact disc. A double album is usually, though not always, released as such because the recording is longer than the capacity of the medium. Recording artists often think of double albums as being a single piece artistically; however, there are exceptions such as John Lennon's '' Some Time in New York City'' (which consisted of one studio record and one live album packaged together) and OutKast's ''Speakerboxxx/The Love Below'' (effectively two solo albums, one by each member of the duo). Since the advent of the compact disc, albums are sometimes released with a bonus disc featuring additional material as a supplement to the main album, with live tracks, studio out-takes, cut songs, or older unreleased material. One innovation was the inclusion of a DVD of related material with a compact disc, such as video related to the album or DVD ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect uni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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