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The Great Wide World Of Quincy Jones
''The Great Wide World of Quincy Jones'' is an album by Quincy Jones that was released by Mercury.Mercury Records Catalog accessed October 21, 2015 Reception The review by called it "a top-notch bop-oriented big band".Track listing # "" ( |
Quincy Jones
Quincy Delight Jones Jr. (born March 14, 1933) is an American record producer, musician, songwriter, composer, arranger, and film and television producer. His career spans 70 years in the entertainment industry with a record of 80 Grammy Award nominations, 28 Grammys, and a Grammy Legend Award in 1992. Jones came to prominence in the 1950s as a jazz arranger and conductor before working on pop music and film scores. He moved easily between musical genres, producing pop hit records for Lesley Gore in the early 1960s (including " It's My Party") and serving as an arranger and conductor for several collaborations between the jazz artists Frank Sinatra and Count Basie in the same time period. In 1968, Jones became the first African American to be nominated for an Academy Award for Best Original Song for "The Eyes of Love" from the film '' Banning''. Jones was also nominated for an Academy Award for Best Original Score for his work on the 1967 film ''In Cold Blood'', making him the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Christian
Charles Henry Christian (July 29, 1916 – March 2, 1942) was an American swing and jazz guitarist. Christian was an important early performer on the electric guitar and a key figure in the development of bebop and cool jazz. He gained national exposure as a member of the Benny Goodman Sextet and Orchestra from August 1939 to June 1941. His single-string technique, combined with amplification, helped bring the guitar out of the rhythm section and into the forefront as a solo instrument. For this, he is often credited with leading to the development of the lead guitar role in musical ensembles and bands. John Hammond and George T. Simon called Christian the best improvisational talent of the swing era. In the liner notes to the album '' Solo Flight: The Genius of Charlie Christian'' (Columbia, 1972), Gene Lees wrote that "Many critics and musicians consider that Christian was one of the founding fathers of bebop, or if not that, at least a precursor to it."Liner notes. '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nick Travis
Nick Travis (b. Nov. 16, 1925, Philadelphia, Pennsylvania - d. Oct. 7, 1964, New York City) was an American jazz trumpeter. Travis started playing professionally at age 15, playing in the early 1940s with Johnny McGhee, Vido Musso (1942), Mitchell Ayres, and Woody Herman (1942–44). In 1944 he joined the military; after his service he played with Ray McKinley (1946–50, intermittent), Benny Goodman (1948–49), Gene Krupa, Ina Ray Hutton, Tommy Dorsey, Tex Beneke, Herman once more (1950–51), Jerry Gray, Bob Chester, Elliot Lawrence, and Jimmy Dorsey (1952–53). From 1953-56 he was a soloist in the Sauter-Finegan Orchestra. After this he became a session musician for NBC, but played with Gerry Mulligan (1960–62) and Thelonious Monk (1963, at Lincoln Center). Most of Travis's work was in big bands, but he also played in small ensembles with Al Cohn (1953) and Zoot Sims (1956). He led one session for Victor Records in 1954. In 1964, Travis died at age 38 as a resu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Royal
Ernest Andrew Royal (June 2, 1921 in Los Angeles, California – March 16, 1983 in New York City) was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording ''The Genius of Ray Charles'' (1959). Career He began in Los Angeles Los Angeles ( ; es, Los Ángeles, link=no , ), often referred to by its initials L.A., is the largest city in the state of California and the second most populous city in the United States after New York City, as well as one of the world ... as a member of Les Hite's Orchestra in 1937. In the following 20 years he would work with Lionel Hampton, Woody Herman, Count Basie, Duke Ellington, Wardell Gray, Stan Kenton and recording as a member of the Charles Mingus Octet, with Teo Macero, John Lewis (pianist), John Lewis and Kenny Clarke, among others, in 1953. He led ten albums, most of them recorded in Paris. In 1957 he became a staff musician for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Morgan
Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter and composer. One of the key hard bop musicians of the 1960s, Morgan came to prominence in his late teens, recording on John Coltrane's '' Blue Train'' (1957) and with the band of drummer Art Blakey before launching a solo career. Morgan stayed with Blakey until 1961 and started to record as leader in the late '50s. His song " The Sidewinder", on the album of the same name, became a surprise crossover hit on the pop and R&B charts in 1964, while Morgan's subsequent recordings found him touching on other styles of music such as post-bop and avant-garde jazz as his artistry matured. Soon after '' The Sidewinder'' was released, Morgan rejoined Blakey for a short period. After leaving Blakey for the final time, Morgan continued to work prolifically as both a leader and a sideman with the likes of Hank Mobley and Wayne Shorter, becoming a cornerstone of the Blue Note label. Morgan died at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Maxwell (trumpeter)
Jimmy Maxwell (January 9, 1917 – July 20, 2002) was an American swing jazz trumpeter. Maxwell played cornet from an early age, studying with Herbert L. Clarke in the early 1930s. He played with Gil Evans (1933–34), Jimmy Dorsey (1936), Maxine Sullivan, and Skinnay Ennis before joining Benny Goodman's band from 1939-43. He also played with Goodman later in life, including on his tour of the Soviet Union in 1962. He worked as a studio musician for NBC from 1943, playing on ''The Perry Como Show'' (1945–63), The Patti Page Show, the Pat Boone Show, and ''The Tonight Show'' (1963–73). He played first trumpet on hundreds of recordings and commercials from 1950-1980. In addition, he worked as a sideman for, among others, Woody Herman (1958), Count Basie, Duke Ellington (1973), Oliver Nelson, Gerry Mulligan, Maynard Ferguson, Quincy Jones (1964), the New York Jazz Repertory Company, and Chuck Israels's National Jazz Ensemble. Of his sideman jobs, he is cited as having play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Farmer
Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player. As Farmer's reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan's quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Potts (musician)
William Orie Potts (April 3, 1928, Arlington, Virginia – February 16, 2005, Plantation, Florida) was an American jazz pianist and arranger. Early life Potts played Hawaiian guitar as a child and accordion in his teens. At age 15, he won an accordion competition with a performance of " Twilight Time". He picked up piano in high school after hearing Count Basie on the radio. He attended Catholic University of America in 1946-1947, then formed his own group under the name Bill Parks, which toured in Massachusetts and Florida.Leonard Feather and Ira Gitler, ''The Biographical Encyclopedia of Jazz''. Oxford, 1999, pp. 534-535. While serving in the Army from 1949 to 1955 he transcribed charts for Army bands; he also composed and arranged for Joe Timer and Willis Conover's ensemble, THE Orchestra, which broadcast on Voice of America radio. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Truman Capote
Truman Garcia Capote ( ; born Truman Streckfus Persons; September 30, 1924 – August 25, 1984) was an American novelist, screenwriter, playwright and actor. Several of his short stories, novels, and plays have been praised as literary classics, including the novella '' Breakfast at Tiffany's'' (1958) and the true crime novel ''In Cold Blood'' (1966), which he labeled a "non-fiction novel." His works have been adapted into more than 20 films and television dramas. Capote rose above a childhood troubled by divorce, a long absence from his mother, and multiple migrations. He had discovered his calling as a writer by the time he was eight years old, and he honed his writing ability throughout his childhood. He began his professional career writing short stories. The critical success of "Miriam" (1945) attracted the attention of Random House publisher Bennett Cerf and resulted in a contract to write the novel '' Other Voices, Other Rooms'' (1948). Capote earned the most fame with '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Redman
Donald Matthew Redman (July 29, 1900 – November 30, 1964) was an American jazz musician, arranger, bandleader, and composer. Biography Redman was born in Piedmont, Mineral County, West Virginia, United States. His father was a music teacher, his mother was a singer. Beginning by playing the trumpet at the age of three, Redman joined his first band at the age of six and by the age of 12 was proficient on all wind instruments ranging from trumpet to oboe as well as piano. He studied at Storer College in Harper's Ferry and at the Boston Conservatory, then joined Billy Page's Broadway Syncopaters in New York City. He was the uncle of saxophonist Dewey Redman, and thus great-uncle of saxophonist Joshua Redman and trumpeter Carlos Redman. Career In 1923, Redman joined the Fletcher Henderson orchestra, mostly playing clarinet and saxophones. He began writing arrangements, and Redman did much to formulate the sound that was to become swing. A trademark of Redman's arrangements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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