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The French Theater Of Gustav III
The French Theater of Gustav III was a French language theater active in Sweden between 1781 and 1792. The French theater company performed both before the Swedish royal court in the theaters of the royal palaces, as well as before the Swedish public in Stockholm. It is known to have played a significant part in the education of the pioneer generation of actors at the Royal Dramatic Theatre. The French theater was composed in Paris by Jacques Marie Boutet de Monvel in 1781, when it was engaged by king Gustav III of Sweden to perform before the Swedish royal court. Initially, they performed exclusively for the royal court in the theaters of the royal residences, such as Drottningholm Palace Theatre and Confidencen. From 1783 onward, they also performed before the Swedish public at Bollhuset. The public performances were, in practice, normally visited exclusively by the upper classes of Stockholm, who were able to understand the French language. The French Theater appeared before t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natur & Kultur
Natur & Kultur is a Swedish publishing foundation with head office in Stockholm known for an extensive series of teaching materials. Its logotype is an apple tree. Overview The publishing house was founded in 1922 by Johan Hansson and his wife Jenny Bergqvist Hansson, with a focus on educational and didactic works of literature. During the Second World War World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposi ..., it published anti-Nazi literature. It was transformed into a foundation in 1947. In the 1980s and 1990s, Natur & Kultur bought a number of other publishing houses, such as Askild & Kärnekull Förlag AB, (later renamed to Legenda) and LTs Förlag. In addition to textbooks for different levels of education, Natur & Kultur also publishes literary classics and mainstream liter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Du Londel Troupe
The Du Londel Troupe was a French 18th-century theatre troupe. From 1753 to 1771, it was active as the French Theatre of Sweden, where it played a great part in that country's theatre history. The French troupe performed in Copenhagen in Denmark in 1748–53. They also performed in Oslo in Norway during the king's stay there in 1749. The troupe was under the leadership of Jeanne Du Londel, widow of Jean Du Londel, and Pierre de Laynay in 1753, when they were invited to Sweden by the initiative of the Swedish queen, Louisa Ulrika of Prussia. The troupe followed the royal court between the royal palaces and performed on the court- theatres, such as the Drottningholm Theatre and Confidencen, but they also performed for the public in the theatre of Bollhuset in Stockholm during the Winter. After the season of 1753-54, the Stockholm theatre was reserved for them and the Swedish actors were turned out, which interrupted the development of the Swedish language theatre; the Swedish the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Troupe Du Roi De Suede
La troupe du Roi de Suede, or ''Roi de Suede'' for short, was a French-speaking Swedish court theater, active at the Royal Swedish court from 1699 until 1706. The ''Roi de Suede'' was engaged by Charles XII of Sweden because a French language court theater was regarded to be a compulsory thing in the representational life of a royal court at the time. Its leader was Rosidor fils, and commonly, the company have therefore been referred to as simply "The Rosidor Troupe". The company performed both spoken drama, opera and ballet, and was regarded to have upheld a high quality. The performances were staged at the residences of the royal court, as well as in the Bollhuset in Stockholm. The Great Northern War in 1700 caused financial difficulties for the court theater. The queen dowager would not allow the troupe to perform at court after the king had left to serve in the war. The king therefore gave permission to the ''Roi de Suede'' to perform at Bollhuset for the public in the ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie-Renée Frossard
Marie-Renée Frossard, née ''Malter'', was a French ballerina with an international career. She was active in Sweden in 1764–76, where she was regarded as one of the stars of the Royal Swedish Ballet. Marie-Renée Frossard was married to her colleague Louis Frossard. She was engaged at the Comédie-Italienne in Paris in 1757, in Vienna in 1759 and in Brussels in 1761–62. From 1764 until 1770, she and her spouse were engaged at the Du Londel Troupe in Sweden, where they were regarded as two of the most noted members. The French theater was dissolved by Gustav III of Sweden in 1771, who wished to establish a native theater, opera and ballet. When the Swedish Royal ballet was founded in 1773, however, there were almost no native ballet dancers at all, with the exception of the very few, such as Charlotte Slottsberg, who had been trained in the French theater. Ballet master Louis Gallodier therefore recommended the king to recall some of the French dancers to perform and educa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Frossard
Louis Frossard was an 18th-century French dancer who conducted part of his career in Sweden. A dancer at the Comédie Italienne of Paris in 1757-1758, he stayed in Vienna from 1759 to 1761 and performed particularly in ballets by Charles Bernardy and Gasparo Angiolini. Back to the Comédie Italienne in 1761–1762, he was hired by the Théâtre de la Monnaie The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National O ... in Brussels, with his wife Marie-Renée Malter, a relative of the Malter dancers. Called to the court of Sweden, he was principal dancer of the Royal Swedish Ballet directed by Louis Gallodier until 1772. After he returned to the Théâtre-Italien of Paris as ballet master, he was recalled to Stockholm the following year and remained there until 1776. Charles-Louis Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Louis Didelot
Charles-Louis Didelot (28 March 1767, Stockholm - 7 November 1837, Kiev) was a French dancer, the creator of the ballet shoes and a choreographer. The son of Charles Didelot, the dance-master of the King of Sweden, he studied dance with his father, who was an instructor in dance at the Swedish Opera, and debuted as dancer in the theatre of Bollhuset in Stockholm Stockholm () is the capital and largest city of Sweden as well as the largest urban area in Scandinavia. Approximately 980,000 people live in the municipality, with 1.6 million in the urban area, and 2.4 million in the metropo ... 1786. He then studied in Paris with Jean Dauberval. He followed his study with Jean-Georges Noverre, under whose lead he debuted in London in 1788. When the Russian Imperial ballet needed a new chief choreographer, the former Imperial choreographer Charles Le Picq proposed inviting Charles Didelot. He arrived in Saint Petersburg in 1801 at the invitation of the director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Uttini
Carlo Uttini (1753-1808), was a Swedish ballet dancer. He was regarded as one of the elite members of the Royal Swedish Ballet in 1773-1804, and was also active as singer of the Royal Swedish Opera (1776–79) and as an actor at the French Theater of Gustav III (1781–92) and at the Royal Dramatic Theatre (1788-1808). He was also inspector of the royal theaters for many years. He was the son of Francesco Antonio Uttini and Rosa Scarlatti Rosa Scarlatti (1727– 15 December 1775) was an Italian opera singer. She was the niece of Alessandro Scarlatti, Alessandro or Domenico Scarlatti and the sister of composer Giuseppe Scarlatti (1723-1777). She married composer Francesco Uttini in .... References * Fredrik August Dahlgren: Förteckning öfver svenska skådespel uppförda på Stockholms theatrar 1737-1863 och Kongl. Theatrarnes personal 1773-1863. Med flera anteckningar. {{DEFAULTSORT:Uttini, Carlo 1753 births 1808 deaths 18th-century Swedish ballet dancers Royal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Louise Marcadet
Marie Louise Marcadet née ''Baptiste'' (3 December 1758 – 28 February 1804) was a Swedish opera singer and a dramatic stage actress of French origin. She was active in the Royal Swedish Opera as a singer, and in the Royal Dramatic Theatre and the French Theater of Gustav III as an actress. She was a member of the Royal Swedish Academy of Music from 1795. Life Marie Louise Marcadet was born in Sweden as the daughter of the French actors Marie Baptiste and Jacques Anselme Baptiste. Her parents where both engaged at the French theater in Stockholm, and she was trained as a stage artists by them. The Baptiste family left Sweden in 1771, when the French theater was dissolved by Gustav III of Sweden upon his succession to the throne. She returned to Sweden with her parents in 1776, and performed with some of the French actors of the old theater, which entertained the Swedish royal court in a smaller scale, until a new French theater was established in 1781. In 1780, she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
