The Fox And The Sick Lion
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The Fox And The Sick Lion
The Fox and the Sick Lion is one of Aesop's Fables, well known from Classical times and numbered 142 in the Perry Index. There is also an Indian analogue. Interpretations of the story's meaning have differed widely in the course of two and a half millennia. Ancient versions A lion grown too old and weak to hunt pretended to be sick as a ruse and ate the animals that came to visit him in his cave. But the fox only greeted him from outside and, on being asked why it did not enter, replied "Because I can only see tracks going in, but none coming out". The earliest application of the fable is in an economic context in First Alcibiades, a dialogue often ascribed to Plato and dated to the 4th century BCE. There Socrates tries to dissuade a young man from following a political career and, in describing the Spartan economy, says: :and as to gold and silver, there is more of them in Lacedaemon than in all the rest of Hellas, for during many generations gold has been always flowing in to t ...
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Wenceslas Hollar
Wenceslaus Hollar (23 July 1607 – 25 March 1677) was a prolific and accomplished Bohemian graphic artist of the 17th century, who spent much of his life in England. He is known to German speakers as ; and to Czech speakers as . He is particularly noted for his engravings and etchings. He was born in Prague, died in London, and was buried at St Margaret's Church, Westminster. Early life After his family was ruined by the Sack of Prague in the Thirty Years' War, the young Hollar, who had been destined for the legal profession, decided to become an artist. The earliest of his works that have come down to us are dated 1625 and 1626; they are small plates, and one of them is a copy of a "Virgin and Child" by Dürer, whose influence upon Hollar's work was always great. In 1627 he was in Frankfurt where he was apprenticed to the renowned engraver Matthäus Merian. In 1630 he lived in Strasbourg, Mainz and Koblenz, where Hollar portrayed the towns, castles, and landscapes of the ...
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Animals In Buddhism
Animals are multicellular, eukaryotic organisms in the biological kingdom Animalia. With few exceptions, animals consume organic material, breathe oxygen, are able to move, can reproduce sexually, and go through an ontogenetic stage in which their body consists of a hollow sphere of cells, the blastula, during embryonic development. Over 1.5 million living animal species have been described—of which around 1 million are insects—but it has been estimated there are over 7 million animal species in total. Animals range in length from to . They have complex interactions with each other and their environments, forming intricate food webs. The scientific study of animals is known as zoology. Most living animal species are in Bilateria, a clade whose members have a bilaterally symmetric body plan. The Bilateria include the protostomes, containing animals such as nematodes, arthropods, flatworms, annelids and molluscs, and the deuterostomes, containing the echin ...
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Jataka Tales
The Jātakas (meaning "Birth Story", "related to a birth") are a voluminous body of literature native to India which mainly concern the previous births of Gautama Buddha in both human and animal form. According to Peter Skilling, this genre is "one of the oldest classes of Buddhist literature."Skilling, Peter (2010). ''Buddhism and Buddhist Literature of South-East Asia,'' pp. 161-162. Some of these works are also considered great works of literature in their own right. In these stories, the future Buddha may appear as a king, an outcast, a deva, an animal—but, in whatever form, he exhibits some virtue that the tale thereby inculcates. Often, Jātaka tales include an extensive cast of characters who interact and get into various kinds of trouble - whereupon the Buddha character intervenes to resolve all the problems and bring about a happy ending. The Jātaka genre is based on the idea that the Buddha was able to recollect all his past lives and thus could use these memor ...
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Emblem Books
An emblem book is a book collecting emblems (allegorical illustrations) with accompanying explanatory text, typically morals or poems. This category of books was popular in Europe during the 16th and 17th centuries. Emblem books are collections of sets of three elements: an icon or image, a motto, and text explaining the connection between the image and motto. The text ranged in length from a few lines of verse to pages of prose. Emblem books descended from medieval bestiaries that explained the importance of animals, proverbs, and fables. In fact, writers often drew inspiration from Greek and Roman sources such as Aesop's Fables and Plutarch's Lives. Definition Scholars differ on the key question of whether the actual emblems in question are the visual images, the accompanying texts, or the combination of the two. This is understandable, given that first emblem book, the ''Emblemata'' of Andrea Alciato, was first issued in an unauthorized edition in which the woodcuts wer ...
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Indian Fairy Tales
The folklore of India encompasses the folklore of the nation of India and the Indian subcontinent. India is an ethnically and religiously diverse country. Given this diversity, it is difficult to generalize the vast folklore of India as a unit. Although India is a Hindu-majority country, with more than three-fourths of the population identifying themselves as Hindus, there is no single, unified, and all-pervading concept of identity present in it. Various heterogeneous traditions, numerous regional cultures and different religions to grow and flourish here. Folk religion in Hinduism may explain the rationale behind local religious practices, and contain local myths that explain the customs or rituals. However, folklore goes beyond religious or supernatural beliefs and practices, and encompasses the entire body of social tradition whose chief vehicle of transmission is oral or outside institutional channels. Folk art of India The folk and tribal arts of India speak volumes abou ...
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Indian Literature
Indian literature refers to the literature produced on the Indian subcontinent until 1947 and in the Republic of India thereafter. The Republic of India has 22 officially recognised languages. The earliest works of Indian literature were orally transmitted. Sanskrit literature begins with the oral literature of the Rig Veda, a collection of literature dating to the period 1500–1200 BCE. The Sanskrit epics ''Ramayana'' and ''Mahabharata'' were subsequently codified and appeared towards the end of the 2nd millennium BCE. Classical Sanskrit literature developed rapidly during the first few centuries of the first millennium BCE, as did the Pāli Canon and Tamil Sangam literature. In the medieval period, literature in Kannada and Telugu appeared in the 9th and 10th centuries respectively. Later, literature in Marathi, Gujarati, Bengali, Assamese, Odia, and Maithili appeared. Thereafter literature in various dialects of Hindi, Persian and Urdu began to appear as we ...
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Indian Folklore
The folklore of India encompasses the folklore of the nation of India and the Indian subcontinent. India is an ethnically and religiously diverse country. Given this diversity, it is difficult to generalize the vast folklore of India as a unit. Although India is a Hindu-majority country, with more than three-fourths of the population identifying themselves as Hindus, there is no single, unified, and all-pervading concept of identity present in it. Various heterogeneous traditions, numerous regional cultures and different religions to grow and flourish here. Folk religion in Hinduism may explain the rationale behind local religious practices, and contain local myths that explain the customs or rituals. However, folklore goes beyond religious or supernatural beliefs and practices, and encompasses the entire body of social tradition whose chief vehicle of transmission is oral or outside institutional channels. Folk art of India The folk and tribal arts of India speak volumes abou ...
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Chauvinism
Chauvinism is the unreasonable belief in the superiority or dominance of one's own group or people, who are seen as strong and virtuous, while others are considered weak, unworthy, or inferior. It can be described as a form of extreme patriotism and nationalism, a fervent faith in national excellence and glory. In English, the word has come to be used in some quarters as shorthand for male chauvinism, a trend reflected in ''Merriam-Webster's Dictionary'', which, as of 2018, begins its first example of use of the term ''chauvinism'' with "an attitude of superiority toward members of the opposite sex". As nationalism According to legend, French soldier Nicolas Chauvin was badly wounded in the Napoleonic Wars and received a meager pension for his injuries. After Napoleon abdicated, Chauvin maintained his fanatical Bonapartist belief in the messianic mission of Imperial France, despite the unpopularity of this view under the Bourbon Restoration. His single-minded devotion to his c ...
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Thomas Bewick
Thomas Bewick (c. 11 August 17538 November 1828) was an English wood-engraver and natural history author. Early in his career he took on all kinds of work such as engraving cutlery, making the wood blocks for advertisements, and illustrating children's books. He gradually turned to illustrating, writing and publishing his own books, gaining an adult audience for the fine illustrations in ''A History of Quadrupeds''. His career began when he was apprenticed to engraver Ralph Beilby in Newcastle upon Tyne. He became a partner in the business and eventually took it over. Apprentices whom Bewick trained include John Anderson, Luke Clennell, and William Harvey, who in their turn became well known as painters and engravers. Bewick is best known for his '' A History of British Birds'', which is admired today mainly for its wood engravings, especially the small, sharply observed, and often humorous vignettes known as tail-pieces. The book was the forerunner of all modern field guides ...
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Samuel Croxall
Samuel Croxall (c. 1690 – 1752) was an Anglican churchman, writer and translator, particularly noted for his edition of Aesop's Fables. Early career Samuel Croxall was born in Walton on Thames, where his father (also called Samuel) was vicar. He was educated at Eton and at St John's College, Cambridge, where he took his B.A. in 1711 and entered holy orders. Soon after graduating he began to emerge as a political pamphleteer, taking the Whig side on the question of the Hanoverian succession. In 1713 he published ''An original canto of Spencer: design'd as part of his Faerie Queene, but never printed'', followed next year by ''Another original canto of Spencer''. Croxall's satirical target was the Tory politician of the day, Robert Harley, Earl of Oxford, and the choice of poetical model was also politically motivated. In 1706 the Whig turncoat Matthew Prior had used the Spenserian stanza in ''An Ode, Humbly to the Queen'' on the conduct of the War of the Spanish Success ...
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Safe Conduct
Safe conduct, safe passage, or letters of transit, is the situation in time of international conflict or war where one state, a party to such conflict, issues to a person (usually an enemy state's subject) a pass or document to allow the enemy alien to traverse its territory without harassment, bodily harm, or fear of death. Safe conduct is only granted in exceptional circumstances. It may be given to an enemy to allow retreat under surrender terms, or for a meeting to negotiate; to a stateless person; or to somebody who for some reason would normally not be able to pass. A vanquished enemy can also be given, or offered quarter, i.e. be spared, be promised or guaranteed mercy. The term 'safe conduct' is also used to mean the document authorizing this security. In Islamic law, safe conduct or pledge of safety ('' amān'') can be granted to foreigners or dhimmi residents ('' musta'min'') while they travel or reside in Islamic-ruled lands. In the early Middle Ages, during som ...
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