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The Denial Of Saint Peter (Caravaggio)
''The Denial of Saint Peter'' ''(La Negazione di Pietro)'' is a painting finished around 1610 by the Italian painter Caravaggio. It depicts Peter denying Jesus after Jesus was arrested. The painting is housed in the Metropolitan Museum of Art in New York City. Provenance ''The Denial of Saint Peter'' is generally thought to be one of the last two works by Caravaggio, the other being '' The Martyrdom of Saint Ursula''. It was probably finished at Naples in the summer of 1610. This dating is made on stylistic and compositional grounds, especially by comparison to the ''Saint Ursula''. In 1612, the painter Guido Reni left Rome for his native Bologna and on 9 March 1612 gave instructions to the engraver Luca Ciamberlano to collect the remainder of his fees from Reverenda Camera Apostolica for the frescos he had painted in the Borghese Chapel in the Basilica di Santa Maria Maggiore. Ciamberlano again acted on his behalf on 12 September 1612 in the collection of some other debts. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Negación De San Pedro
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * '' L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * '' Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screening ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pio Monte Della Misericordia
The Pio Monte della Misericordia is a church in the historic center of Naples, southern Italy. It is famous for its art works, including Caravaggio's ''The Seven Works of Mercy''. A charity brotherhood (''Pio Monte della Misericordia'' meaning "Pious Mount of Mercy" in Italian) was founded in August 1601 by seven young nobles, who met every Friday at the Hospital for Incurables and ministered to the sick. In 1602 they established an institution and commissioned a small church, built by Gian Giacomo di Conforto, near the staircase leading to the Cathedral, on the corner of the Via dei Tribunali and the Vico dei Zuroli. In 1605, they received an apostolic letter from Pope Paul V, according special privileges to the high altar. The church was consecrated in September 1606. From 1658 to 1678 the edifice was enlarged, also with the annexation of neighbouring structures, by architect Francesco Antonio Picchiati, forming a complex with a palace and a renewed church. The latter, at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lausanne
, neighboring_municipalities= Bottens, Bretigny-sur-Morrens, Chavannes-près-Renens, Cheseaux-sur-Lausanne, Crissier, Cugy, Écublens, Épalinges, Évian-les-Bains (FR-74), Froideville, Jouxtens-Mézery, Le Mont-sur-Lausanne, Lugrin (FR-74), Maxilly-sur-Léman (FR-74), Montpreveyres, Morrens, Neuvecelle (FR-74), Prilly, Pully, Renens, Romanel-sur-Lausanne, Saint-Sulpice, Savigny , twintowns = Lausanne ( , , , ) ; it, Losanna; rm, Losanna. is the capital and largest city of the Swiss French speaking canton of Vaud. It is a hilly city situated on the shores of Lake Geneva, about halfway between the Jura Mountains and the Alps, and facing the French town of Évian-les-Bains across the lake. Lausanne is located northeast of Geneva, the nearest major city. The municipality of Lausanne has a population of about 140,000, making it the fourth largest city in Switzerland after Basel, Geneva, and Zurich, with the entire agglomeration area having about ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Longhi
Roberto Longhi (28 December 1890 – 3 June 1970) was an Italian academic, art historian, and curator. The main subjects of his studies were the painters Caravaggio and Piero della Francesca. Early life and career Longhi was born in December 1890 in Alba in Piedmont. His parents were from Emilia. He studied with Pietro Toesca, in Turin, and Adolfo Venturi in Rome. The latter made him book reviews editor of the journal ''L'Arte'' in 1914. Between 1913 and 1917, Longhi, primarily an essayist, published text in ''L'Arte'' and ''La Voce'' on Mattia Preti, Piero della Francesca, Orazio Borgianni and Orazio Gentileschi. Over the course of his career Longhi developed a fascination with Caravaggio and his followers. his book ''Quesiti caravaggeschi'' uestions on Caravaggio(1928–34), was followed by ''Ultimi studi caravaggeschi'' atest Caravaggio studies(1943). In 1951, Longhi curated a ground-breaking exhibition on Caravaggio at the Royal Palace in Milan, ''Mostra di Caravaggi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pietro Bellori
Giovanni Pietro Bellori (15 January 1613 – 19 February 1696), also known as Giovan Pietro Bellori or Gian Pietro Bellori, was an Italian painter and antiquarian, but, more famously, a prominent biographer of artists of the 17th century, equivalent to Giorgio Vasari in the 16th century. His '' Lives of the Artists'' (''Vite de' Pittori, Scultori et Architetti Moderni''), published in 1672, was influential in consolidating and promoting the theoretical case for classical idealism in art. «Bellori is the "predecessor of Winckelmann" not only as an antiquarian but also as an art theorist. Winckelmann's theory of the "ideally beautiful" as he expounds it in ''Geschichte der Kunst des Altertums'', IV.2.33 ff., thoroughly agrees—except for the somewhat stronger Neoplatonic impact, which is to be explained perhaps more as an influence of Raphael Mengs than as an influence of Shaftesbury—with the content of Bellori's ''Idea'' (to which Winckelmann also owes his acquaintance w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battistello Caracciolo
Giovanni Battista Caracciolo (also called Battistello) (1578–1635) was an Italian artist and important Neapolitan follower of Caravaggio. He was a member of the murderous Cabal of Naples, with Belisario Corenzio and Giambattista Caracciolo, who were rumoured to have poisoned and disappeared their competition for painting contracts. Early life The only substantial early source of biography is that of Bernardo de' Dominici's unreliable publication of 1742. De Dominici's statements are often contradicted by documented facts and others cannot be substantiated independently. Archival documents state Caracciolo was born in Naples and baptised on 7 December 1578, as the son of Cesare Caracciolo and his wife Elena. The family lived in the parish of San Giovanni Maggiore. On 3 August 1598, at the age of twenty, Caracciolo married Beatrice de Mario. They had ten children, of whom eight survived to adulthood. Caravaggesque phase His initial training was said to be with Francesco Imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo De' Dominici
Bernardo de' Dominici or Bernardo De Dominici (13 December 1683 – c. 1759) was an Italian art historian and painter of the late- Baroque period, active mainly in Naples. As a painter he was known for his landscapes, marine vedute and genre scenes in a style characteristic of the Bamboccianti. He is now mainly known for his art historical writings and in particular the ''Vite dei Pittori, Scultori, ed Architetti Napolitani'', a three volume collection of brief biographies of Neapolitan artists.F Ferdinando Bologna, ''Bernardo de Dominici'' In: Dizionario Biografico degli Italiani - Volume 33 (1987) Life Bernardo de' Dominici was born in Naples as the son of the painter, musician and collector[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacristy
A sacristy, also known as a vestry or preparation room, is a room in Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is usually located inside the church, but in some cases it is an annex or separate building (as in some monasteries). In most older churches, a sacristy is near a side altar, or more usually behind or on a side of the main altar. In newer churches the sacristy is often in another location, such as near the entrances to the church. Some churches have more than one sacristy, each of which will have a specific function. Often additional sacristies are used for maintaining the church and its items, such as candles and other materials. Description The sacristy is also where the priest and attendants vest and prepare before the service. They will return there at the end of the service to remove their vestments and put away any of the vessels used during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo Fanzago
Cosimo Fanzago (Clusone, 12 October 1591 – Napoli, 13 February 1678) was an Italian architect and sculptor, generally considered the greatest such artist of the Baroque period in Naples, Italy. Facade Santa Maria della Sapienza. Biography Fanzago was born in Clusone (current Province of Bergamo) in a family of bronze-casters and architects. In 1608, after a short stay in Chieti, he moved to Naples. Here (according to what he wrote in 1612) he trained as a marble sculptor (''maestro di scultura di marmo'') and mason under the Tuscan sculptor Angelo Landi. His first important work was the sepulchre monument of Mario Carafa, a relative of Cardinal Carafa. His architectural debut was the design of San Giuseppe dei Vecchi a San Potito (completed 1669). According to an essay about Fanzago's life by count Fogaccia, in Naples he obtained the support of the Benedictines, the Viceroy Duke of Medina, Prince Caracciolo and the Carthusians, and soon opened a workshop of his own. 150px, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Certosa Di San Martino
The (" Charterhouse of St. Martin") is a former monastery complex, now a museum, in Naples, southern Italy. Along with Castel Sant'Elmo that stands beside it, this is the most visible landmark of the city, perched atop the Vomero hill that commands the gulf. A Carthusian monastery, it was finished and inaugurated under the rule of Queen Joan I in 1368. It was dedicated to St. Martin of Tours. During the first half of the 16th century it was expanded. Later, in 1623, it was further expanded and became, under the direction of architect Cosimo Fanzago, essentially the structure one sees today. In 1799 anti-clerical French forces of occupation suppressed the monastery and forced the monks to flee. In the ensuing decades the monks made several attempts to reestablish their charter house, with the last effort failing in 1866, when the state definitively confiscated the property. Today, the buildings house the National Museum of San Martino with a display of Spanish and Bourbon era a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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