|
The Burlington Magazine For Connoisseurs
''The Burlington Magazine'' is a monthly publication that covers the fine and decorative arts of all periods. Established in 1903, it is the longest running art journal in the English language. It has been published by a charitable organisation since 1986. History The magazine was established in 1903 by a group of art historians and connoisseurs which included Roger Fry, Herbert Horne, Bernard Berenson, and Charles Holmes. Its most esteemed editors have been Roger Fry (1909–1919), Herbert Read (1933–1939), and Benedict Nicolson (1948–1978). The journal's structure was loosely based on its contemporary British publication '' The Connoisseur'', which was mainly aimed at collectors and had firm connections with the art trade. ''The Burlington Magazine'', however, added to this late Victorian tradition of market-based criticism new elements of historical research inspired by the leading academic German periodicals and thus created a formula that has remained almost intact to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Burlington Magazine 1903
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constance Jocelyn Ffoulkes
Constance Jocelyn Ffoulkes (1858–1950) was a British art historian, translator, and scholar of Italian Renaissance art. She participated in the adoption of the 'historical standpoint' method of research, a shift in art criticism that emerged in the early twentieth century. She was a student of Giovanni Morelli and his methods of connoisseurship, which involved assembling subtle clues and recognition of personal technique, the artist's 'hand', to determine a work's provenance and creators. She translated Morelli's ''Kunstkritische Studien über italienische Malerei'' and was instrumental in the communication of Morelli's methods and legacy. Ffoulkes' own techniques involved the investigation of historical documentation, which came to be used by many modern art historians in support of their conclusions. For example, her article on Vincenzo Foppa published in ''The Burlington Magazine'' in 1903 made use of a document from an archive in Brescia to establish Foppa's death date. Ffoul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ellis Waterhouse
Sir Ellis Kirkham Waterhouse (16 February 1905 – 7 September 1985) was an English art historian and museum director who specialised in Roman baroque and English painting. He was Director of the National Galleries of Scotland (1949–52) and held the Barber chair at Birmingham University until his official retirement in 1970. Early life and career Waterhouse was born in Epsom in Surrey. His father was the architect Percy Leslie Waterhouse, through whom he possessed the means to pursue a largely independent career. His fellow student at Marlborough College was Anthony Blunt, with whom he continued a lifelong professional friendship. He won a scholarship New College, Oxford and in 1925 he achieved a first in classical honour moderations. He graduated with a second class degree in 1927 and then went to Princeton University as a Commonwealth Fund Fellow. He studied at Princeton with Frank Jewett Mather and received a fellowship to study El Greco in Spain. He returned to Londo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tancred Borenius
Carl Tancred Borenius (14 July 1885, Vyborg – 2 September 1948, Coombe Bisset) was a Finnish art historian working in England, who became the first professor of the history of art at University College London. He was a prolific author, and recognised as one of the world's leading experts on Italian art of the early Renaissance. Borenius also served as a diplomat liaising between Finland and Britain. It has been argued that during World War II he worked as a spy for the British MI6, and was instrumental in enticing Rudolf Hess to fly to Britain in 1941. Career Borenius was the son of Finnish businessman and politician Carl Borenius. He studied at Helsinki and in Italy. He received his Ph.D. from Helsinki University in 1909, after which he moved to London. His first book was a version of his doctoral dissertation, ''Painters of Vincenza'' (1909). He married Anne-Marie Runeberg, a granddaughter of the Finnish poet Johan Ludvig Runeberg. Borenius soon met Roger Fry, to whom he bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
More Adey
William More Adey, known universally as More Adey (1858 – 29 January 1942), was an English art critic, editor and aesthete. He was a co-editor of ''The Burlington Magazine'', but is perhaps best known for having been a friend and member of the inner circle of Oscar Wilde from the early 1890s until Wilde's death in 1900. As a defender of Wilde during his trial and imprisonment, Adey visited the fallen author in Reading Gaol, attempted to negotiate on behalf of the gaoled writer's interests as his ''de facto'' guardian, and oversaw a collection that was used to purchase necessities of life, including clothes, for him upon his release. Adey was also a partner of Lord Alfred Douglas in 1895, and a close friend of the poet from the 1890s until 1913. Douglas's biographer, Rupert Croft-Cooke, refers to Adey as "a homosexual of what, among his fellows, was and is, called the 'discreet' kind." Adey also developed a professional relationship and 15-year life partnership with Wild ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lionel Cust
Sir Lionel Henry Cust (25 January 1859 – 12 October 1929) was a British art historian, courtier and museum director. He was director of the National Portrait Gallery from 1895 to 1909 and co-edited ''The Burlington Magazine'' from 1909 to 1919. He was the father of Lionel George Archer Cust. Early life and family Cust was born in London in January 1859, the son of Sir Reginald Cust (1828–1912), a lawyer, and his wife Lady Elizabeth Bligh, daughter of the 5th Earl of Darnley.CUST, Sir Lionel Henry', Who Was Who, A & C Black, an imprint of Bloomsbury Publishing plc, 1920–2008; online edn, Oxford University Press, Dec 2007 He was educated at Eton College and Trinity College, Cambridge. In 1895, Cust married Sybil Lyttelton, daughter of George Lyttelton, 4th Baron Lyttelton and Sybella Clive. Her father's family were prominent politicians. Career In 1884 he joined the British Museum's Department of Prints and Drawings, at the suggestion of the Keeper Sidney Colvin. Unus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Dell (socialist)
Robert Edward Dell (1865–1940) was a British journalist and socialist activist. Dell matriculated at University College, Oxford in 1884. He joined the Fabian Society in 1889, and served on its executive from 1890. He lectured widely for the society, particularly in Lancashire, but left London in 1893 to become the editor of the ''Surrey Mirror''. Dell joined the Catholic church in 1897, and thereafter became a prominent modernist and anti-fascist writer within the church. He continued to work as an editor, moving to the ''Review of the Week'' in 1900, then ''The Connoisseur'' in 1902. However, in 1906 he moved to Paris, becoming an art dealer, and remaining there through World War I. In 1918, Dell became the Paris correspondent for the ''Manchester Guardian'', but he was expelled from the country, and moved to Geneva. He continued to work as a foreign correspondent for British newspapers, spending time in Berlin, back in Paris, and then again in Geneva. In 1939, he moved to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emery Walker
Sir Emery Walker FSA (2 April 1851 – 22 July 1933) was an English engraver, photographer and printer. Walker took an active role in many organisations that were at the heart of the Arts and Crafts movement, including the Art Workers Guild, the Society for the Protection of Ancient Buildings, and the Arts and Crafts Exhibition Society. Life Walker was born in London. His father was a coach builder. He obtained a very old book when he was twelve that gave him a love of books. A year later his father's failing sight meant that he had to leave school.Emery Walker his museum, Retrieved 29 July 2015 In the late 1870s, Walker befriended , wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionism, Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, Printmaking, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a Realist visual arts, realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb Drawing, draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female Nude (art), nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Sickert
Walter Richard Sickert (31 May 1860 – 22 January 1942) was a German-born British painter and printmaker who was a member of the Camden Town Group of Post-Impressionist artists in early 20th-century London. He was an important influence on distinctively British styles of avant-garde art in the mid- and late 20th century. Sickert was a cosmopolitan and eccentric who often favoured ordinary people and urban scenes as his subjects. His work includes portraits of well-known personalities and images derived from press photographs. He is considered a prominent figure in the transition from Impressionism to Modernism. Decades after his death, several researchers and theorists suspected Sickert to have been the London-based serial killer Jack the Ripper, but the theory has largely been dismissed. Training and early career Sickert was born in Munich, Germany, on 31 May 1860, the eldest son of Oswald Sickert, a Danish artist, and his English wife, Eleanor Louisa Henry, who was the i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> The Burlington Magazine 1903")
.jpg "Click for more on -> Edgar Degas")
.jpg "Click for more on -> Caravaggio")