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The Beat Goes On (Vanilla Fudge Album)
''The Beat Goes On'' (Atco Records 33-237/mono, SD 33-237/stereo) is the second album by the American psychedelic rock band Vanilla Fudge, released in early 1968. The album doesn't contain any actual "songs", but rather a sound collage featuring many different elements: the voices of world leaders past and present, the band reciting pre-written mantras and reflections, and excerpts of songs (done "Vanilla Fudge style") by The Beatles and Sonny Bono. Recording The group was at odds with producer George "Shadow" Morton during recording, as Morton made his own concept album without significant input from them. In the liner notes of Sundazed Records' 1990 CD reissue, the band denounces it as a failed experiment on the producer's part. The Fudge's third album, ''Renaissance'', released quickly after ''The Beat Goes On'', would be Morton's last collaboration with the band. In his autobiography ''Stick It!'', Vanilla Fudge drummer Carmine Appice declares: "Even listening to it now – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vanilla Fudge
Vanilla Fudge is an American rock band known predominantly for their slow extended heavy rock arrangements of contemporary hit songs, such as their hit cover of The Supremes' " You Keep Me Hangin' On". The band's original line–up—vocalist and organist Mark Stein, bassist and vocalist Tim Bogert, lead guitarist/vocalist Vince Martell, and drummer and vocalist Carmine Appice—recorded five albums during the years 1967–69, before disbanding in 1970. The band has toured as recently as 2022 with three of the four original members: Stein, Martell, and Appice, with Pete Bremy on bass. Bogert retired in 2009 and died in 2021. The band has been cited as "one of the few American links between psychedelia and what soon became heavy metal." History Stein and Bogert had played in a local band called Rick Martin & The Showmen. The pair were so impressed by the swinging, organ-heavy sound of The Rascals they decided to form their own band in 1965 with Martell and Rick Martin' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spinal Tap (band)
Spinal Tap (stylized as Spın̈al Tap, with a dotless letter ''i'' and a metal umlaut over the ''n'') is a fictional English heavy metal band created by American comedians and musicians Michael McKean (as lead singer and co-lead guitarist David St. Hubbins), Christopher Guest (as lead guitarist Nigel Tufnel) and Harry Shearer (as bassist Derek Smalls). They are characterized as "one of England's loudest bands". McKean, Guest and Shearer wrote and performed original songs for the band. The band first appeared on a 1979 ABC television sketch comedy pilot called ''The T.V. Show'', starring Rob Reiner. The sketch, actually a mock promotional video for the song "Rock and Roll Nightmare", was written by Reiner and the band, and included songwriter-performer Loudon Wainwright III on keyboards. Later the band became the fictional subject of the 1984 rockumentary / mockumentary film '' This Is Spinal Tap''. ''This Is Spinal Tap'' was accompanied by a soundtrack album of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In The Mood
"In the Mood" is a popular big band-era jazz standard recorded by American bandleader Glenn Miller. "In the Mood" is based on the composition " Tar Paper Stomp" by Wingy Manone. The first recording under the name "In the Mood" was released by Edgar Hayes & His Orchestra in 1938. In 1983, the Glenn Miller recording from 1939 was inducted into the Grammy Hall of Fame. In 2004, the recording was inducted into the Library of Congress National Recording Registry which consists of recordings that are "culturally, historically, or aesthetically significant." In 1999, National Public Radio (NPR) included the 1939 Glenn Miller recording in its list of "The 100 most important American musical works of the 20th century". Glenn Miller's "In the Mood", with "I Want to Be Happy" on the B-side, became the best-selling swing instrumental. Arrangement "In the Mood" starts with a saxophone section theme based on repeated arpeggios that are rhythmically displaced; trumpets and trombones add ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12th Street Rag
"Twelfth Street Rag" is a ragtime musical composition published by Euday L. Bowman in 1914. Background A friend of Euday Bowman known as "Raggedy Ed" declared his intention to open a pawn shop on 12th Street in Kansas City while the two were walking along it. Bowman is rumored to have said "If you get rich on those three balls, I'll write a piece on three notes to make myself rich." It was more than 15 years after Bowman composed the song before he actually wrote the music down in manuscript form. He returned to Texas briefly and tried to sell the piece to a company in Dallas; but he only had an offer of ten dollars for it and was told it really was not worth publishing. Returning to Kansas City, he sold it to Jenkins Music Company in 1913. The Jenkins company felt Bowman's arrangement was far too difficult however, hiring C. E. Wheeler to simplify it. With a big advertising push "12th Street Rag" began to sell better. In 1919, James S. Sumner added lyrics. The song was popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, '' Kiss Me, Kat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Fence Me In (song)
"Don't Fence Me In" is a popular American song written in 1934, with music by Cole Porter and lyrics by Robert Fletcher and Cole Porter. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. Origins Originally written in 1934 for ''Adios, Argentina,'' an unproduced 20th Century Fox film musical, "Don't Fence Me In" was based on text by Robert (Bob) Fletcher, a poet and engineer with the Department of Highways in Helena, Montana. Cole Porter, who had been asked to write a cowboy song for the 20th Century Fox musical, bought the poem from Fletcher for $250. Porter reworked Fletcher's poem, and when the song was first published, Porter was credited with sole authorship. Porter had wanted to give Fletcher co-authorship credit, but his publishers did not allow it. The original copyright publication notice dated October 10, 1944 and the copyright card dated and filed on October 12, 1944 in the U.S. Copyright Office solely lists words and mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Foster
Stephen Collins Foster (July 4, 1826January 13, 1864), known also as "the father of American music", was an American composer known primarily for his parlour and minstrel music during the Romantic period. He wrote more than 200 songs, including "Oh! Susanna", "Hard Times Come Again No More", "Camptown Races", "Old Folks at Home" ("Swanee River"), "My Old Kentucky Home", "Jeanie with the Light Brown Hair", "Old Black Joe", and "Beautiful Dreamer", and many of his compositions remain popular today. He has been identified as "the most famous songwriter of the nineteenth century" and may be the most recognizable American composer in other countries. Most of his handwritten music manuscripts are lost, but editions issued by publishers of his day feature in various collections. Biography There are many biographies of Foster, but details differ widely. Among other issues, Foster wrote very little biographical information himself, and his brother Morrison Foster may have des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Black Joe
"Old Black Joe" is a parlor song by Stephen Foster (1826–1864). It was published by Firth, Pond & Co. of New York in 1860. Ken Emerson, author of the book ''Doo-Dah!'' (1998), indicates that Foster's fictional Joe was inspired by a servant in the home of Foster's father-in-law, Dr. McDowell of Pittsburgh. The song is not written in dialect. Emerson believes that the song's "soft melancholy" and its "elusive undertone" (rather than anything musical), brings the song closest to the traditional African-American spiritual. Harold Vincent Milligan describes the song as "one of the best of the Ethiopian ontemporary parlance for blackface minstrel songssongs ... its mood is one of gentle melancholy, of sorrow without bitterness. There is a wistful tenderness in the music." Jim Kweskin covered the song on his 1971 album ''Jim Kweskin's America''. The song has sometimes been recorded as "Poor Old Joe", including by Paul Robeson who recorded it several times, for example in 1928 and 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Chronicles
The ''Pop Chronicles'' are two radio documentary series which together "may constitute the most complete audio history of 1940s–60s popular music." They originally aired starting in 1969 and concluded about 1974. Both were produced by John Gilliland. The ''Pop Chronicles'' of the 1950s and 1960s Inspired by the Monterey Pop Festival, the ''Pop Chronicles'' of the 1950s and 1960s originally was produced at KRLA 1110 and first aired on February 9, 1969. John Gilliland narrated the series along with Sie Holliday and Thom Beck (pictured). Also performing interviews were Dick LaPalm, Lew Irwin, Harry Shearer, Mike Masterson, and Richard Perry. The show's brief recurring theme song "The Chronicles of Pop" was written and performed by Len Chandler. The engineer and associate producer of the series was Chester Coleman. KRLA 1110 originally broadcast an hour a week of the Pop Chronicles, which were later syndicated by "Hot Air" and broadcast on Armed Forces Radio. The ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bumper Music
Bumper music, or a bump, is a term used in the radio broadcasting industry to refer to short clips of signature songs or theme music used to buffer transitions between programming elements, typically lasting no longer than fifteen seconds. It is also a term for music played at music venues such as concerts before showtime, to fill the air, with a musical atmosphere. Bumper music is commonly employed when a syndicated program takes a break for local station identification or "goes to a radio advertisement". More often than not it is called a "bump" in today's radio; NPR also uses the term "button". It is also referred to as "rejoiner music" when the bumper music marks the end of a local break on a radio network. See also *Continuity (broadcasting) *Bumper (broadcasting) *Sting (musical phrase) *Theme music *Voice-over Voice-over (also known as off-camera or off-stage commentary) is a production technique where a voice—that is not part of the narrative (non-diegetic)—i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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