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Tenebrae Responsories
Tenebrae responsories are the responsories sung following the lessons of Tenebrae, the Matins services of the last three days of Holy Week: Maundy Thursday, Good Friday and Holy Saturday. Polyphonic settings to replace plainchant have been published under a various titles, including ''Responsoria pro hebdomada sancta'' (Responsories for Holy Week ). In most places, Matins as well as Lauds of these days were normally anticipated on the evening of the preceding day and were celebrated on Wednesday, Maundy Thursday and Good Friday, respectively. The 1955 reform of the Holy Week ceremonies by Pope Pius XII, redefining '' Triduum Sacrum'' to include Easter Sunday and take in only the close of Maundy Thursday, moved them to Thursday, Friday and Saturday evenings. Tenebrae as such was not included in the 1970 Liturgy of the Hours, vanishing altogether around 1977. '' Summorum Pontificum'' (2007) now permits clerics bound to recitation of the Divine Office to use the 1961 Roman Brevia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenebrae Responsoria Frontispice
Tenebrae (—Latin for "darkness") is a religious service of Western Christianity held during the three days preceding Easter Day, and characterized by gradual extinguishing of candles, and by a "strepitus" or "loud noise" taking place in total darkness near the end of the service. Tenebrae was originally a celebration of matins and lauds of the last three days of Holy Week (Maundy Thursday, Good Friday, and Holy Saturday) in the evening of the previous day (Holy Wednesday, Maundy Thursday and Good Friday) to the accompaniment of special ceremonies that included the display of lighted candles on a special triangular candelabra. Modern celebrations called Tenebrae may be of quite different content and structure, based for example on the Sayings of Jesus on the cross, Seven Last Words or readings of the Passion of Jesus. They may be held on only one day of Holy Week, especially Spy Wednesday (Holy Wednesday). They may be held during the daylight hours and the number of candles, if ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Responsoria Et Alia Ad Officium Hebdomadae Sanctae Spectantia
''Responsoria et alia ad Officium Hebdomadae Sanctae spectantia'' is a collection of music for Holy Week by Italian composer Carlo Gesualdo, published in 1611. It consists of three sets of nine short pieces, one set for each of Maundy Thursday, Good Friday and Holy Saturday, and a psalm and a hymn. The work was written for unaccompanied voices: two soprano parts, alto, two tenor parts, and bass. The texts of the Responsories for Holy Week are related to Jesus's Passion and are sung in between the lessons at Tenebrae. Gesualdo's settings are stylistically ''madrigali spirituali'' - madrigals on sacred texts. As in Gesualdo's later books of madrigals, he uses particularly sharp dissonance and shocking chromatic juxtapositions, especially in the parts highlighting text passages having to do with Christ's suffering, or the guilt of St. Peter in having betrayed Jesus. Content # Tenebrae Responsories for Maundy Thursday ## In monte Oliveti ##Tristis est anima mea ##:Alex Ross writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Epistle To The Corinthians
The First Epistle to the Corinthians ( grc, Α΄ ᾽Επιστολὴ πρὸς Κορινθίους) is one of the Pauline epistles, part of the New Testament of the Christian Bible. The epistle is attributed to Paul the Apostle and a co-author, Sosthenes, and is addressed to the Christian church in Corinth. Scholars believe that Sosthenes was the amanuensis who wrote down the text of the letter at Paul's direction. It addresses various issues that had arisen in the Christian community at Corinth, and is composed in a form of Koine Greek. Authorship There is a consensus among historians and theologians that Paul is the author of the First Epistle to the Corinthians (c. AD 53–54). The letter is quoted or mentioned by the earliest of sources, and is included in every ancient canon, including that of Marcion of Sinope. Some scholars point to the epistle's potentially embarrassing references to the existence of sexual immorality in the church as strengthening the case for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Augustine
Augustine of Hippo ( , ; la, Aurelius Augustinus Hipponensis; 13 November 354 – 28 August 430), also known as Saint Augustine, was a theologian and philosopher of Berber origin and the bishop of Hippo Regius in Numidia, Roman North Africa. His writings influenced the development of Western philosophy and Western Christianity, and he is viewed as one of the most important Church Fathers of the Latin Church in the Patristic Period. His many important works include ''The City of God'', '' On Christian Doctrine'', and '' Confessions''. According to his contemporary, Jerome, Augustine "established anew the ancient Faith". In his youth he was drawn to the eclectic Manichaean faith, and later to the Hellenistic philosophy of Neoplatonism. After his conversion to Christianity and baptism in 386, Augustine developed his own approach to philosophy and theology, accommodating a variety of methods and perspectives. Believing the grace of Christ was indispensable to human fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Lamentations
The Book of Lamentations ( he, אֵיכָה, , from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. In the Hebrew Bible it appears in the Ketuvim ("Writings") as one of the Five Megillot (or "Five Scrolls") alongside the Song of Songs, Book of Ruth, Ecclesiastes and the Book of Esther although there is no set order. In the Christian Old Testament it follows the Book of Jeremiah, as the prophet Jeremiah is its traditional author. However, according to modern scholarship, while the destruction of Jerusalem by Babylon in 586/7 BCE forms the background to the poems, they were probably not written by Jeremiah. Most likely, each of the book's chapters was written by a different anonymous poet, and they were then joined to form the book. Some motifs of a traditional Mesopotamian "city lament" are evident in this book, such as mourning the desertion of the city by God, its destruction, and the ultimate return of the di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeremiah
Jeremiah, Modern: , Tiberian: ; el, Ἰερεμίας, Ieremíās; meaning " Yah shall raise" (c. 650 – c. 570 BC), also called Jeremias or the "weeping prophet", was one of the major prophets of the Hebrew Bible. According to Jewish tradition, Jeremiah authored the Book of Jeremiah, the Books of Kings and the Book of Lamentations, with the assistance and under the editorship of Baruch ben Neriah, his scribe and disciple. In addition to proclaiming many prophecies of Yahweh, the God of Israel, the Book of Jeremiah goes into detail regarding the prophet's private life, his experiences, and his imprisonment. Judaism and Christianity both consider the Book of Jeremiah part of their canon. Judaism regards Jeremiah as the second of the major prophets. Christianity holds him to be a prophet and his words are quoted in the New Testament. Islam also regards Jeremiah as a prophet and his narrative is recounted in Islamic tradition. Biblical narrative Chronology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nocturn
Nocturns (Latin: ''nocturni'' or ''nocturna'') is a Christian canonical hour said in the nighttime. In the liturgy of the Roman Rite of the Catholic Church, nocturns refer to the sections into which the canonical hour of matins was divided from the fourth or fifth century until after the Second Vatican Council. A nocturn consisted of psalms accompanied by antiphons and followed by readings, which were taken either from Scripture or from the Church Fathers or similar writings. Matins was composed of one to three nocturns. Originating in a prayer service celebrated by early Christians at night, the liturgical office of matins was originally in Latin called ''vigilia'' (vigil, watch). The plural form, ''vigiliae'' (vigils, watches), also came into use. The Latin adjective ''nocturnus'' corresponds to English "nocturnal" and is attached to many different nouns, such as ''nocturnae horae'' (the hours of the night), ''nocturna tempora'' (nocturnal times), which are not necessarily co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matins
Matins (also Mattins) is a canonical hour in Christian liturgy, originally sung during the darkness of early morning. The earliest use of the term was in reference to the canonical hour, also called the vigil, which was originally celebrated by monks from about two hours after midnight to, at latest, the dawn, the time for the canonical hour of lauds (a practice still followed in certain orders). It was divided into two or (on Sundays) three nocturns. Outside of monasteries, it was generally recited at other times of the day, often in conjunction with lauds. In the Byzantine Rite these vigils correspond to the aggregate comprising the midnight office, orthros, and the first hour. Lutherans preserve recognizably traditional matins distinct from morning prayer, but "matins" is sometimes used in other Protestant denominations to describe any morning service. In the Anglican daily office, the hour of matins (also spelled mattins) is a simplification of matins and lauds from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as landmarks of twentieth-century musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include mélodie, songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite ''Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (Poulenc), Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the ''Gloria (Poulenc), Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Leipzig University Church, as a professor at the Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular '' Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as '' Gesang der Verklärten'' (1903), ' (1909), ''Der Einsiedler'' and the '' Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic family moved to Weiden in 1874. Max had only one sister, Emma, after three other siblings died ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Dismas Zelenka
Jan Dismas Zelenka (16 October 1679 – 23 December 1745), baptised Jan Lukáš Zelenka was a Czech composer and musician of the Baroque period. His music is admired for its harmonic inventiveness and mastery of counterpoint. Zelenka was raised in Central Bohemia, educated in Prague and Vienna, and spent his professional life in Dresden. The greatest success during his career was the performance of the extensive composition '' Sub olea pacis et palma virtutis'' in the presence of the Emperor Charles VI, shortly after his coronation as king of Bohemia in 1723. Life Early life Zelenka was born in Louňovice pod Blaníkem, a market town southeast of Prague, in Bohemia. He was the eldest of eight children born to Marie Magdalena (née Hájek) and Jiří Zelenka. The middle name Dismas is probably his confirmation name. Zelenka's father Jiří was a schoolmaster and organist in Louňovice, and was likely his first music teacher. Nothing more is known with certainty about Ze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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