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Taft Museum Of Art
The Taft Museum of Art is a fine art collection in Cincinnati, Ohio. It occupies the 200-year-old historic house at 316 Pike Street. The house – the oldest domestic wooden structure in downtown Cincinnati – was built about 1820 and housed several prominent Cincinnatians, including Martin Baum, Nicholas Longworth, David Sinton, Anna Sinton Taft and Charles Phelps Taft. It is on the National Register of Historic Places listings, and is a contributing property to the Lytle Park Historic District. Residents The Taft house was first built for Martin Baum in 1820 and then was the residence of Nicholas Longworth. The building was designated a National Historic Landmark in 1976, in honor of the murals on its walls that were painted by Robert S. Duncanson under the commission of Nicholas Longworth. Robert S. Duncanson painted the series of eight large-scale landscapes directly on the plaster walls of the art patron and horticulturist Nicholas Longworth's home between 1851 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cincinnati, Ohio
Cincinnati ( ) is a city in the U.S. state of Ohio and the county seat of Hamilton County. Settled in 1788, the city is located at the northern side of the confluence of the Licking and Ohio rivers, the latter of which marks the state line with Kentucky. The city is the economic and cultural hub of the Cincinnati metropolitan area. With an estimated population of 2,256,884, it is Ohio's largest metropolitan area and the nation's 30th-largest, and with a city population of 309,317, Cincinnati is the third-largest city in Ohio and 64th in the United States. Throughout much of the 19th century, it was among the top 10 U.S. cities by population, surpassed only by New Orleans and the older, established settlements of the United States eastern seaboard, as well as being the sixth-most populous city from 1840 until 1860. As a rivertown crossroads at the junction of the North, South, East, and West, Cincinnati developed with fewer immigrants and less influence from Europe than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adriaen Van Ostade
Adriaen van Ostade (baptized as Adriaen Jansz Hendricx 10 December 1610 – buried 2 May 1685) was a Dutch Golden Age painter of genre works, showing everyday life of ordinary men and women. Life According to Arnold Houbraken, he and his brother were pupils of Frans Hals and like him, spent most of their lives in Haarlem. He thought they were " Lubekkers" by birth, though this has since found to be false.Adriaan & Izaak van Ostade biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by , courtesy of the |
Gerard Terborch
Gerard ter Borch (; December 1617 – 8 December 1681), also known as Gerard Terburg (), was a Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu, Gerrit Dou, Eglon van der Neer and Johannes Vermeer. According to Arthur K. Wheelock Jr., Ter Borch "established a new framework for subject matter, taking people into the sanctum of the home", showing the figures' uncertainties and expertly hinting at their inner lives. His influence as a painter, however, was later surpassed by Vermeer. Biography Gerard ter Borch was born in December 1617 in Zwolle in the province of Overijssel in the Dutch Republic. He received an excellent education from his father Gerard ter Borch the Elder, also an artist, and developed his talent very early. The inscription on a study of a head proves that Ter Borch was at Amsterdam in 1632, where he studied possibly under Willem Cornelisz Duyster or Pieter Codde. Duyster's influence can be traced in a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olivuccio Di Ciccarello
Olivuccio Ceccarello di Ciccarello (died 1439) was an Italian painter. Little is known of his life. He was a native of Camerino and was active from 1388 until his death. In 2002 works formerly attributed to an obscure painter named Carlo da Camerino were re-attributed to Olivuccio di Ciccarello as it had become clear Carlo da Camerino had never existed. He worked at Ancona, where he was the most important painter of the gothic painting school. Carlo da Camerino Carlo da Camerino was the name given by an Italian art historian to identify an Italian painter who was presumed to have been active in the Marche region around the turn of the 15th century. A painted ''Crucifix'', signed and dated in 1396, made for the church of San Michele Arcangelo in Macerata Feltria was attributed to this artist as well as other works in the Marche region. Research published in 2002 made clear that the name 'Carlo da Camerino' was based on a misreading of the inscription on the ''Crucifix'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbey Of Saint-Denis
The Basilica of Saint-Denis (french: Basilique royale de Saint-Denis, links=no, now formally known as the ) is a large former medieval abbey church and present cathedral in the commune of Saint-Denis, a northern suburb of Paris. The building is of singular importance historically and architecturally as its choir, completed in 1144, is widely considered the first structure to employ all of the elements of Gothic architecture. The basilica became a place of pilgrimage and a necropolis containing the tombs of the Kings of France, including nearly every king from the 10th century to Louis XVIII in the 19th century. Henry IV of France came to Saint-Denis to formally renounce his Protestant faith and become a Catholic. The Queens of France were crowned at Saint-Denis, and the royal regalia, including the sword used for crowning the kings and the royal sceptre, were kept at Saint-Denis between coronations. The site originated as a Gallo-Roman cemetery in late Roman times. The archae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Abbott McNeill Whistler
James Abbott McNeill Whistler (; July 10, 1834July 17, 1903) was an American painter active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo " art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, '' Arrangement in Grey and Black No. 1'' (1871), commonly known as ''Whistler's Mother'', is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Europa (mythology)
In Greek mythology, Europa (; grc, Εὐρώπη, ''Eurṓpē'', ) was a Phoenician princess of Argos, Peloponnese, Argive Ancient Greece, Greek origin, and the mother of Basileus, King Minos of Crete. The continent of Europe may be named after her. The story of her abduction by Zeus in the form of a bull was a Cretan story; as classicist Károly Kerényi points out, "most of the love-stories concerning Zeus originated from more ancient tales describing his marriages with goddesses. This can especially be said of the story of Europa." Europa's earliest literary reference is in the ''Iliad'', which is commonly dated to the 8th century BC. Another early reference to her is in a fragment of the Hesiodic ''Catalogue of Women'', discovered at Oxyrhynchus.Hesiodic papyrus fragment19 and 19A of the ''Catalogue of Women'', dating from the third century AD. The earliest vase-painting securely identifiable as Europa dates from the mid-7th century BC. Etymology Greek (''Eurṓpē'') con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Of A Man Rising From His Chair
''Portrait of a Man Rising from His Chair'' is a painting by the Dutch painter Rembrandt, painted in 1633. It hangs in the Taft Museum of Art of Cincinnati, Ohio, United States. The oil-on-canvas portrait measures . It is signed and dated 1633, and there is no doubt of its authenticity. Description The pose of the wealthy subject is unusually animated, as he is rising, perhaps to greet a visitor or to introduce him to his wife depicted in a companion painting. The portrait and its pendant, '' Portrait of a Young Woman with a Fan'', have been separated since 1793. Occasional exhibitions have reunited the pair. Wilhelm von Bode Wilhelm von Bode (10 December 1845 – 1 March 1929) was a German art historian and museum curator. Born Arnold Wilhelm Bode in Calvörde, he was ennobled in 1913. He was the creator and first curator of the Kaiser Friedrich Museum, now c ... was the first one to notice the similarities in size and composition and presented the man and woman as p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Farny
Henry François Farny (15 July 1847, Ribeauvillé – 23 December 1916) was an American painter and illustrator. His work was centered on the life of Native Americans in the 19th-century United States. Biography Farny's family left France in 1853 to emigrate to the United States. The family moved to Warren, Pennsylvania, near a Seneca reservation. As a child, he learned the lore of the woods from Seneca Indians, who came from their reservation to hunt in the neighborhood where his father lived. In his boyhood, he was fond of covering the walls of his father's board-house with pictures of animals, birds, and Indians, which he scratched with nails or framed by aid of burnt sticks. Around 1859, the Farny family moved to Cincinnati, Ohio. Attracted by painting and drawing, the young man became an illustrator for magazines and books for children. When he was 18 years old, ''Harper's Weekly'' published a double-page view of Cincinnati he made. Between 1867 and 1870, he took pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cobbler's Apprentice
''The Cobbler's Apprentice'' is a painting by the American painter Frank Duveneck, painted in 1877. It hangs in the Taft Museum of Art of Cincinnati, Ohio, United States. The oil on canvas portrait measures and it is signed by the artist. Duveneck painted ''The Cobbler's Apprentice'' in Munich, Germany, where at the time he was regarded as a leading American artist. Description The subject of ''The Cobbler's Apprentice'' is a boy, shown three-quarters-length, and turned three quarters to the right. He is holding a large basket to his right side while he blows smoke from a cigar held in his left hand. Provenance The painting was sold in Munich for $25 to one Mr. von Hessling, the American Vice Consul, was for a time owned by Mr. Joseph Stransky of New York, and was finally acquired into the collection of Mr. Charles Phelps Taft. In popular culture The painting was parodied in the 2011 mural ''The Cobbler's Apprentice Plays Ball'' on The Banks near the Great American Ball Park ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Duveneck
Frank Duveneck (né Decker; October 9, 1848 – January 3, 1919) was an American figure and portrait painter. Early life Duveneck was born in Covington, Kentucky, the son of German immigrant Bernhard Decker. Decker died in a cholera epidemic when Frank was only a year old, and his widow remarried Joseph "Squire" Duveneck. By the age of 15, Frank had begun the study of art under the tutelage of a local painter, Johann Schmitt, and had been apprenticed to a German firm of church decorators. While having grown up in Covington, Duveneck was a part of the German community in Cincinnati, Ohio, just across the Ohio River. Due to his Catholic beliefs and German heritage, though, he was an outsider as far as the artistic community of Cincinnati was concerned. Career In 1869, he went abroad to study with Wilhelm von Diez and Wilhelm Leibl at the Royal Academy of Munich, where he learned a dark, realistic, and direct style of painting. He subsequently became one of the young American paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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