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The Flagellation Of Christ (Caravaggio)
''The Flagellation of Christ'' is a painting by the Italian Baroque painter Caravaggio, now in the Museo Nazionale di Capodimonte, Naples. It is dated to 1607, and may have been reworked by the artist in 1610. It is not to be confused with '' Christ at the Column'', another ''Flagellation'' by Caravaggio of the same period. Description According to art biographer Gian Pietro Bellori (1672), this work was commissioned by the di Franco (or de Franchis) family for a chapel in the church of San Domenico Maggiore in Naples. The family were connected with the Confraternity of the Pio Monte della Misericordia, for whose church Caravaggio had already painted '' The Seven Works of Mercy''. It was moved to the museum at Capodimonte in 1972. The Flagellation of Christ had long been a popular subject in religious art—and in contemporary religious practice, where the church encouraged self-flagellation as a means by which the faithful might enter into the suffering of Christ. Carava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; 29 September 1571 – 18 July 1610), known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life, he moved between Kingdom of Naples, Naples, Hospitaller Malta, Malta, and Kingdom of Sicily, Sicily. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferrin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggisti
The Caravaggisti (or the "Caravagesques"; singular: "Caravaggista") were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were re-ascribed to his followers, such as '' The Taking of Christ'', which was attributed to the Dutch painter Gerrit van Honthorst until 1990. Only in the 20th century was Caravaggio's importance to the development of Western art rediscovered. In the 1920s R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Museo Di Capodimonte
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or " support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Caravaggio
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1607 Paintings
Sixteen or 16 may refer to: *16 (number) *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"Six7een", by Hori7on, 2023 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by Highly Suspect from ''MC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Paintings By Caravaggio
Caravaggio, born Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; , ; ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His inspiring effect on the new Baroque style that emerged from Mannerism was profound. His influence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hendrick De Somer
Hendrick de Somer (1602–c.1655) was a Flemish people, Flemish painter who spent most of his life and career in Italy. He was mainly active in Naples.Stadsarchief Lokeren original baptism certificate : Parochieregister Lokeren : Hendrick de Somer : baptized on 1602-08-27 Often erroneously referred to as Hendrick van Someren or Hendrick van Somer, he was known in Italy as Enrico Fiammingo and Henrico il Fiamingo. He was noted for his religious and mythological compositions, and some genre painting. His style was initially influenced by the Spanish painter Jusepe de Ribera who worked in Naples and was a Caravaggisti, follower of Caravaggio. Later the painter became influenced by the neo-Venetian and Bolognese schools. He is considered one of the leading Netherlandish painters working in Naples in the first half of the 17th century.Damian, Veronique et Chiara Naldi, ''Massimo Stanzione, Guercino, Hendrick de Somer et Fra' Galgario'', Paris: Galerie Canesso, 2016, pp. 20–25 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abraham Vinck
Abraham Vinck or Abraham Willemsz. Vinck (Antwerp, 1574/1575 – Amsterdam, 1619) was a Flemish painter and art dealer who spent most of his life and career outside of Flanders, including in Hamburg, Naples and Amsterdam. He is mainly known as a portrait painter but also practised in many other genres including history painting, mythological scenes, fruit and fish still lifes and market scenes.Abraham Vinck at the He was also a copyist who created copies after the great masters. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Finson
Louis Finson, Lodewijk Finson or Ludovicus Finsonius (between 1574 and 1580 – 1617) was a Flemish painter, draughtsman, copyist and art dealer. He painted portraits, religious compositions, allegorical paintings and genre scenes. Moving to Italy early in his career, he became one of the first Flemish Caravaggisti, followers of Caravaggio whom he knew personally in Naples. He produced a number of copies after works by Caravaggio.Louis Finson at the Netherlands Institute for Art History He worked for a number of years in various cities in France where he created altarpieces and portraits. He is known for being the co-owner together with his fellow Flemish painter and business partner Abraham Vinck of two paintings by Caravaggio, possibly including the ''Judith Beheading Holofernes (Finson or Caravaggio), Judith Beheading Holofernes'' rediscovered i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battistello Caracciolo
Giovanni Battista Caracciolo (also called Battistello) (1578–1635) was an Italian artist and important Neapolitan follower of Caravaggio. He was a member of the murderous Cabal of Naples, with Belisario Corenzio and Giambattista Caracciolo, who were rumoured to have poisoned and disappeared their competition for painting contracts. Early life The only substantial early source of biography is that of Bernardo de' Dominici's unreliable publication of 1742. De Dominici's statements are often contradicted by documented facts and others cannot be substantiated independently. Archival documents state Caracciolo was born in Naples and baptised on 7 December 1578, as the son of Cesare Caracciolo and his wife Elena. The family lived in the parish of San Giovanni Maggiore. On 3 August 1598, at the age of twenty, Caracciolo married Beatrice de Mario. They had ten children, of whom eight survived to adulthood. Caravaggesque phase His initial training was said to be with Francesc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Sellitto
Carlo Sellitto (1581 – 2 October 1614 in Naples) was an Italians, Italian painter of the Baroque period. One of the most gifted followers of Michelangelo Merisi da Caravaggio (1571–1610), Sellitto played an important role in the spread of Caravaggism to Naples and in the development away from Late Mannerism to a greater naturalism. The son of a Painting, painter and gilder, he was apprenticed briefly to the Piedmontese painter Giovanni Antonio Ardito (c. late 16th century–early 17th) before moving (c. 1591) to the studio of the Flemish painter Louis Croys. By 1608, at the age of 27 years, he had left Croys and had set up his own workshop in the Via Donnalbina, attracting to it such artists as Filippo Napoletano, Giovan Mattea Arciero (b 1591) and Francesco Abbenante (first decade of the 17th century). The talent for portraiture that Sellitto had shown while working with Croys brought him commissions from the court and aristocracy, although none of these documented works has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant'Anna Dei Lombardi
Sant'Anna dei Lombardi, (), and also known as Santa Maria di Monte Oliveto, is an ancient church and convent located in ''piazza Monteoliveto'' in central Naples, Italy. Across Monteoliveto street from the Fountain in the square is the Renaissance palace of Palazzo Orsini di Gravina, Orsini di Gravina. History The church was originally built in 1411 by Gurello Orilia or Origlia, protonotary of the king Ladislas of Durazzo, who sponsored the construction of the church for the Monastery of ''Santa Maria di Monte Oliveto'', as it was first called. Some refer to this as the Church of Monteoliveto (it:Chiesa di Monteoliveto). The church was sited near the ''Palazzo Carafa di Maddaloni''. It was entrusted to the Benedictine order of Olivetans, whose mother house is the Territorial Abbey of Monte Oliveto Maggiore, Abbey of Monte Oliveto in Tuscany. The convent received extensive patronage from Alfonso I of Aragon and members of his court. Further reconstructions of the church took place ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
