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The Faerie Queene
''The Faerie Queene'' is an English epic poem by Edmund Spenser. Books IIII were first published in 1590, then republished in 1596 together with books IVVI. ''The Faerie Queene'' is notable for its form: at over 36,000 lines and over 4,000 stanzas, it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian stanza. On a literal level, the poem follows several knights as a means to examine different virtues. The poem is also an allegorical work. As such, it can be read on several levels, including as praise (or, later, criticism) of Queen Elizabeth I. In Spenser's "Letter of the Authors", he states that the entire epic poem is "cloudily enwrapped in Allegorical devices", and that the aim of publishing ''The Faerie Queene'' was to "fashion a gentleman or noble person in virtuous and gentle discipline". Spenser presented the first three books of ''The Faerie Queene'' to Elizabeth I in 1589, probabl ...
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Edmund Spenser
Edmund Spenser (; – 13 January 1599 Old Style and New Style dates, O.S.) was an English poet best known for ''The Faerie Queene'', an epic poem and fantastical allegory celebrating the House of Tudor, Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of nascent Modern English verse, and he is considered one of the great poets in the English language. Life Edmund Spenser was born in East Smithfield, London, around the year 1552; however, there is still some ambiguity as to the exact date of his birth. His parentage is obscure, but he was probably the son of John Spenser, a journeyman clothmaker. As a young boy, he was educated in London at the Merchant Taylors' School, Northwood, Merchant Taylors' School and matriculated as a sizar at Pembroke College, Cambridge. While at Cambridge he became a friend of Gabriel Harvey and later consulted him, despite their differing views on poetry. In 1578, he became for a short time secretary to John Young (bis ...
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Etty Britomart 1833
Etty, Ettie or Etti is a feminine given name, often a short version of Esther or Elizabeth. It is also a surname. It may refer to the following people: Given name * Etti Ankri (born 1963), Israeli singer-songwriter * Etty Darwin (1843–1927), editor for her father Charles Darwin * Etty Fraser (1931–2018), Brazilian actress * Etty Glazer, kidnapped South African woman * Ettie Mae Greene (1877–1992), an American supercentenarian * Ettie Grenfell, Baroness Desborough (1867–1952), British society hostess * Etty Hillesum (1914–1943), Dutch Diary, diarist * Etty Lau Farrell (born 1974), American rock singer * Etti Plesch (1914–2003), Austrian countess, Hungarian countess, huntress, racehorse owner and socialite * Ettie Rout (1877–1936), Tasmanian-born New Zealander noted for fighting sexually transmitted diseases among World War I soldiers * Ettie Steinberg (1914–1942), one of the few Jewish Irish Holocaust victims * Etty Tantri (born 1975), Indonesian badminton player Surn ...
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Ate (mythology)
In Greek mythology, Ate () is the personification of moral blindness and error. She could blind the mind of both gods and men leading them astray. Ate was banished from Olympus by Zeus for blinding him to Hera's trickery denying Heracles his birthright. Homer calls Ate the daughter of Zeus, while Hesiod has Ate as the daughter of Eris (Strife). Personification Like all the children of Eris (Strife), Ate is a personified abstraction, allegorizing the meaning of her name, and represents one of the many harms which might be thought to result from discord and strife. The meaning of her name, the Greek word ''atē'' (''ἄτη''), is difficult to define. ''Atē'' is a verbal noun of the verb ''aáō'' (''ἀάω''). According to '' The Cambridge Greek Lexicon'', ''aáō '' means to "lead astray", "befuddle", "blind", or "delude", while ''ἄτη'' can mean: (1) the state of "delusion, infatuation (inflicted on a person's mind by a god, esp Zeus)", (2) "reckless behavior ... reckless ...
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Ancient Greek Religion
Religious practices in ancient Greece encompassed a collection of beliefs, rituals, and Greek mythology, mythology, in the form of both popular public religion and Cult (religious practice), cult practices. The application of the modern concept of "religion" to ancient cultures has been questioned as anachronistic. The Ancient Greece, ancient Greeks did not have a word for 'religion' in the modern sense. Likewise, no Greek writer is known to have classified either the gods or the cult practices into separate 'religions'. Instead, for example, Herodotus speaks of the Hellenes as having "common shrines of the gods and sacrifices, and the same kinds of customs". Most ancient Greeks recognized the Twelve Olympians, twelve major Olympian gods and goddesses—Zeus, Hera, Poseidon, Demeter, Athena, Ares, Aphrodite, Apollo, Artemis, Hephaestus, Hermes, and either Hestia or Dionysus—although philosophies such as Stoicism and some forms of Platonism used language that seems to assume a s ...
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Adamant
Adamant in classical mythology is an archaic form of diamond. In fact, the English word ''diamond'' is ultimately derived from ''adamas'', via Late Latin and Old French . In ancient Greek (), genitive (), literally 'unconquerable, untameable'. In those days, the qualities of hard metal (probably steel) were attributed to it, and ''adamant'' became an independent concept as a result. In the Middle Ages adamant also became confused with the magnetic rock lodestone, and a folk etymology connected it with the Latin , 'to love or be attached to'. Another connection was the belief that adamant (the diamond definition) could block the effects of a magnet. This was addressed in chapter III of ''Pseudodoxia Epidemica'', for instance. Since the contemporary word ''diamond'' is now used for the hardest gemstone, the increasingly archaic noun ''adamant'' has been reduced to mostly poetic or anachronistic use. In that capacity, the name, and various derivatives of it, are frequently used i ...
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Harvest
Harvesting is the process of collecting plants, animals, or fish (as well as fungi) as food, especially the process of gathering mature crops, and "the harvest" also refers to the collected crops. Reaping is the cutting of grain or pulses for harvest, typically using a scythe, sickle, or reaper. On smaller farms with minimal mechanization, harvesting is the most labor-intensive activity of the growing season. On large mechanized farms, harvesting uses farm machinery, such as the combine harvester. Automation has increased the efficiency of both the seeding and harvesting processes. Specialized harvesting equipment, using conveyor belts for gentle gripping and mass transport, replaces the manual task of removing each seedling by hand. The term "harvesting" in general usage may include immediate postharvest handling, including cleaning, sorting, packing, and cooling. The completion of harvesting marks the end of the growing season, or the growing cycle for a particular c ...
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Demeter
In ancient Greek religion and Greek mythology, mythology, Demeter (; Attic Greek, Attic: ''Dēmḗtēr'' ; Doric Greek, Doric: ''Dāmā́tēr'') is the Twelve Olympians, Olympian goddess of the harvest and agriculture, presiding over crops, grains, food, and the fertility (soil), fertility of the earth. Although Demeter is mostly known as a grain goddess, she also appeared as a goddess of health, birth, and marriage, and had connections to the Greek underworld, Underworld. She is also called Deo ( ''Dēṓ''). In Greek tradition, Demeter is the second child of the Titans Rhea (mythology), Rhea and Cronus, and sister to Hestia, Hera, Hades, Poseidon, and Zeus. Like her other siblings except Zeus, she was swallowed by her father as an infant and rescued by Zeus. Through Zeus, she became the mother of Persephone, a fertility goddess and Dying-and-rising deity, resurrection deity. One of the most notable ''Homeric Hymns'', the ''Homeric Hymn to Demeter'', tells the story of ...
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Sword
A sword is an edged and bladed weapons, edged, bladed weapon intended for manual cutting or thrusting. Its blade, longer than a knife or dagger, is attached to a hilt and can be straight or curved. A thrusting sword tends to have a straighter blade with a pointed tip. A slashing sword is more likely to be curved and to have a sharpened cutting edge on one or both sides of the blade. Many swords are designed for both thrusting and slashing. The precise definition of a sword varies by historical epoch and geographic region. Historically, the sword developed in the Bronze Age, evolving from the dagger; the Bronze Age sword, earliest specimens date to about 1600 BC. The later Iron Age sword remained fairly short and without a crossguard. The spatha, as it developed in the Late Roman army, became the predecessor of the European sword of the Middle Ages, at first adopted as the Migration Period sword, and only in the High Middle Ages, developed into the classical Knightly sword, ar ...
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Justice
In its broadest sense, justice is the idea that individuals should be treated fairly. According to the ''Stanford Encyclopedia of Philosophy'', the most plausible candidate for a core definition comes from the ''Institutes (Justinian), Institutes'' of Justinian I, Justinian, a 6th-century codification of Roman law, where justice is defined as "the constant and perpetual will to render to each his due". A society where justice has been achieved would be one in which individuals receive what they "deserve". The interpretation of what "deserve" means draws on a variety of fields and philosophical branches including ethics, rationality, law, religion, and fairness. The state may pursue justice by operating courts and enforcing their rulings. History Early Western theories of justice were developed in part by Ancient Greek philosophers such as Plato in his work ''Republic (Plato), The Republic'', and Aristotle, in his ''Nicomachean Ethics'' and ''Politics (Aristotle), Politics'' ...
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La Belle Dame Sans Merci
"La Belle Dame sans Merci" ("The Beautiful Lady without Mercy") is a ballad produced by the English poet John Keats in 1819. The title was derived from the title of a 15th-century poem by Alain Chartier called '' La Belle Dame sans Mercy''. Considered an English classic, the poem is an example of Keats' poetic preoccupation with love and death. The poem is about a fairy who condemns a knight to an unpleasant fate after she seduces him with her eyes and singing. The fairy inspired several artists to paint images that became early examples of 19th-century ''femme fatale'' iconography. The poem continues to be referred to in many works of literature, music, art, and film. Poem The poem is simple in structure with twelve stanzas of four lines each in an ABCB rhyme scheme. Below are both the original and revised version of the poem: First version The first version occurs in a letter from Keats, written over the period 14 February to 3 May 1819 to his younger brother and s ...
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John Keats
John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculosis at the age of 25. They were indifferently received in his lifetime, but his fame grew rapidly after his death. By the end of the century, he was placed in the canon of English literature, strongly influencing many writers of the Pre-Raphaelite Brotherhood; the ''Encyclopædia Britannica'' of 1888 described his "Ode to a Nightingale" as "one of the final masterpieces". Keats had a style "heavily loaded with sensualities", notably in the series of odes. Typically of the Romantics, he accentuated extreme emotion through natural imagery. Today his poems and letters remain among the most popular and analysed in English literature – in particular "Ode to a Nightingale", " Ode on a Grecian Urn", " Sleep and Poetry" and the sonnet " ...
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Armida
Armida is the fictional character of a Saracen sorceress, created by the Italian late Renaissance poet Torquato Tasso. Description In Tasso's epic '' Jerusalem Delivered'' (), Rinaldo is a fierce and determined warrior who is also honorable and handsome. Armida has been sent to stop the Christians from completing their mission and is about to murder the sleeping soldier, but instead she falls in love. She creates an enchanted garden where she holds him a lovesick prisoner. Eventually Charles and Ubaldo, two of his fellow Crusaders, find him and hold a shield to his face, so he can see his image and remember who he is. Rinaldo barely can resist Armida's pleadings, but his comrades insist that he return to his Christian duties. At the close of the poem, when the pagans have lost the final battle, Rinaldo, remembering his promise to be her champion, prevents her from giving way to her suicidal impulses and offers to restore her to her lost throne. She gives in at this and like ...
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