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TR-606
The Roland TR-606 Drumatix is a drum machine built by the Roland Corporation from 1981 to 1984. It was originally designed to be used with the Roland TB-303, a monophonic analog bass synthesizer, to provide a simple drum and bass accompaniment to guitarists without backing bands. History The TB-303 and TR-606 launched in 1981 as a matched pair to provide solo artists the chance to practice without other individuals, solely using the TR-606 and TB-303 as drums and bass lines to practice to, but the programming and artificial sounds made the boxes uncomfortable to use and they soon lost their luster. The group was doomed to an early demise as popular music soon shifted to sampled drum sounds and real bass lines for hit songs, as sample capabilities were the newest development of the late 1980s. At one time, the TR-606 could be found in pawn shops for as little as US$50; since the resurgence in popularity of analog drum sounds for electronic music, however, the TR-606 will commonly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Black
Big Black was an American punk rock band from Evanston, Illinois, active from 1981 to 1987. Founded by singer and guitarist Steve Albini, the band's initial lineup also included guitarist Santiago Durango and bassist Jeff Pezzati, both of Naked Raygun. In 1985, Pezzati was replaced by Dave Riley, who played on Big Black's two full-length studio albums, '' Atomizer'' (1986) and ''Songs About Fucking'' (1987). Big Black's aggressive and abrasive music was characterized by distinctively clanky guitars and the use of a drum machine rather than a drum kit, elements that foreshadowed industrial rock. The band's lyrics flouted commonly held taboos and dealt frankly—and often explicitly—with politically and culturally loaded topics including murder, rape, child sexual abuse, arson, racism, and misogyny. Though the band's lyrics contained controversial material, the lyrics were meant to serve as a commentary or a display of distaste for the subject matter. They were sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autechre
Autechre () is an English electronic music duo consisting of Rob Brown and Sean Booth, both from Rochdale, Greater Manchester. Formed in 1987, they are among the best known acts signed to UK electronic label Warp Records, through which all of Autechre's full-length albums have been released beginning with their 1993 debut '' Incunabula''. They gained initial recognition when they were featured on Warp's 1992 compilation ''Artificial Intelligence. Influenced by styles such as 1980s electro and hip hop, the music of Autechre has evolved throughout their career from early, melodic techno recordings to later works often considered abstract and experimental, featuring complex composition and few stylistic conventions. Their work has been associated with the 1990s electronic genre known as intelligent dance music (IDM), [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blur (Blur Album)
''Blur'' is the fifth studio album by the English rock band Blur, released on 10 February 1997 by Food Records. Blur had previously been broadly critical of American popular culture and their previous albums had become associated with the Britpop movement, particularly ''Parklife'', which had helped them become one of Britain's leading pop acts. After their previous album, '' The Great Escape'', the band faced media backlash and relationships between the members became strained. Under the suggestion of the band's guitarist, Graham Coxon, the band underwent a stylistic change, becoming influenced by American indie rock bands such as Pavement. Recording took place in London as well as in Reykjavík, Iceland. Drummer Dave Rowntree described the music on the album as being more aggressive and emotional than their previous work. Producer Stephen Street claimed that lead singer-songwriter Damon Albarn had started writing about more personal experiences while Coxon revealed that l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dazzle Ships (album)
''Dazzle Ships'' is the fourth studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 4 March 1983 by Virgin Records (under the guise of the fictitious Telegraph label). Its title and cover art allude to a painting by Vorticist artist Edward Wadsworth based on dazzle camouflage, titled ''Dazzle-ships in Drydock at Liverpool''. The follow-up album to OMD's commercially successful ''Architecture & Morality'' (1981), ''Dazzle Ships'' marked a departure in sound for the group, who contended with writer's block and record company pressure to duplicate their previous release. The album is noted for its experimental content, particularly musique concrète sound collages, and the use of shortwave radio recordings to explore Cold War and Eastern Bloc themes. It also concerns itself with the rise of technology in society. The record spawned two singles: "Genetic Engineering" and "Telegraph". ''Dazzle Ships'' met with negative reviews and, despite reac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sisters Of Mercy
The Sisters of Mercy is an English rock music, rock band, formed in 1980 in Leeds. After achieving early underground fame there, the band had their commercial breakthrough in the mid-1980s and sustained it until the early 1990s, when they stopped releasing new recorded output in protest against their record company Warner Music Group, WEA. Currently, the band are a touring outfit only. The group has released three original studio albums: ''First and Last and Always'' (1985), ''Floodland (album), Floodland'' (1987), and ''Vision Thing (album), Vision Thing'' (1990). Each album was recorded by a different line-up; singer-songwriter Andrew Eldritch and the drum machine called Doktor Avalanche are the only points of continuity throughout. Eldritch and Avalanche were also involved in The Sisterhood (gothic rock band), The Sisterhood, a side-project connected with Eldritch's dispute with former members. The Sisters of Mercy ceased recording activity in the early 1990s, when they wen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Albini
Steve Albini (pronounced ; born July 22, 1962) is an American musician, record producer, audio engineer and music journalist. He was a member of Big Black, Rapeman and Flour, and is a member of Shellac. He is the founder, owner and principal engineer of Electrical Audio, a recording studio complex in Chicago. In 2018, Albini estimated that he had worked on several thousand albums over his career. He has worked with acts such as Nirvana, Pixies, the Breeders, PJ Harvey, and former Led Zeppelin members Jimmy Page and Robert Plant. Albini is also known for his outspoken views on the music industry, having stated repeatedly that it financially exploits artists and homogenizes their sound. Nearly alone among well-known producers and musicians, Albini refuses to take ongoing royalties from other bands recording in his studio, feeling that a producer's job is to record the music to the band's desires, and that paying producers as if they had contributed artistically to an album i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Corporation
is a Japanese manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of 31 March 2010, it employed 2,699 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History 1970s Having created Ace Electronic Industries Inc in 1960, Ikutaro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk music, folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a Time signature, time signature using ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uwe Schmidt
Uwe H. Schmidt (born 27 August 1968), also known as Atom™, Atom Heart, or Señor Coconut, is a German composer, musician and producer of electronic music. He is often regarded as the father of electrolatino, electrogospel, and aciton music. In the nineties, Schmidt moved to Chile and developed part of his career there, adopting the alias Señor Coconut. Biography 1983–1990 Uwe Schmidt was born in Frankfurt. He began making music in the early 1980s, first playing drums, then switching to programming a drum computer after he had heard a Linn Drum on the radio. In 1986, he co-founded the cassette label N.G. Medien, on which various tapes of international artists, including the Canadian electronic body music act Frontline Assembly and his first musical work under the name Lassigue Bendthaus, entitled ''The Engineer's Love'', were released. Soon after, he started to work on what would become his first official Lassigue Bendthaus record release, the album ''Matter''. The reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Britpop
Britpop was a mid-1990s British-based music culture movement that emphasised Britishness. It produced brighter, catchier alternative rock, partly in reaction to the popularity of the darker lyrical themes of the US-led grunge music and to the UK's own shoegaze music scene. The movement brought British alternative rock into the mainstream and formed the backbone of a larger British popular cultural movement, Cool Britannia, which evoked the Swinging Sixties and the British guitar pop of that decade. Britpop was a media-driven focus on bands which emerged from the independent music scene of the early 1990s. Although the term was viewed as a marketing tool, and more of a cultural moment than a musical style or genre, its associated bands typically drew from the British pop music of the 1960s, glam rock and punk rock of the 1970s and indie pop of the 1980s. The most successful bands linked with Britpop were Oasis, Blur, Suede and Pulp, known as the movement's "big four ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
