St Luke's Church, Kentish Town
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St Luke's Church, Kentish Town
St Luke's Kentish Town is an active Church of England parish church on Oseney Crescent in Kentish Town, North London, closed from 1991 to 2011 and now hosting a Holy Trinity Brompton church plant. The church has been designated by English Heritage as a Grade II* listed building, History The church was built between 1867 and 1869 using £12,500 compensation provided by the railway company for the demolition of St Luke's Church, Euston Road, along with money from the sale of the church building on the Euston Road. John Johnson had built the church on Euston Road and hoped to be commissioned to design the new church in Kentish Town. However, he was disappointed when he was in fact passed over in favour of the 25-year-old Basil Champneys. It was his first church and one of his first buildings. His father, William Weldon Champneys, who commissioned the church, was the vicar of the parish of St Pancras. The original construction phase included the three east stained glass wind ...
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Anglicanism
Anglicanism is a Western Christian tradition that has developed from the practices, liturgy, and identity of the Church of England following the English Reformation, in the context of the Protestant Reformation in Europe. It is one of the largest branches of Christianity, with around 110 million adherents worldwide . Adherents of Anglicanism are called ''Anglicans''; they are also called ''Episcopalians'' in some countries. The majority of Anglicans are members of national or regional ecclesiastical provinces of the international Anglican Communion, which forms the third-largest Christian communion in the world, after the Roman Catholic Church and the Eastern Orthodox Church. These provinces are in full communion with the See of Canterbury and thus with the Archbishop of Canterbury, whom the communion refers to as its ''primus inter pares'' (Latin, 'first among equals'). The Archbishop calls the decennial Lambeth Conference, chairs the meeting of primates, and is t ...
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Henry Holiday
Henry Holiday (17 June 183915 April 1927) was a British historical genre and landscape painter, stained-glass designer, illustrator, and sculptor. He is part of the Pre-Raphaelite school of art. Life Early years and training Holiday was born in London. He showed an early aptitude for art and was given lessons by William Cave Thomas. He attended Leigh's art academy (where a fellow student was Frederick Walker) and in 1855, at the age of 15, was admitted to the Royal Academy Schools. Through his friendship with Albert Moore and Simeon Solomon he was introduced to the artists Dante Gabriel Rossetti, Edward Burne-Jones and William Morris of the Pre-Raphaelite Brotherhood. This movement was to be pivotal in his future artistic and political life. In the same year, 1855, Holiday made a journey to the Lake District. This was to be the first of many trips to the area, where he would often holiday for long periods of time. Whilst there, he spent much of his time sketching the v ...
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Gable
A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable (for example hip roofs do not). One common type of roof with gables, the gable roof, is named after its prominent gables. A parapet made of a series of curves (Dutch gable) or horizontal steps (crow-stepped gable) may hide the diagonal lines of the roof. Gable ends of more recent buildings are often treated in the same way as the Classic pediment form. But unlike Classical structures, which operate through trabeation, the gable ends of many buildings are actually bearing-wall structures. Gable style is also used in the design of fabric structures, with varying degree ...
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Saddleback Roof
A saddleback roof is usually on a tower, with a ridge and two sloping sides, producing a gable A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesth ... at each end. See also * List of roof shapes * Saddle roof References Architectural elements Roofs {{architecturalelement-stub ...
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Tile
Tiles are usually thin, square or rectangular coverings manufactured from hard-wearing material such as ceramic, stone, metal, baked clay, or even glass. They are generally fixed in place in an array to cover roofs, floors, walls, edges, or other objects such as tabletops. Alternatively, tile can sometimes refer to similar units made from lightweight materials such as perlite, wood, and mineral wool, typically used for wall and ceiling applications. In another sense, a tile is a construction tile or similar object, such as rectangular counters used in playing games (see tile-based game). The word is derived from the French word ''tuile'', which is, in turn, from the Latin word ''tegula'', meaning a roof tile composed of fired clay. Tiles are often used to form wall and floor coverings, and can range from simple square tiles to complex or mosaics. Tiles are most often made of ceramic, typically glazed for internal uses and unglazed for roofing, but other materials are also co ...
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Churches Conservation Trust
The Churches Conservation Trust is a registered charity whose purpose is to protect historic churches at risk in England. The charity cares for over 350 churches of architectural, cultural and historic significance, which have been transferred into its care by the Church of England. The Trust works to prevent any deterioration in the condition of the buildings in its care and to ensure they are in use as community assets. Local communities are encouraged to use them for activities and events and the buildings provide an educational resource, allowing children and young people to study history, architecture and other subjects. Most of the churches saved from closure are Grade I or Grade II* listed. Many are open to visitors as heritage sites on a daily basis and nearly 2 million people visit the Trust's churches each year. The majority of the churches remain consecrated, though they are not used for regular worship. History The trust was established by the Pastoral Measur ...
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Eagle Lectern
An eagle lectern is a lectern in the shape of an eagle on whose outstretched wings the Bible rests. They are most common in Anglican churches and cathedrals, but their use predates the Reformation, and is also found in Catholic churches. History The tradition of using eagle-shaped lecterns predates the Reformation. Medieval examples survive in a number of English churches, including the church of St Margaret in Kings Lynn and the parish church in Ottery St Mary. The Dunkeld Lectern is another notable Medieval eagle lectern. Symbolism The symbolism of the eagle derived from the belief that the bird was capable of staring into the sun and that Christians similarly were able to gaze unflinchingly at the revelation of the divine word. Alternatively, the eagle was believed to be the bird that flew highest in the sky and was therefore closest to heaven, and symbolised the carrying of the word of God to the four corners of the world. The eagle is the symbol used to depict John ...
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Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin ''dorsum''. (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spelling of "rear".) In the 14th and 15t ...
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John Henry Dearle
John Henry Dearle (22 August 1859 – 15 January 1932) was a British textile and stained-glass designer trained by the artist and craftsman William Morris who was much influenced by the Pre-Raphaelite Brotherhood. Dearle designed many of the later wallpapers and textiles released by Morris & Co., and contributed background and foliage patterns to tapestry designs featuring figures by Edward Burne-Jones and others. Beginning in his teens as a shop assistant and then design apprentice, Dearle rose to become Morris & Co.'s chief designer by 1890, creating designs for tapestries, embroidery, wallpapers, woven and printed textiles, stained glass, and carpets. Following Morris's death in 1896, Dearle was appointed Art Director of the firm, and became its principal stained glass designer on the death of Burne-Jones in 1898. Morris's reputation overshadowed Dearle's work throughout Dearle's career: Dearle exhibited early patterns under Morris's name and Dearle designs continue to b ...
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Edward Burne-Jones
Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August, 183317 June, 1898) was a British painter and designer associated with the Pre-Raphaelite Brotherhood which included Dante Gabriel Rossetti, John Millais, Ford Madox Brown and Holman Hunt. Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts. Burne-Jones's early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included ''The Beguiling of Merlin''. The timing was right and Burne-Jones was taken up as a herald and star of the new Aesthetic Movement. In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the p ...
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Clerestory
In architecture, a clerestory ( ; , also clearstory, clearstorey, or overstorey) is a high section of wall that contains windows above eye level. Its purpose is to admit light, fresh air, or both. Historically, ''clerestory'' denoted an upper level of a Roman basilica or of the nave of a Romanesque or Gothic church, the walls of which rise above the rooflines of the lower aisles and are pierced with windows. Similar structures have been used in transportation vehicles to provide additional lighting, ventilation, or headroom. History Ancient world The technology of the clerestory appears to originate in the temples of ancient Egypt. The term "clerestory" is applicable to Egyptian temples, where the lighting of the hall of columns was obtained over the stone roofs of the adjoining aisles, through gaps left in the vertical slabs of stone. Clerestory appeared in Egypt at least as early as the Amarna period. In the Minoan palaces of Crete such as Knossos, by contrast, lightwe ...
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Morris & Co
Morris, Marshall, Faulkner & Co. (1861–1875) was a furnishings and decorative arts manufacturer and retailer founded by the artist and designer William Morris with friends from the Pre-Raphaelites. With its successor Morris & Co. (1875–1940) the firm's medieval-inspired aesthetic and respect for hand-craftsmanship and traditional textile arts had a profound influence on the decoration of churches and houses into the early 20th century. Although its most influential period was during the flourishing of the Arts and Crafts Movement in the 1880s and 1890s, Morris & Co. remained in operation in a limited fashion from World War I until its closure in 1940. The firm's designs are still sold today under licences given to Sanderson & Sons, part of the Walker Greenbank wallpaper and fabrics business (which owns the "Morris & Co." brand,) and to Liberty of London. Early years Morris, Marshall, Faulkner & Co., "Fine Art Workmen in Painting, Carving, Furniture and the Metals", w ...
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