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Sounds Of Africa
''Sounds of Africa'' is the fourth album by double bassist and oud player Ahmed Abdul-Malik featuring performances recorded in 1962 (with one track from 1961) and originally released on the New Jazz label.Prestige Records discography accessed May 31, 2013 Reception Rob Ferrier of says, "Soaked with sounds that wouldn't become fashionable in jazz for nearly another decade, this is a very interesting statement by an overlooked musician... For those looking for something new, or perhaps in search of a missing musical link, this disc will reward repeated listens".Ferrier, R[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahmed Abdul-Malik
Ahmed Abdul-Malik (born Jonathan Tim, Jr.; January 30, 1927 – October 2, 1993) was an American jazz double bassist and oud player. Abdul-Malik is remembered for integrating Middle Eastern and North African music styles in his jazz music.Kelsey, Chri"Ahmed Abdul-Malik: Biography" AllMusic. Retrieved October 2, 2017. He was a bass player for Art Blakey, Earl Hines, Randy Weston, and Thelonious Monk, among others. Early life Abdul-Malik claimed that his father was from Sudan and moved to the United States. Research by historian Robin Kelley, however, indicates that Abdul-Malik was born to Caribbean immigrants and changed his birth name: Ahmed Abdul-Malik was born Jonathan Tim Jr., (sometimes spelled "Timm") on January 30, 1927, to Matilda and Jonathan Tim Sr. – both of whom had immigrated from St. Vincent in the British West Indies three years earlier. They also had a daughter, Caroline, born a little more than a year after Jonathan Jr. Jonathan Tim Sr.'s death certificate no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prestige Records Albums
Prestige refers to a good reputation or high esteem; in earlier usage, ''prestige'' meant "showiness". (19th c.) Prestige may also refer to: Arts, entertainment and media Films * ''Prestige'' (film), a 1932 American film directed by Tay Garnett: woman travels to French Indochina to meet up with husband * ''The Prestige'' (film), a 2006 American thriller directed by Christopher Nolan Music * Prestige Records, American jazz record label * ''Prestige'' (Daddy Yankee album), a 2012 album by Daddy Yankee * ''The Prestige'' (album) Other uses in arts, entertainment, and media * ''Prestige'' (magazine), a Lebanese French-language women's fashion quarterly *Prestige, the final portion of a magic trick, typically a showy flourish (17th c.) *''The Prestige'', 1995 novel by Christopher Priest Brands and enterprises * Prestige (beer), a Haitian lager * Citi Prestige, a premium Citibank credit card * Ibanez RG Prestige, a brand of guitars manufactured by Ibanez *Plaxton Prestige, a sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongos
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chief Bey
James Hawthorne Bey (April 17, 1913 – April 8, 2004)Associated Press"Chief Bey, 91 Jazz Drummer."''The New York Times'', April 13, 2004. Retrieved October 28, 2016.Jenkins, Todd S"Chief Bey: Master of African drums."''www.jazzhouse.org.'' Retrieved October 28, 2016. was an American jazz percussionist and African folklorist. He played under the name of Chief Bey. Early life Born James Hawthorne in Yemassee, South Carolina, Bey moved with his family to Brooklyn and then to Harlem, where he began playing drums and singing in church choirs. He also served in the Navy during World War II and later attended cosmetology school. Later life and career In the 1950s, Bey performed in an international tour of ''Porgy and Bess'' starring Leontyne Price and Cab Calloway. He also began a busy recording career, performing on Herbie Mann's ''At the Village Gate'' (1961), Art Blakey's ''The African Beat'' (1962), Ahmed Abdul-Malik's ''Sounds of Africa'' (New Jazz, 1961), as well as albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral music sett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Cyrille
Andrew Charles Cyrille (born November 10, 1939) is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. AllMusic biographer Chris Kelsey wrote: "Few free-jazz drummers play with a tenth of Cyrille's grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety." Life and career Cyrille was born in Brooklyn, New York, United States, into a Haitian family. He began studying science at St. John's University, but was already playing jazz in the evenings and switched his studies to the Juilliard School. His first drum teachers were fellow Brooklyn-based drummers Willie Jones and Lenny McBrowne; through them, Cyrille met Max Roach. Nonetheless, Cyrille became a disciple of Philly Joe Jones. His first professional engagement was as an accompanist of singer Nellie Lutcher, and he had an early recording ses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudy Collins
Rudy Collins (July 24, 1934 – August 15, 1988) was an American jazz drummer born in New York City. Collins played trombone in high school and started on drums at that time as well. He studied with Sam Ulano during 1953–57 and began gigging in New York City, playing with Hot Lips Page, Cootie Williams, Eddie Bonnemere, Dizzy Gillespie, Johnny Smith, Carmen McRae, Cab Calloway, and Roy Eldridge. he played with J.J. Johnson and Kai Winding at the Newport Jazz Festival. Later in the 1950s Collins became increasingly interested in the nascent free jazz scene, in addition to playing with more traditional ensembles. He worked with Herbie Mann from 1959 and later with Cecil Taylor, Quincy Jones, Dave Pike, and Lalo Schifrin. His last recordings were in 1981. Discography With Ahmed Abdul-Malik *''Sounds of Africa'' (New Jazz, 1962) With Gene Ammons *'' Night Lights'' (Prestige, 1970 985 With Ray Bryant *'' The Ray Bryant Touch'' (Cadet, 1967) With Billy Butler *'' This Is Bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regular use. The violin typically has four strings (some can have five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and in jazz. Electric violins with solid bodies and piezoelectri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a '' cellist'' or ''violoncellist'', it enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music of the Baroque-era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calo Scott
Calo Scott (March 11, 1920 - August 9, 1998) was a Cuban-American jazz cellist. Scott is noted for being one of earliest known jazz cellists. He established himself in the 1950s through working with the saxophonist Gerry Mulligan when “having a cello player as an improvising member of a jazz group was then virtually unheard of.” In addition to Gerry Mulligan, Calo Scott worked with Ahmed Abdul-Malik, Gato Barbieri, Marc Levin, and John Handy among others. He was also active in New York City's Lower East Side intermedia-arts scene, working with artists such as dancer-choreographer Mary McKay, artist Aldo Tambellini, and filmmaker Cassandra Einstein (then known as Cassandra Gerstein). Early life and career Calo Scott was born in Camaguey, Cuba, and moved to the USA when he was two years old. He began studies on piano, chose to focus his studies on the saxophone in his teens, and started working as a professional musician with a US Army band in the 1949. In the early 1950s he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
