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Sixteenth Note
Figure 1. A 16th note with stem facing up, a 16th note with stem facing down, and a 16th rest. Figure 2. Four 16th notes beamed together. In music, a 1/16, sixteenth note (American) or semiquaver ( British) is a note played for half the duration of an eighth note (quaver), hence the names. It is the equivalent of the semifusa in mensural notation, first found in 15th-century notation. Sixteenth notes are notated with an oval, filled-in note head and a straight note stem with two flags (see Figure 1). A single sixteenth note is always stemmed with flags, while two or more are usually beamed in groups. A corresponding symbol is the sixteenth rest (or semiquaver rest), which denotes a silence for the same duration. As with all notes with stems, sixteenth notes are drawn with stems to the right of the notehead, facing up, when they are below the middle line of the musical staff (or on the middle line, in vocal music). When they are on the middle line (in instrumental music) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sixteenth Notes And Rest
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flag (note)
In music notation, a note value indicates the relative duration of a note, using the texture or shape of the ''notehead'', the presence or absence of a '' stem'', and the presence or absence of ''flags/ beams/hooks/tails''. Unmodified note values are fractional powers of two, for example one, one-half, one fourth, etc. A rest indicates a silence of an equivalent duration. List Shorter notes can be created theoretically ''ad infinitum'' by adding further flags, but are very rare. Variations The breve appears in several different versions, as shown at right. The first two are commonly used; the third is a stylistic alternative. Sometimes the longa or breve is used to indicate a very long note of indefinite duration, as at the end of a piece (e.g. at the end of Mozart's Mass KV 192). A single eighth note, or any faster note, is always stemmed with flags, while two or more are usually beamed in groups.Gerou, Tom (1996). ''Essential Dictionary of Music Notation'', p.211. Alfred ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Musical Symbols
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which fingers, keys, or pedals are to be used, whether a string instrument should be bowed or plucked, or whether the bow of a string instrument should move up or down). Lines Clefs A clef assigns one particular pitch to one particular line of the staff on which it is placed. This also effectively defines the pitch range or tessitura of the music on that staff. A clef is usually the leftmost symbol on a staff, although a different clef may appear elsewhere to indicate a change in register. Historically, clefs could be placed on any line on a staff (or even on a space), but modern notatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unicode
Unicode, formally The Unicode Standard,The formal version reference is is an information technology standard for the consistent encoding, representation, and handling of text expressed in most of the world's writing systems. The standard, which is maintained by the Unicode Consortium, defines as of the current version (15.0) 149,186 characters covering 161 modern and historic scripts, as well as symbols, emoji (including in colors), and non-visual control and formatting codes. Unicode's success at unifying character sets has led to its widespread and predominant use in the internationalization and localization of computer software. The standard has been implemented in many recent technologies, including modern operating systems, XML, and most modern programming languages. The Unicode character repertoire is synchronized with ISO/IEC 10646, each being code-for-code identical with the other. ''The Unicode Standard'', however, includes more than just the base code. Along ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sixty-fourth Note
In music notation, a sixty-fourth note (American), or hemidemisemiquaver or semidemisemiquaver (British), sometimes called a half-thirty-second note, is a note played for half the duration of a thirty-second note (or demisemiquaver), hence the name. It first occurs in the late 17th century and, apart from rare occurrences of hundred twenty-eighth notes (semihemidemisemiquavers) and two hundred fifty-sixth notes (demisemihemidemisemiquavers), it is the shortest value found in musical notation. Sixty-fourth notes are notated with a filled-in oval notehead and a straight note stem with four flags. The stem is drawn to the left of the notehead going downward when the note is above or on the middle line of the staff. When the notehead is below the middle line the stem is drawn to the right of the notehead going upward. A single 64th note is always stemmed with flags, while two or more are usually beamed in groups. A similar, but rarely encountered symbol is the sixty-fourth rest ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirty-second Note
In music, a thirty-second note (American) or demisemiquaver (British) is a note played for of the duration of a whole note (or ''semibreve''). It lasts half as long as a sixteenth note (or ''semiquaver'') and twice as long as a sixty-fourth (or ''hemidemisemiquaver''). Thirty-second notes are notated with an oval, filled-in note head and a straight note stem with three flags or beams. A single thirty-second note is always stemmed with flags, while two or more are usually beamed in groups.Gerou, Tom (1996). ''Essential Dictionary of Music Notation'', p.211. Alfred. As with all notes with stems, thirty-second notes are drawn with stems to the right of the notehead, extending up, when they are below the middle line of the musical staff. When they are on or above the middle line, they are drawn with stems on the left of the note head, extending down. Flags are always on the right side of the stem, and curve to the right. On stems extending up, the flags start at the top and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beam (music)
In musical notation, a beam is a horizontal or diagonal line used to connect multiple consecutive notes (and occasionally rests) to indicate rhythmic grouping. Only eighth notes (quavers) or shorter can be beamed. The number of beams is equal to the number of flags that would be present on an unbeamed note. ''Beaming'' refers to the conventions and use of beams. A primary beam connects a note group unbroken, while a secondary beam is interrupted or partially broken. Grouping Beam spans indicate rhythmic groupings, usually determined by the time signature. Therefore, beams do not usually cross bar lines or major subdivisions of bars. A single eighth note, or any faster note, is always stemmed with flags, while two or more are typically beamed in groups. In modern practice, beams may span across rests in order to make rhythmic groups clearer. In vocal music, beams were traditionally used only to connect notes sung to the same syllable. In modern practice it is more common to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Staff
In Western musical notation, the staff (US and UK)"staff" in the Collins English Dictionary "in British English: also called: stave; plural: staffs or staves""staff" in the Merriam-Webster Dictionary /ref> or stave (UK) (: staffs or staves) is a set of five horizontal lines and four spaces that each represent a different musical pitch or in the case of a percussion staff, differe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Note Stem
In musical notation, stems are the, "thin, vertical lines that are directly connected to the otehead." Stems may point up or down. Different-pointing stems indicate the voice for polyphonic music written on the same staff. Within one voice, the stems usually point down for notes on the middle line or higher, and up for those below. If the stem points up from a notehead, the stem originates from the right-hand side of the note, but if it points down, it originates from the left. If there are multiple notes beamed together, the stem's direction is defined by the average of the lowest and highest notes in the beam. There is an exception to this rule: if a chord contains a second, the stem runs between the two notes with the higher being placed on the right of the stem and the lower on the left. If the chord contains an odd numbered cluster of notes a second apart (such as C, D, E), the outer two will be on the correct side of the stem, while the middle note will be on the wrong s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sixteenth Note Run
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Note Head
In music, a notehead is the part of a note, usually elliptical in shape, whose placement on the staff indicates the pitch, to which modifications are made that indicate duration. Noteheads may be the same shape but colored completely black or white, indicating the note value (i.e., rhythmic duration). In a whole note, the notehead, shaped differently than shorter notes, is the only component of the note. Shorter note values attach a stem to the notehead, and possibly beams or flags. The longer double whole note can be written with vertical lines surrounding it, two attached noteheads, or a rectangular notehead.Gerou, Tom & Lusk, Linda''Essential Dictionary of Music Notation''.Alfred Music, 1996, p. 210. An "x" shaped notehead may be used to indicate percussion, percussive effects (ghost notes), or speaking. A square, diamond, or box shaped notehead may be used to indicate a natural or artificial harmonic. A small notehead can be used to indicate a grace note. History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mensural Notation
Mensural notation is the musical notation system used for European vocal polyphonic music from the later part of the 13th century until about 1600. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions between note values. Its modern name is inspired by the terminology of medieval theorists, who used terms like ''musica mensurata'' ("measured music") or ''cantus mensurabilis'' ("measurable song") to refer to the rhythmically defined polyphonic music of their age, as opposed to ''musica plana'' or ''musica choralis'', i.e., Gregorian plainchant. Mensural notation was employed principally for compositions in the tradition of vocal polyphony, whereas plainchant retained its own, older system of neume notation throughout the period. Besides these, some purely instrumental music could be written in various forms of instrument-specific tablature notation. Mensural notation grew out of an earlier, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
