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Self-Portrait As Saint Catherine Of Alexandria
''Self-Portrait as Saint Catherine of Alexandria'' is a 1615–1617 painting by the Italian Baroque artist Artemisia Gentileschi, showing the artist in the guise of Catherine of Alexandria. It is now in the collection of the National Gallery, London, which purchased it in 2018 for £3.6 million, including about £2.7 million from its American Friends group. It was painted during Gentileschi's time in Florence, and is similar to her ''Saint Catherine of Alexandria'' (c. 1619), now in the Uffizi Gallery. It is one of several paintings of female martyrs that Gentileschi made after her famous 1612 rape trial, in which she (unlike the accused) was subject to torture to test the veracity of her testimony. Description The figure is shown in three-quarter view with a broken spiked wheel; according to tradition this was the instrument of torture to which Saint Catherine of Alexandria was subjected before being beheaded. The palm frond she holds in her other hand was also a t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artemisia Gentileschi
Artemisia Lomi or Artemisia Gentileschi (, ; 8 July 1593) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are ''Susanna and the Elders'' (particularly the 1610 version in Pommersfelden), ''Judith Slaying Holofernes'' (her 1614–1620 version is in the Uffizi gallery), and '' Judith and Her Maidservant'' (her version of 1625 is in the Detroit Institute of Arts). Gentileschi was known for being able to depict the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammer Price
In auctions, the buyer's premium is a charge in addition to the hammer price (i.e. the winning bid announced) of an auction item, or lot. The winning bidder is required to pay both the hammer price and the percentage of that price called for by the buyer's premium. It is charged by the auctioneer in addition to the commission which has always been charged by auction houses to sellers. One hundred per cent of the "buyer's premium" is retained by the auction house and is not shared with the item's seller. Major auction houses have levied the buyer's premium for several decades, particularly in fine art auctions, with percentages in the region of 10–30%. In real estate auctions in many European countries, the buyer's premium, if charged at all, is much less (2–2.5%). More recently in the UK, however, foreclosure properties have been offered without fee to the seller, but with a buyer's premium of 10%. The buyer's premium has been characterized by auction houses as a necessary c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Artemisia Gentileschi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1617 Paintings
Events January–June * February 27 – The Treaty of Stolbovo ends the Ingrian War between Sweden and Russia. Sweden gains Ingria and Kexholm. * April 14 – Second Battle of Playa Honda: The Spanish navy defeats a Dutch fleet in the Philippines. * April 19 – The town of Uusikaupunki ( sv, Nystad, lit. "New Town") was founded by King Gustavus Adolphus of Sweden. * April 24 – Encouraged by Charles d'Albert, seventeen-year-old Louis XIII, king of France, forces his mother Marie de Medici, who has held ''de facto'' power, into retirement and has her favourite, Concino Concini, assassinated. * June 5 – Ferdinand II, Archduke of Inner Austria, is elected King of Bohemia. Ferdinand's forceful Catholic counter-reformation causes great unrest, amongst the Protestants and moderates in Bohemia. July–December * September 1 – The weighing ceremony of Jahangir is described by the first English ambassador to the Mughal court, Sir Thomas Roe. * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Portraits
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-portraits
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Artemisia Gentileschi
The following is an incomplete list of works by Artemisia Gentileschi. Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell Raymond Ward Bissell, Jr. (October 23, 1936 – October 26, 2019) was an American art historian and educator. A scholar of Italian Baroque art, Bissell was Professor of Art History at the University of Michigan. Career Born in New York City to R ..., and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art. Other attributions are taken from Jesse Locker's ''The Language of Painting''. Further references are available on the Bibliography on Artemisia Gentileschi. References {{Lists of paintings Gentileschi,Artemisia * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-Portrait As A Female Martyr
''Self-Portrait as a Female Martyr,'' is also known as the ''Self-Portrait as a Martyr Saint.'' This painting was created by the Italian female artist, Artemisia Gentileschi. This self-portrait was made around 1615 depicting the artist herself as a martyr. It is one of two paintings by Gentileschi painted with oil on a wood panel. This self-portrait is currently in a private collection in the United States. Description An inscription on the reverse confirms that it is painted by the artist Artemisia Gentileschi. The inscription is written in Italian which Inscribes: Di Mano di Artemisia figlia di A.rili.Lomi/Pisano Nipote di Orzio. This roughly translates to: Di Mano di Artemisia daughter of A.rili.Lomi/Pisano Grandson of Orzio. There has been much debate over whether Gentileschi had painted herself or a specific saint. It was noted by Keith Christiansen that the painting had to be a self-portrait of the artist instead of a Christian saint because of the physical features in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-Portrait As A Lute Player
''Self-Portrait as a Lute Player'' is one of many self-portrait paintings made by the Italian baroque artist Artemisia Gentileschi. It was created between 1615 and 1617 for the House of Medici, Medici family in Florence. Today, it hangs in the Wadsworth Atheneum Museum of Art, Hartford, Connecticut, US. It shows the artist posing as a lute player looking directly at the audience. The painting has symbolism in the headscarf and outfit that portray Gentileschi in a costume that resembles a Romani people, Romani woman. ''Self-Portrait as a Lute Player'' has been interpreted as Gentileschi portraying herself as a knowledgeable musician, a self portrayal as a prostitute, and as a fictive expression of one aspect of her identity. History Artist In Italy during the Baroque painting, Baroque period, Artemisia Gentileschi was taught how to paint by her father, Orazio Gentileschi. Her father was a follower of Caravaggio, and Gentileschi was inspired by Caravaggian works as well. ''Sel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paula Rego
Paula or PAULA may refer to: Arts and entertainment Fictional characters * Paula, in video game '' EarthBound'' * Paula, in ''The Larry Sanders Show'' * Paula Campbell (''EastEnders''), in 2003 Film and television * ''Paula'' (1915 film), a silent film * ''Paula'' (1952 film), an American drama * ''Paula'' (2011 film), a Canadian animation * ''Paula'' (2016 film), a German film * ''Paula'' (TV series), 2017 Music * ''Paula'' (album), by Robin Thicke, 2014 * "Paula" (Zoé song), 2006 * "Paula", a 1972 song by Monica Verschoor * "Paula", a 1981 song by Tim Weisberg People * Paula (given name), including a list of people with the name * Paula of Rome (347–404), ancient Roman saint *Paula (surname) Other uses * Paula (computer chip), the sound chip of the Commodore Amiga computer * ''Paula'' (novel), memoir by Isabel Allende, 1994 * ''Paula'' (1876 barque), a German ship from which was sent the longest travelled message in a bottle * ''Paula'' (insect), a synonym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Magdalene In Ecstasy
''Mary Magdalene in Ecstasy'' is a painting by the Italian baroque artist Artemisia Gentileschi. It is in the Doge’s Palace in Venice. Description A woman is shown in a seated position, with her head leaning back and hands clasped around her knee. She wears a purple and ochre gown over a lace-trimmed white chemise. As she leans back, her wavy blond hair cascades behind her and the chemise has slipped down, exposing her right shoulder. Her eyes are closed as she sits in a darkened landscape, strongly illuminated by a light source from the right of the painting. Gentileschi's Interpretation It is one of many paintings by Gentileschi of the Magdalene but the depiction is unusual for the period. The 2020 exhibition catalogue on Artemisia notes that "Mary Magdalene is more usually shown penitent in a landscape ... ereshe is passionately alive and in the throes of ecstatic rapture." The connection to (the various existing copies of) Caravaggio's '' Mary Magdalen in Ecstasy'' has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robilant+Voena
Robilant+Voena is a commercial art gallery specializing in European Old Masters and 20th-century Italian and American art, with gallery spaces in London, Milan, Paris, and New York. The gallery has held a number of critically acclaimed Old Master exhibitions, of which the most significant include displays of works by the Caravaggisti,Gleadell, Colin.Beyond Caravaggio: Robilant + Voena's exhibition celebrates those inspired by the Italian master. ''The Telegraph'', November 22, 2016. Retrieved August 13, 2022 Bartolomeo Manfredi, Caspar van Wittel, Giacomo Ceruti, and Antonio Joli. Its most significant sales include an Artemisia Gentileschi self-portrait sold to the National Gallery in London and a work by Jean-Léon Gérôme acquired by the Frick Collection in New York. Foundation Robilant+Voena was founded by the art dealer Edmondo di Robilant and the Milan-based art dealer Marco Voena, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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