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Script Supervisor
A script supervisor (also called continuity supervisor or script) is a member of a film crew who oversees the continuity of the motion picture including wardrobe, props, set dressing, hair, makeup and the actions of the actors during a scene. The notes recorded by the script supervisor during the shooting of a scene are used to help the editor cut the scene. They are also responsible for keeping track of the film production unit's daily progress. The script supervisor credit typically appears in the closing credits of a motion picture. Script supervisors are a department head and play a crucial role in the shooting of a film. It is the script supervisor's job to monitor the camera shots, seeking to maintain coherence between the scenes. In the most basic description, the script supervisor is the editor's and writer's representative on set, as well as being the right hand aide to the director and the director of photography. It is the script supervisor's job to make sure that the f ...
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Film Crew
A film crew is a group of people, hired by a production company, for the purpose of producing a film or motion picture. The crew is distinguished from the cast, as the cast are understood to be the actors who appear in front of the camera or provide voices for characters in the film. The crew is also separate from the producers, as the producers are the ones who own a portion of either the film studio or the film's intellectual property rights. A film crew is divided into different departments, each of which specializes in a specific aspect of the production. Film crew positions have evolved over the years, spurred by technological change, but many traditional jobs date from the early 20th century and are common across jurisdictions and filmmaking cultures. Motion picture projects have three discrete stages: development, production, and distribution. Within the production stage there are also three clearly defined sequential phases ( pre-production, principal photography ...
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Screenplay
''ScreenPlay'' is a television drama anthology series broadcast on BBC2 between 9 July 1986 and 27 October 1993. Background After single-play anthology series went off the air, the BBC introduced several showcases for made-for-television, feature length filmed dramas, including ''ScreenPlay''. Various writers and directors were utilized on the series. Writer Jimmy McGovern was hired by producer George Faber to pen a series five episode based upon the Merseyside needle exchange programme of the 1980s. The episode, directed by Gillies MacKinnon, was entitled ''Needle'' and featured Sean McKee, Emma Bird, and Pete Postlethwaite''.'' The last episode of the series was titled "Boswell and Johnson's Tour of the Western Islands" and featured Robbie Coltrane as English writer Samuel Johnson, who in the autumn of 1773, visits the Hebrides off the north-west coast of Scotland. That episode was directed by John Byrne and co-starred John Sessions and Celia Imrie. Some scenes wer ...
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:Category:Script Supervisors
{{category explanation, script supervisor A script supervisor (also called continuity supervisor or script) is a member of a film crew who oversees the continuity of the motion picture including wardrobe, props, set dressing, hair, makeup and the actions of the actors during a scene. The ...s, also known as continuity supervisors Film people by role Film production ...
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Shot (filming)
In filmmaking and video production, a shot is a series of frames that runs for an uninterrupted period of time. Film shots are an essential aspect of a movie where angles, transitions and cuts are used to further express emotion, ideas and movement. The term "shot" can refer to two different parts of the filmmaking process: #In production, a shot is the moment that the camera starts rolling until the moment it stops. #In film editing, a shot is the continuous footage or sequence between two edits or cuts.Ascher, Steven, and Edward Pincus. ''The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age''. New York: Plume, 1999. p. 214. Etymology The term "shot" is derived from the early days of film production when cameras were hand-cranked, and operated similarly to the hand-cranked machine guns of the time. That is, a cameraman would "shoot" film the way someone would "shoot" bullets from a machine gun. Categories of shots Shots can be categorized in a number ...
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Continuity (fiction)
In fiction, continuity is a consistency of the characteristics of people, plot, objects, and places seen by the reader or viewer over some period of time. It is relevant to several media. Continuity is particularly a concern in the production of film and television due to the difficulty of rectifying an error in continuity after shooting has wrapped. It also applies to other art forms, including novels, comics, and video games, though usually on a smaller scale. It also applies to fiction used by persons, corporations, and governments in the public eye. Most productions have a script supervisor on hand whose job is to pay attention to and attempt to maintain continuity across the chaotic and typically non-linear production shoot. This takes the form of a large amount of paperwork, photographs, and attention to and memory of large quantities of detail, some of which is sometimes assembled into the story bible for the production. It usually regards factors both within the scene a ...
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Arizona (1918 Film)
''Arizona'' is a 1918 American silent melodrama film produced by and starring Douglas Fairbanks and released by Famous Players-Lasky under its Artcraft Pictures banner. Based on the successful 1899 play of the same name by Augustus Thomas, the film was directed by Albert Parker. Despite mixed reviews and its release near the end of the Spanish flu epidemic, the film prospered at the box office largely on the strength of its star's drawing power. ''Arizona'' is presumed lost. Plot Denton (Fairbanks) is a lieutenant in the U.S. Cavalry regiment commaded by Colonel Benham (Frederick Burton). Benham is married to the much younger Estrella (Kathleen Kirkham), the daughter of wealthy rancher Canby (Theodore Roberts). Estrella has a sister, Bonita (Marjorie Daw), with whom Denton falls in love. Denton discovers an affair between Estrella and Captain Hodgeman (Harry Northrup). In his effort to break up the affair, Denton follows Estrella to her room where Benham catches them and mi ...
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Albert Parker (director)
Albert Parker (May 11, 1885 – August 10, 1974) was an American film director, producer, screenwriter and actor. He directed 36 films between 1917 and 1938. In the early 1930s Parker left Hollywood for England where he continued to direct films and also opened an actors' agency office. One of his later clients in the 1960s was actress Helen Mirren. He was born in New York, USA, and died in London, England. Selected filmography * ''American Aristocracy'' (1916) (as actor) * '' In Again, Out Again'' (1917) (as actor) * '' For Valour'' (1917) * ''Her Excellency, the Governor'' (1917) * '' The Haunted House'' (1917) * '' The Man Hater'' (1917) * ''Shifting Sands'' (1918) * '' The Secret Code'' (1918) * ''Arizona'' (1918) * ''Annexing Bill'' (1918) * '' From Two to Six'' (1918) * '' The Other Woman'' (1918) * '' Waifs'' (1918) * ''The Knickerbocker Buckaroo'' (1919) * ''Eyes of Youth'' (1919) * '' The Branded Woman'' (1920) * '' Sherlock Holmes'' (1922) * '' Second Youth'' (19 ...
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Film Continuity
In fiction, continuity is a consistency of the characteristics of people, plot, objects, and places seen by the reader or viewer over some period of time. It is relevant to several media. Continuity is particularly a concern in the production of film and television due to the difficulty of rectifying an error in continuity after shooting has wrapped. It also applies to other art forms, including novels, comics, and video games, though usually on a smaller scale. It also applies to fiction used by persons, corporations, and governments in the public eye. Most productions have a script supervisor on hand whose job is to pay attention to and attempt to maintain continuity across the chaotic and typically non-linear production shoot. This takes the form of a large amount of paperwork, photographs, and attention to and memory of large quantities of detail, some of which is sometimes assembled into the story bible for the production. It usually regards factors both within the scene and ...
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Sarah Y
Sarah (born Sarai) is a biblical matriarch and prophetess, a major figure in Abrahamic religions. While different Abrahamic faiths portray her differently, Judaism, Christianity, and Islam all depict her character similarly, as that of a pious woman, renowned for her hospitality and beauty, the wife and half-sister of Abraham, and the mother of Isaac. Sarah has her feast day on 1 September in the Catholic Church, 19 August in the Coptic Orthodox Church, 20 January in the LCMS, and 12 and 20 December in the Eastern Orthodox Church. In the Hebrew Bible Family According to Book of Genesis 20:12, in conversation with the Philistine king Abimelech of Gerar, Abraham reveals Sarah to be both his wife and his half-sister, stating that the two share a father but not a mother. Such unions were later explicitly banned in the Book of Leviticus (). This would make Sarah the daughter of Terah and the half-sister of not only Abraham but Haran and Nahor. She would also have been the aun ...
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Gender Neutrality
Gender neutrality (adjective form: gender-neutral), also known as gender-neutralism or the gender neutrality movement, is the idea that policies, language, and other social institutions ( social structures or gender roles) should avoid distinguishing roles according to people's sex or gender. This is in order to avoid discrimination arising from the impression that there are social roles for which one gender is more suited than another. The disparity in gender equality throughout history has had a significant impact on many aspects of society, including marketing, toys, education and parenting techniques. In order to increase gender neutrality in recent years, there has been a societal emphasis on utilizing inclusive language and advocating for equality. In policy Proponents of gender neutrality may support public policies designed to eliminate gender distinctions. Gender neutrality in the law has changed the nature of custody disputes, making it more likely that men will be a ...
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Wild Track
Wild track, also known as wild sound and wild lines, is an audio recording intended to be synchronized with film or video but recorded separately. Generally, the term "wild track" refers to sound recorded on the set or location of a film, such as dialogue, sound effects, or ambient or environmental noise gathered without cameras rolling. Wild tracks of dialogue are often recorded if dialogue could not be properly obtained during filming due to the presence of devices that produce noise, such as wind machines. See also * Dubbing, wherein actors read their lines in a studio setting to match lip movements already filmed * Voice-over Voice-over (also known as off-camera or off-stage commentary) is a production technique where a voice—that is not part of the narrative (non- diegetic)—is used in a radio, television production, filmmaking, theatre, or other presentation ..., in which a voice track is used but not synchronized with onscreen action * Foley, in which sound effe ...
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Shooting Script
A shooting script is the version of a screenplay used during the production of a motion picture. Shooting scripts are distinct from spec scripts in that they make use of scene numbers (along with certain other formatting conventions described below), and they follow a well-defined set of procedures specifying how script revisions should be implemented and circulated. Overview When a screenplay is approved for production, the scenes are assigned numbers which are included in the script alongside the scene headers. The numbers provide a convenient way for the various production departments to reference individual scenes. Also each individual shot within a scene is also assigned numbers. After a shooting script has been widely circulated, page numbers are locked, and any revisions are distributed on revision pages. Thus the production office might issue a revision containing new pages 3, 9, 17 and 45. This avoids having to print and distribute an entirely new draft for every set ...
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