Sasanian Music
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Sasanian Music
Sasanian music encompasses the music of the Sasanian Empire, which existed from 224 to 651 CE. Many Sasanian Shahanshahs were enthusiastic supporters of music, including the founder of the empire Ardashir I and Bahram V. In particular, Khosrow II () was an outstanding patron, his reign being regarded as a golden age of Persian music. Persian classical music dates to the sixth century BCE; during the time of the Achaemenid Empire (550–331 BCE), music played an important role in prayer and in royal and national events. But Persian music had its zenith during the Sasanian dynasty from 224 until 651 CE. In this era, many of Persian music's '' dastgahs'' and modes were invented, most of them traditionally attributed to Barbad. He employed 30 sounds for music. Naturally he recorded his inspirations and performed them for his audience, since if he did not, he could not play them again. Dance and ''chanson'' were prevalent in court banquets. It said that on several occasions Persian m ...
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Bishapur Zan
Bishapur (Middle Persian: ''Bay-Šāpūr''; fa, بیشاپور}, ''Bishâpûr'') was an ancient city in Sasanid Persia (Iran) on the ancient road between Persis and Elam. The road linked the Sassanid capitals Estakhr (very close to Persepolis) and Ctesiphon. It is located south of modern Faliyan in the Kazerun County of Pars Province, Iran. Bishapur was built near a river crossing and at the same site there is also a fort with rock-cut reservoirs and a river valley with six Sassanid rock reliefs. The most important point about this city, is the combination of Persian and Roman art and architecture that hadn't been seen before Bishapur construction. Before Bishapour was built, almost all the main cities in Persia/Iran had a circular shape like the old city in Firuzabad or Darab. Bishapour is the first Persian city with vertical and horizontal streets. Also in the city, especially in interior design, we can see tile work that's adapted from Roman Art. History The name ''B ...
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Khosrau II
Khosrow II (spelled Chosroes II in classical sources; pal, 𐭧𐭥𐭮𐭫𐭥𐭣𐭩, Husrō), also known as Khosrow Parviz (New Persian: , "Khosrow the Victorious"), is considered to be the last great Sasanian king (shah) of Iran, ruling from 590 to 628, with an interruption of one year. Khosrow II was the son of Hormizd IV (reigned 579–590), and the grandson of Khosrow I (reigned 531–579). He was the last king of Iran to have a lengthy reign before the Muslim conquest of Iran, which began five years after his execution. He lost his throne, then recovered it with the help of the Byzantine emperor Maurice, and, a decade later, went on to emulate the feats of the Achaemenids, conquering the rich Roman provinces of the Middle East; much of his reign was spent in wars with the Byzantine Empire and struggling against usurpers such as Bahram Chobin and Vistahm. After the Byzantines killed Maurice, Khosrow II began a war in 602 against the Byzantines. Khosrow II's forces c ...
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Sarkash
Sasanian music encompasses the music of the Sasanian Empire, which existed from 224 to 651 CE. Many Sasanian Shahanshahs were enthusiastic supporters of music, including the founder of the empire Ardashir I and Bahram V. In particular, Khosrow II () was an outstanding patron, his reign being regarded as a golden age of Persian music. Persian classical music dates to the sixth century BCE; during the time of the Achaemenid Empire (550–331 BCE), music played an important role in prayer and in royal and national events. But Persian music had its zenith during the Sasanian dynasty from 224 until 651 CE. In this era, many of Persian music's ''dastgahs'' and modes were invented, most of them traditionally attributed to Barbad. He employed 30 sounds for music. Naturally he recorded his inspirations and performed them for his audience, since if he did not, he could not play them again. Dance and ''chanson'' were prevalent in court banquets. It said that on several occasions Persia ...
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Nakisa
Nagisa or Nakisa was a noted harpist and composer of Sasanian music in the royal court Khosrow II (). Historical context The music of Iran, music of Iran/Persia stretches to at least the prehistoric depictions of arched harps from 3300–3100 BCE, though not until the 224–651 CE Sasanian Empire is substantial information available. This influx of Sasanian records suggests a prominent musical culture in the Empire, especially in the areas dominated by Zoroastrianism. Many Sassanian Shahanshahs were ardent supporters of music, including the founder of the empire Ardashir I and Bahram V. Khosrow II () was the most outstanding patron, his reign being regarded as a golden age of Persian music. In addition to Nagisa, musicians in Khosrow's service included Āzādvar-e Changi, Bāmshād, Rāmtin, Sarkash and Bārbad, who was the most famous. These musicians were usually active as minstrels, which were performers who worked as both court poets and musicians; in the Sassanian Empire ther ...
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Bamshad
Bamshad ( fa, بامشاد) or Bāmšād was a musician of Sasanian music during the reign of Khosrow II (). Life and career Many Shahanshahs of the Sasanian Empire were ardent supporters of music, including the founder of the empire Ardashir I and Bahram V. Khosrow II () was the most outstanding patron, his reign being regarded as a golden age of Persian music. Musicians in Khosrow's service include Āzādvar-e Changi, Bamshad, the harpist Nagisa (Nakisa), Ramtin, Sarkash (also Sargis or Sarkas) and Barbad, who was by-far the most famous. These musicians were usually active as minstrels, which were performers who worked as both court poets and musicians; in the Sasanian Empire there was little distinction between poetry and music. Essentially nothing is known of Bamshad except that he was a noted musician during the reign of Khosrow II (). His name comes from his practice of playing music at dawn every day: "bam" and "shad" translate as "dawn" and "happiness". The Persian le ...
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Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Current-day Iraq (Mesopotamia), Iran (Persia), and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. History Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3000  BCE. The instrument had great popularity in Europe during ...
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Pipe (instrument)
A pipe is a tubular wind instrument in general, or various specific wind instruments. The word is an onomatopoeia, and comes from the tone which can resemble that of a bird chirping . With just three holes, a pipe's range is obtained by overblowing to sound at least the second or the third harmonic partials. Folk pipe Fipple flutes are found in many cultures around the world. Often with six holes, the shepherd's pipe is a common pastoral image. Shepherds often piped both to soothe the sheep and to amuse themselves. Modern manufactured six-hole folk pipes are referred to as pennywhistle or tin whistle. The recorder is a form of pipe, often used as a rudimentary instructional musical instrument at schools, but versatile enough that it is also used in orchestral music. Tabor pipe The three-holed pipe is a form of the folk pipe which is usually played with one hand, while the other hand plays a tabor or other drone instrument such as a bell or a psalterium (string-drum). ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. ...
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Horn (instrument)
A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts. Types Variations include: *Lur (prehistoric) * Shofar *Roman horns: ** Cornu ** Buccina * Dung chen * Dord * Sringa *Nyele * Wazza * Alphorn * Cornett *Serpent * Ophicleide * Natural horn ** Bugle ** Post horn *French horn * Vienna horn * Wagner tuba * Saxhorns, including: ** Alto horn (UK: tenor horn), pitched in E ** Baritone horn, pitched in B * Valved bugles, in ...
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