|
Santi Di Tito
Santi di Tito (5 December 1536 – 25 July 1603) was one of the most influential and leading Italian painters of the proto- Baroque style – what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism. Biography He was born in Florence, then its own city-state. There is little documentation to support the alleged training under Bronzino or Baccio Bandinelli. From 1558 to 1564, he worked in Rome on frescoes in Palazzo Salviati and the Sala Grande of the Belvedere (''Homage of the People'') alongside Giovanni de' Vecchi and Niccolò Circignani. He acquired a classical trait, described as ''Raphaelesque'' by S. J. Freedberg. This style contrasted with the reigning ornate Roman painterliness of Federico and Taddeo Zuccari or their Florentine equivalents: Vasari, Alessandro Allori, and Bronzino. After returning to Florence in 1564, he joined the Accademia del Disegno. He contributed two conventionally Mannerist paintings for the Duke's study and laboratory, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santi Di Tito - Vision Of St Thomas Aquinas - WGA22722
Santi is used as: People with the surname * Brenden Santi (born 1993), Australian-Italian rugby league player * Domenico Santi (1621–1694), also known as il Mengazzino, Italian painter * Emanuele Santi, Italian economist and political scientist * Enrico Mario Santí, Cuban-American writer and scholar * Franco Biondi Santi (1922–2013), Italian winemaker * Giancarlo Santi (born 1939), Italian director and screenwriter * Giorgio Santi (1746–1822), Italian scientist * Giovanni Santi (1435–1494), Italian painter and decorator, father of Raphael * Guido De Santi (1923–1998), Italian racing cyclist * Guido Santi, filmmaker, director and producer * Marco de Santi (born 1983), Brazilian professional vert skater * Nello Santi (1931–2020), "Papa Santi", Italian conductor * Pietro Santi Bartoli (1615–1700), Italian engraver, draughtsman and painter * Sebastiano Santi (1788–1866), Italian painter * Simone Santi (born 1966), Italian volleyball referee * Tom Santi (born ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Veronica
Saint Veronica, also known as Berenike, was a woman from Jerusalem who lived in the 1st century AD, according to extra-biblical Christian sacred tradition. A celebrated saint in many pious Christian countries, the 17th-century ''Acta Sanctorum'' published by the Bollandists listed her feast under July 12, but the German Jesuit scholar Joseph Braun cited her commemoration in ''Festi Marianni'' on 13 January. According to Church tradition, Veronica was moved with sympathy seeing Jesus carrying the cross to Calvary and gave him her veil so that he could wipe his forehead. Jesus accepted the offer, and when he returned the veil the image of his face was miraculously captured on it. The resulting relic became known as the Veil of Veronica. The story of Veronica is celebrated in the sixth Station of the Cross in many Anglican, Catholic, and Western Orthodox churches.Vatican WebsitSixth Station/ref> Background There is no reference to the story of Veronica and her veil in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Mochi
Francesco Mochi (29 July 1580 – 6 February 1654) was an Italian early-Baroque sculptor active mostly in Rome and Orvieto. He was born in Montevarchi and died in Rome. His early training was with the anti-Mannerist Florentine painter Santi di Tito, where he formed a taste for pictorial clarity and the primacy of ''disegno'', exemplified in the sculpture of Giambologna and his studio and followers. He moved to Rome around 1599 and continued his training in the studio of the Venetian-trained sculptor Camillo Mariani. Mochi was a contemporary of Gian Lorenzo Bernini's father, Pietro, as well as later with the son. Career Mochi worked with Stefano Maderno on a prominent papal commission, the Cappella Paolina in Santa Maria Maggiore, where he contributed his still somewhat immature ''Saint Matthew and the Angel'', in travertine. His first major work was the ''Annunciation of the Virgin by the Angel'', composed of two statues (the ''Angel'' completed 1605, the ''Vir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cigoli
Lodovico Cardi (21 September 1559 – 8 June 1613), also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome. Biography Lodovico Cardi was born at Villa Castelvecchio in Cigoli, Tuscany, whence the name by which he is commonly known. Initially, Cigoli trained in Florence under the fervid mannerist Alessandro Allori, and studied the works of Michelangelo, Correggio, Andrea del Sarto and Pontormo. Later, influenced by the most prominent of the " Counter-''Maniera''" painters, Santi di Tito, as well as by Barocci, Cigoli shed the shackles of mannerism and infused his later paintings with an expressionism often lacking from 16th-century Florentine painting. For the Roman patron, Massimo Massimi, he painted an '' Ecce Homo'' (now in Palazzo Pitti). Supposedly unbeknownst to any of the painters, two other prominent contemporary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Carracci
The Carracci ( , , ) were a Bolognese family of artists that played an instrumental role in bringing forth the Baroque style in painting. Brothers Annibale (1560–1609) and Agostino (1557–1602) along with their cousin Ludovico (1555–1619) worked collaboratively. The Carracci family left their legacy in art theory by starting a school for artists in 1582. The school was called the '' Accademia degli Incamminati'', and its main focus was to oppose and challenge Mannerist artistic practices and principles in order to create a renewed art of naturalism and expressive persuasion. Art theory The artistic and theoretical activity of the Carracci is recognized by critics and historians such as André Chastel and Giulio Carlo Argan to have decisively contributed to the formation of the figurative Baroque and to new pictorial solutions based on the recuperation of the classical and Renaissance tradition, renewed by study of nature. "Jointly they effected an artistic reform that ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Marco, Florence
San Marco is a religious complex in Florence, Italy. It comprises a church and a convent. The convent, which is now the Museo Nazionale di San Marco, has three claims to fame. During the 15th century it was home to two famous Dominicans, the painter Fra Angelico and the preacher Girolamo Savonarola. Furthermore, the church houses the tomb of Pico Della Mirandola, Renaissance philosopher and so called father of humanism. History Sylvestrines The present convent occupies the site where a Sylvestrine monastery existed in the 13th century, which later passed to the Sylvestrine monks. The church was used both for monastic liturgical functions and as a parish church. From this initial period there have recently been rediscovered some traces of frescoes below floor level. In 1418 the Sylvestrines, accused of laxity in their observance of the Rule, were pressured to leave, but it took a direct intervention of Pope Eugene IV and the Council of Basel before finally in 1437 the build ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Salvatore Al Vescovo
San Salvatore al Vescovo is a church located in Florence, Italy. It was first built in the 11th century and has had several subsequent modifications. The lower portion of the facade is built in a Romanesque architecture Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque style, with proposals ranging from the 6th to the 11th century, this lat ... style with bi-colored marble decorations. San salvatore al vescovo, interno 01.jpg, Interior San salvatore al vescovo, interno 04.jpg, Interior Gian domenico ferretti, adorazione dei pastori, 1738, 03.jpg, Gian Domenico Ferretti, ''Adorazione dei pastori'', 1738 Gian domenico ferretti,padre eterno e angeli, 1738, 05.jpg, Gian Domenico Ferretti, affreschi della cupoletta del presbiterio File:Vincenzo meucci, ascensione di cristo, 02.jpg, Vincenzo Meucci, ''Ascensione di Cristo'' References Salvatore al Vesc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volterra Cathedral
Volterra Cathedral ( it, Cattedrale di Santa Maria Assunta, or ''Duomo di Volterra'') is a Roman Catholic cathedral in Volterra, Italy, dedicated to the Assumption of the Virgin Mary. It is the seat of the bishop of Volterra. History The present church was rebuilt after the earthquake of 1117 that destroyed most of the town, and consecrated by Pope Calixtus II in 1120. Details of the earlier church on the site are not clear, although a church dedicated to Saint Mary is known from the 9th century. This was not the original cathedral, which was dedicated to Saint Peter and located next to the bishop's palace; it was destroyed by the Florentines during a siege in 1472, after which the bishop's seat was transferred to the present cathedral. Nicola Pisano is said to have been involved in further reconstruction in the mid 13th century. The rustic stone façade was built in Romanesque style using spolia from the Roman theater of Volterra in the portal. The intarsia over the door is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Di Santa Croce Di Firenze
The ( Italian for 'Basilica of the Holy Cross') is the principal Franciscan church in Florence, Italy, and a minor basilica of the Roman Catholic Church. It is situated on the Piazza di Santa Croce, about 800 meters south-east of the Duomo. The site, when first chosen, was in marshland outside the city walls. It is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, the poet Foscolo, the philosopher Gentile and the composer Rossini, thus it is known also as the Temple of the Italian Glories (). Building The basilica is the largest Franciscan church in the world. Its most notable features are its sixteen chapels, many of them decorated with frescoes by Giotto and his pupils, and its tombs and cenotaphs. Legend says that Santa Croce was founded by St Francis himself. The construction of the current church, to replace an older building, was begun on 12 May 1294, possibly by Arnolfo di Cambio, and paid for by some of the city's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of Ognissanti, Florence
The chiesa di San Salvatore di Ognissanti or more simply chiesa di Ognissanti (; "Church of All Saints"), is a Franciscan church located on the piazza of the same name in central Florence, region of Tuscany, Italy. Founded by the lay order of the Umiliati, the church was dedicated to all the saints and martyrs, known and unknown. It is the burial place of the famous Early Renaissance painter, Sandro Botticelli. History It was completed originally during the 1250s, but almost completely rebuilt around 1627 in Baroque-style by the architect Bartolomeo Pettirossi. Soon after, a new façade (1637) was erected using designs by Matteo Nigetti, that conserved the glazed terracotta lunette over the doorway, which while resembling the work of Della Robbia, is now attributed to Benedetto Buglioni. Ognissanti was among the first examples of Baroque architecture to penetrate this Renaissance city. Its three reversed orders of pilasters enclose niches and windows with elaborate cornices. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cabinet (architecture)
A cabinet (also known by other terms) was a private room in the houses and palaces of early modern Europe serving as a study or retreat, usually for a man. The cabinet would be furnished with books and works of art, and sited adjacent to his bedchamber, the equivalent of the Italian Renaissance ''studiolo''. In the Late Medieval period, such newly perceived requirements for privacy had been served by the solar of the English gentry house, and a similar, less secular purpose had been served by a private oratory. Such a room might be used as a study or office, or just a sitting room. Heating the main rooms in large palaces or mansions in the winter was difficult, and small rooms were more comfortable. They also offered more privacy from servants, other household members, and visitors. Typically such a room would be for the use of a single individual, so that a house might have at least two (his and hers) and often more. Names varied: cabinet, closet, study (from the Italian ''stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_de_Francesco_Mochi.jpg "Click for more on -> Francesco Mochi")
