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Santa Maria Della Scala (Siena)
Santa Maria della Scala (also referred to as the Hospital, Ospedale, and Spedale) is located in Siena, Italy. Now a museum, it was once an important civic hospital dedicated to caring for abandoned children, the poor, the sick, and pilgrims. Revenues were earned partially from bequests and donations from the citizens of Siena, particularly the wealthy.Baron, J. H. "The Hospital of Santa Maria della Scala, Siena, 1090–1990." BMJ 301 (1990): 1449–1451 The head of the hospital was the rector who managed the lay brothers responsible for its operation. Santa Maria della Scala was one of Europe's first hospitals and is one of the oldest hospitals still surviving in the world. It played a major cultural role and is considered one of Siena's 3 main artistic hubs. Location The Hospital partially gets its name from its position. Located across the Piazza del Duomo from Siena Cathedral, Santa Maria della Scala refers to its position across from the steps that lead into the Cathedral. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Council Of Siena
In the Catholic Church, the Council of Siena (1423–1424) marked a somewhat inconclusive stage in the Conciliar movement that was attempting reforms in the Church. If it had continued, it would have qualified as an ecumenical council. In the official List of ecumenical councils, the Council of Siena is no longer listed, as the conciliarism expressed there was later branded as a heresy. History According to the terms of the Council of Constance calling for periodic ecumenical councils to discuss church policies, Pope Martin V convened a council at Pavia, which was hardly inaugurated on 23 April 1423, when plague broke out at Pavia and the council was hastily adjourned to Siena. At Siena, the procedure of the Council followed that established at Constance. Right at the start, certain formalities of the safe conducts issued by the city for the members of the Council were the cause of jurisdictional friction with papal prerogatives. Attendance to the Council was sparse, special ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpieces
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the develop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Publico, Siena
The Palazzo Pubblico (''town hall'') is a palace in Siena, Tuscany, central Italy. Construction began in 1297 to serve as the seat of the Republic of Siena's government, which consisted of the Podestà and Council of Nine, the elected officials who performed executive functions (and judicial ones in secular matters). Architecture The outside of the structure is an example of Italian medieval architecture with Gothic influences. The lower story is stone while the upper crenellated stories are made of brick. The facade of the palace is curved slightly inwards (concave) to reflect the outwards curve (convex) of the Piazza del Campo, Siena's central square, of which the Palace is the focal point. At the top of this facade is a huge round flat bronze plate hristogram the symbol used by Saint Bernardino. It was placed there by the government in 1425 in gratitude to the great preacher, a native Sienese, for his sermons aimed at quelling social and political factionalism and unrest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sano Di Pietro
Sano di Pietro or Ansano di Pietro di Mencio (1405–1481) was an Italian painter of the Sienese school of painting. He was active for about half a century during the Quattrocento period, and his contemporaries included Giovanni di Paolo and Sassetta. Life Sano was born in 1405. His name entered the roll of painters in 1428 where it remained until his death in 1481. In addition to his own painting and overseeing the pupils and assistants in his workshop, Sano was part of the civic fabric of Siena; in 1431 and 1442 he was the leader of the San Donato district of Siena. Sano was also employed as an arbitrator; in 1475 he was called upon to settle a dispute between fellow painters Neroccio di Bartolommeo and Francesco di Giorgio Martini. However, he made his living as a painter. The workshop he ran produced a large number of artworks. He wasn't merely a painter of altarpieces. He also produced frescoes, miniatures, and book bindings. Sano died in 1481. His death notice read: :: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutscher Kunstverlag
The Deutscher Kunstverlag (DKV) is an educational publishing house with offices in Berlin and Munich. The publisher specializes in books about art, cultural history, architecture, and historic preservation. History Deutscher Kunstverlag was founded in 1921 in Berlin. Founders were the publishing companies Insel Verlag, E. A. Seemann, Deutsche Verlags-Anstalt, Julius Hoffmann, G. Grote, Julius Bard, and Walter de Gruyter, as well as the bank . Some book series appeared already in 1925, which to this day still partially determine the publishing profile. In addition to scientific publications, the Deutscher Kunstverlag publishes art books and exhibition catalogs. After the Second World War, the publisher moved its headquarters to Munich. Since the 1990s, the owners have frequently changed. In early 2007, Gabriele Miller purchased the Deutscher Kunstverlag and was the sole shareholder. The head office of the publishing house was then moved back to Berlin. In October 2010, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Anne
According to Christian apocryphal and Islamic tradition, Saint Anne was the mother of Mary and the maternal grandmother of Jesus. Mary's mother is not named in the canonical gospels. In writing, Anne's name and that of her husband Joachim come only from New Testament apocrypha, of which the Gospel of James (written perhaps around 150) seems to be the earliest that mentions them. The mother of Mary is mentioned but not named in the Quran. Christian tradition The story is similar to that of Samuel, whose mother Hannah ( he, ''Ḥannāh'' "favour, grace"; etymologically the same name as Anne) had also been childless. The Immaculate Conception was eventually made dogma by the Catholic Church following an increased devotion to Anne in the 12th century. Dedications to Anne in Eastern Christianity occur as early as the 6th century. In the Eastern Orthodox tradition, Anne and Joachim are ascribed the title ''Ancestors of God'', and both the Nativity of Mary and the Presentation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Joachim
Joachim (; ''Yəhōyāqīm'', "he whom Yahweh has set up"; ; ) was, according to Christian tradition, the husband of Saint Anne and the father of Mary, the mother of Jesus. The story of Joachim and Anne first appears in the Biblical apocryphal Gospel of James. His feast day is 26 July, a date shared with Saint Anne. In Christian tradition The story of Joachim, his wife Anne (or Anna), and the miraculous birth of their child Mary, the mother of Jesus, was told for the first time in the 2nd-century apocryphal infancy-gospel the Gospel of James (also called Protoevangelium of James). Joachim was a rich and pious man, who regularly gave to the poor. However, Charles Souvay, writing in the ''Catholic Encyclopedia'', says that the idea that Joachim possessed large herds and flocks is doubtful. At the temple, Joachim's sacrifice was rejected, as the couple's childlessness was interpreted as a sign of divine displeasure. Joachim consequently withdrew to the desert, where he fasted an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrogio Lorenzetti
Ambrogio Lorenzetti (; – 9 June 1348) or Ambruogio Laurati was an Italian painter of the Sienese school. He was active from approximately 1317 to 1348. He painted '' The Allegory of Good and Bad Government'' in the Sala dei Nove (Salon of Nine or Council Room) in Siena's Palazzo Pubblico. His elder brother was the painter Pietro Lorenzetti. Biography Lorenzetti was highly influenced by both Byzantine art and classical art forms, and used these to create a unique and individualistic style of painting. His work was exceptionally original. Individuality at this time was unusual due to the influence of patronage on art. Because paintings were often commissioned, individualism in art was infrequently seen. It is known that Lorenzetti engaged in artistic pursuits that were thought to have their origins during the Renaissance, such as experimenting with perspective and physiognomy, and studying classical antiquity.Chiara Frugoni, ''Pietro and Ambrogio Lorenzetti'', (Florence: Scala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Lorenzetti
Pietro Lorenzetti (; – 1348) or Pietro Laurati was an Italian painter, active between c. 1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance. Overview Little is known of Lorenzetti's life other than that he was (putatively) born in Siena in the late 13th century (c. 1280/90), died there (possibly) in 1348 a victim of the first Black Death pandemic then devastating Europe, and had a younger brother, Ambrogio, also an artist. That the men were brothers was unknown to Vasari because he misread Pietro's surname on a painting in Pistoia's church of San Francesco as "Laurati". Thus the kinship between the artists was missed. Pietro worked in Assisi, Florence, Pistoia, Cortona, and Siena, although the precise chronology is unknown. His work suggests the influence of Duccio (in whose studio he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolommeo Bulgarini
Bartolomeo Bulgarini ( – 1378), also known as Bulgarino or Bologhini, was an Italian painter of the Trecento period in Siena both before and after the Black Death. Early life Born into a noble family with several members being elected to the Council of Nine, Siena’s central governing body, several times. He is firmly in the Sienese school of painting using a Byzantine-esque figuration and traditional gold leaf aesthetic of Sienese painting. With his contemporaries, Simone Martini, Pietro Lorenzetti and Ambrogio Lorenzetti and others he is part of the generations following Duccio. He was recognised in his lifetime as one of the most talented Sienese painters of the mid-14th century and is the only one of his generation to be mentioned by Giorgio Vasari. History Bulgarini’s oeuvre has seen much controversy in its reconstructions, with works formerly attributed to Ugolino Lorenzetti, a composite name constructed in 1917 by Bernard Berenson, referencing the stylistic simi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Black Death
The Black Death (also known as the Pestilence, the Great Mortality or the Plague) was a bubonic plague pandemic occurring in Western Eurasia and North Africa from 1346 to 1353. It is the most fatal pandemic recorded in human history, causing the deaths of people, peaking in Europe from 1347 to 1351. Bubonic plague is caused by the bacterium ''Yersinia pestis'' spread by fleas, but it can also take a secondary form where it is spread by person-to-person contact via aerosols causing septicaemic or pneumonic plagues. The Black Death was the beginning of the second plague pandemic. The plague created religious, social and economic upheavals, with profound effects on the course of European history. The origin of the Black Death is disputed. The pandemic originated either in Central Asia or East Asia before spreading to Crimea with the Golden Horde army of Jani Beg as he was besieging the Genoese trading port of Kaffa in Crimea (1347). From Crimea, it was most likely carried ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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