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Santa Cristina Al Tiverone Altarpiece
''Santa Cristina al Tiverone Altarpiece'' is an oil-on-panel painting by the Italian Renaissance painter Lorenzo Lotto, executed around 1504–1506. It is still housed in its original location, the parish church of Santa Cristina in Quinto di Treviso, a ''frazione'' of Treviso, northern Italy. Measuring 90x179 cm ( lunette) and 177x162 cm (central panel), it is signed "Laurentius / Lotus / P. nxit at the base of the throne. It was perhaps commissioned around 1505 by bishop Bernardo de' Rossi, in whose court Lotto worked at the time. It was released on 14 May 1507, just before the artist's move to Recanati. Description The main panel, of rectangular shape, shows a sacred conversation with ''Madonna and Child'' sitting on a large throne. Around her are the saints Peter, Christine, Liberalis and Jerome, all enclosed within a classical style architecture. The composition derives from Giovanni Bellini's San Zaccaria Altarpiece, as testified by the niche in the throne wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Painting, painter, draughtsman, and illustrator, traditionally placed in the Venetian school (art), Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerism, Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in Venetian school (art), the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castelfranco Madonna
The ''Madonna and Child Between St. Francis and St. Nicasius'', also known as ''Castelfranco Madonna'', is a painting by the Italian Renaissance artist Giorgione executed around 1504. It remains in the equivalent of its original setting, in a side-chapel of the Cathedral of Castelfranco Veneto, Giorgione's native city, in Veneto, northern Italy, although the present church dates to the 18th century. The picture has all the elements of a typical ''sacra conversazione'', with the Madonna enthroned with the child, with St. Francis to the right and St. Nicasius to the left. However, the extreme height of the throne is most unusual and creates a very different effect from the pictures of this type by Giovanni Bellini and other painters, where the throne is only slightly raised and the figures are at roughly the same level.Steer, 79-84 It is one of a handful of paintings - perhaps three - which can be very firmly attributed to Giorgione. Description The armoured figure has formerl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angels In Art
Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture. Angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awesome or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are unanthropomorphic wheels) and cherubim (which have mosaic features); As a matter of theology, they are spiritual beings who do not eat or excrete and are genderless. Many angels in art may appear to the modern eye to be gendered as either male or female by their dress or actions, but until the 19th century, even the most female looking will normally lack breasts, and the figures should normally be considered as genderless. In 19th-century art, especially funerary art, this traditional convention is sometimes abandoned. Christian art In the Early Church Specific ideas re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In Treviso
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finches In Art
The true finches are small to medium-sized passerine birds in the family Fringillidae. Finches have stout conical bills adapted for eating seeds and nuts and often have colourful plumage. They occupy a great range of habitats where they are usually resident and do not migrate. They have a worldwide distribution except for Australia and the polar regions. The family Fringillidae contains more than two hundred species divided into fifty genera. It includes species known as siskins, canaries, redpolls, serins, grosbeaks and euphonias. Many birds in other families are also commonly called "finches". These groups include the estrildid finches ( Estrildidae) of the Old World tropics and Australia; some members of the Old World bunting family ( Emberizidae) and the New World sparrow family ( Passerellidae); and the Darwin's finches of the Galapagos islands, now considered members of the tanager family ( Thraupidae).Newton (1973), Clement ''et al.'' (1993) Finches and canaries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of Jerome
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of The Madonna And Child By Lorenzo Lotto
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1500s Paintings
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietà
The Pietà (; meaning "pity", "compassion") is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. It is most often found in sculpture. The Pietà is a specific form of the Lamentation of Christ in which Jesus is mourned by the Virgin Mary alone. Context and development Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (Mother of Sorrows) and Stabat Mater (the mother was standing). The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist. The Pietà developed in Germany (where it is called the "Vesperbild") about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder. Many German and Polish 15th-century examples in wood greatly emphasise Christ's wounds. The Deposition of Christ and the Lamentation or Pietà form the 13th of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carduelis
The genus ''Carduelis'' is a group of birds in the finch family Fringillidae. The genus ''Carduelis'' was introduced by the French zoologist Mathurin Jacques Brisson in 1760 by tautonomy based on Carl Linnaeus's specific epithet for the European goldfinch ''Fringilla carduelis''. The name ''carduelis'' is the Latin word for the European goldfinch. Many bird species were at one time assigned to the genus, but it became clear from phylogenetic studies of mitochondrial and nuclear DNA sequences that the genus was polyphyletic. The polyphyletic nature of the genus was confirmed by Dario Zuccon and coworkers in a comprehensive study of the finch family published in 2012. The authors suggested splitting the genus into several monophyletic clades, a proposal that was accepted by the International Ornithologists' Union. The siskins and goldfinches from the Americas formed a distinct clade and were moved to the resurrected genus '' Spinus'', the greenfinches were moved to the genus '' C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgione
Giorgione (, , ; born Giorgio Barbarelli da Castelfranco; 1477–78 or 1473–74 – 17 September 1510) was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art. Together with his younger contemporary Titian, he founded the Venetian school of Italian Renaissance painting, characterised by its use of colour and mood. The school is traditionally contrasted with Florentine painting, which relied on a more linear disegno-led style. Life What little is known of Giorgione's life is given in Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects''. He came from the small town of Castelfranco Veneto, 40 km inland from Venice. His name sometimes appe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frazione
A ''frazione'' (plural: ) is a type of subdivision of a ''comune'' (municipality) in Italy, often a small village or hamlet outside the main town. Most ''frazioni'' were created during the Fascist era (1922–1943) as a way to consolidate territorial subdivisions in the country. In the autonomous region of the Aosta Valley, a ''frazione'' is officially called an ''hameau'' in French. Description Typically the term ''frazioni'' applies to the villages surrounding the main town (''capoluogo'') of a ''comune''. Subdivision of a ''comune'' is optional; some ''comuni'' have no ''frazioni'', but others have several dozen. The ''comune'' usually has the same name of the ''capoluogo'', but not always, in which case it is called a ''comune sparso''. In practice, most ''frazioni'' are small villages or hamlets, occasionally just a clump of houses. Not every hamlet is classified as a ''frazione''; those that are not are often referred to as ''località'', for example, in the telephone boo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
