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Sanctuary Of Santa Maria Della Steccata
The Shrine of Santa Maria della Steccata is a Greek-cross design Renaissance church in central Parma, Italy. The name derives from the fence (Italian: ''steccato'') in the church. A Nursing Madonna is enshrined within, crowned on 27 May 1601 by a Marian devotee, Fray Giacomo di Forli of the Capuchin order. Pope Benedict XVI raised the Marian sanctuary to the status of Basilica minor on 9 February 2008. History By 1492, the Knights of Malta built an small oratory here to house a putatively miraculous icon depicting Saint John the Baptist. It became associated with a religious confraternity in a neighboring house that had the image of the ''Madonna and Child'', mentioned above, on the facade. Rumors of miracles performed by this image led to masses flocking to the site. This required the erection of a picket fence or stockade (''steccato'') around the icon, hence giving the image its name. The Papal bull dated 1 March 1493 by Pope Alexander VI mentions the image by this name. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna Della Steccata
Madonna Louise Ciccone (; ; born August 16, 1958) is an American singer-songwriter and actress. Widely dubbed the "Honorific nicknames in popular music, Queen of Pop", Madonna has been noted for her continual reinvention and versatility in music production, songwriting, and visual presentation. She has pushed the boundaries of artistic expression in mainstream music, while continuing to maintain control over every aspect of her career. Her works, which incorporate social, political, Madonna and sexuality, sexual, and Madonna and religion, religious themes, have generated both controversy and critical acclaim. A prominent Cultural impact of Madonna, cultural figure crossing both the 20th and 21st centuries, Madonna remains one of the most "well-documented figures of the modern age", with a broad amount of List of academic publishing works on Madonna, scholarly reviews and Bibliography of works on Madonna, literature works on her, as well as an academic mini subdiscipline ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottavio Farnese
Ottavio Farnese (9 October 1524 – 18 September 1586) reigned as Duke of Parma and Piacenza from 1547 until his death and Duke of Castro from 1545 to 1547 and from 1553 until his death. Biography Born in Valentano, Ottavio was the second son of Pier Luigi Farnese, Duke of Parma and Piacenza and Gerolama Orsini. His father was the grandson of Pope Paul III, and brother to Cardinal Ranuccio Farnese. On 4 November 1538 Ottavio married Margaret of Austria, the illegitimate daughter of Charles V, Holy Roman Emperor. Ottavio was 14 years old, while Margaret, recently widowed by the death of Alessandro de' Medici, was 15. At first she disliked her youthful bridegroom, but when he returned wounded from an expedition to Algiers in 1541 her aversion was turned to affection. Ottavio had become lord of Camerino in 1540, but he gave up that fief when his father became duke of Parma in 1545. After the Parmesan nobility assassinated Pierluigi Farnese in 1547, troops of the Emper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertrando Rossi
{{Infobox racehorse , horsename = Bertrando , image = , caption = , sire = Skywalker , dam = Gentle Hands , damsire = Buffalo Lark , sex = Stallion , foaled = 1989 , country = United States , colour = Dark Bay , breeder = Ed Nahem , owner = Ed Nahem & 505 Farms , trainer = Bruce Headley Robert J. Frankel (from late 1992)John Shirreffs (1994) , record = 24: 9-6-2 , earnings = $3,185,610 , race = Del Mar Futurity (1991) Norfolk Stakes (1991) San Felipe Stakes (1992)San Fernando Stakes (1993)Woodward Stakes (1993) Pacific Classic Stakes (1993) Goodwood Breeders' Cup Handicap (1994) Wickerr Handicap (1994) , awards = U.S. Champion Older Male Horse (1993) California Horse of the Year (1993) , honours = , updated= April 2, 2014 Bertrando (February 18, 1989 – March 27, 2014) was an American Thoroughbred Champion racehorse. A tall colt that grew to 16 hands 2 inches, Bertrando was bred by Ed Nahem at River Edge Farm in Buellton, California. He was s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurelio Barili
Aurelio Barili was an Italian painter of the Baroque period, born and active in Parma. In 1588, he painted frescoes in the Parmesan church of San Giovanni Evangelista and the Sanctuary of Santa Maria della Steccata The Shrine of Santa Maria della Steccata is a Greek-cross design Renaissance church in central Parma, Italy. The name derives from the fence (Italian: ''steccato'') in the church. A Nursing Madonna is enshrined within, crowned on 27 May 1601 by .... References * 16th-century Italian painters Italian male painters Painters from Parma Italian Baroque painters Year of death unknown Year of birth unknown {{Italy-painter-16thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo Mazzola Bedoli
Girolamo Mazzola Bedoli (c. 1500–1569) was an Italian painter active in the Mannerist style. Biography Bedoli was born in Parma in a family coming from Viadana in Lombardy. He was a near contemporary of Parmigianino, and after the early death of the latter master, he completed some frescoes initially commissioned from Parmigianino. For example, he completed works in the apse of Santa Maria della Steccata.European Paintings:Keith Christiansen (1982) Notable Acquisitions (Metropolitan Museum of Art) p.39. He is known to have worked in the studio of the Parmigianino's uncles in the city of Parma. He married the daughter of Pier Ilaro Mazzola, a cousin of Parmigianino, hence he added to his name the better known ''Mazzola'' appellation. He painted along with his father in law the ''Immaculate Conception'' for the ''Oratorio della Concezione'' (now in Parma Gallery). Freedberg describes him in his masterpiece of the ''Annunciation'' as resembling Parmigianino in the same way B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcantonio Franceschini
Marcantonio Franceschini (; 1648 – 24 December 1729) was an Italian painter of the Baroque period, active mostly in his native Bologna. He was the father and teacher of Giacomo Franceschini.''The picture collector's manual'' by James R. Hobbes London T&W Boone 1845 page 15/ref> Biography He was a pupil of Carlo Cignani, with whom he worked on the frescoes in the Palazzo del Giardino in Parma (1678–81). He worked closely for many years with his brother-in-law, Luigi Quaini, who also was the cousin of Cignani. Franceschini had a long career painting canvases on religious and mythological subjects for patrons throughout Europe. Franceschini decorated some ceilings in the Palazzo Ranuzzi (1680) and the Palazzo Marescotti Brazzetti (1682) in Bologna. He helped paint in the tribune at church of San Bartolomeo Porta Ravegnana (1690). Franceschini frescoed the ceiling of the ''Sala d'Onore'' ("Hall of Honor") in the Ducal Palace of Modena, commissioned in 1696 for the mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambettino Cignaroli
Giambettino Cignaroli (Verona, July 4, 1706 – Verona, December 1, 1770) was an Italian painter of the Rococo and early Neoclassic period. Biography He was a pupil of Santo Prunato and Antonio Balestra and active mostly in the area of the Veneto. He became the director of the academy of painting and sculpture of Verona in December 1764. The Academy was subsequently known as ''Accademia Cignaroli''. Among his many pupils were Maria Suppioti Ceroni, Giovanni Battista Lorenzi, Saverio Dalla Rosa, Domenico Mondini, Domenico Pedarzoli, and Christopher Unterberger. His brother Giovanni Domenico Cignaroli was also a painter. For the Austrian governor of Lombardy and a collector of antiquities, Count Karl von Firmian, Cignaroli painted two canvases on Greco-Roman episodes, a thematic preferred by Neoclassic painters: ''Death of Cato'' (1759) and ''Death of Socrates''. Giambettino was born into a family of artists, and this tradition continued after his death with his children ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Gatti
Bernardino Gatti (c.1495 – 22 February 1576) was an Italian painter of the Renaissance, active mainly in Parma and Cremona. He is also commonly called il Sojaro. He was born in or near Pavia or Cremona. His early apprenticeship is unclear, though he was influenced by the pre-eminent local painters: Pordenone, alongside whose works are many of Gatti's frescoes, as well as Correggio. Gatti worked for 12 years, 1560–72, in the fresco decoration of the cupola of the duomo of Parma, where he was assisted by Bartholomaeus Spranger. His major works are the large fresco in the refectory of San Pietro in Cremona from 1552, frescoes in the dome of the Santa Maria della Steccata (1560–66) in Parma, and his ''Assunta'' in the Duomo of Cremona. He also worked in Pavia (1531) and Piacenza (1543). Among his most famous pupils are Sofonisba Anguissola and his nephew, Gervasio Gatti. Partial anthology of works *''Last Supper'' and ''Resurrection'' (1529), Cathedral of Cremona. *''Mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes '' Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous '' Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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