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SMPTE Time Code
SMPTE timecode ( or ) is a set of cooperating standards to label individual frames of video or film with a timecode. The system is defined by the Society of Motion Picture and Television Engineers in the SMPTE 12M specification. SMPTE revised the standard in 2008, turning it into a two-part document: SMPTE 12M-1 and SMPTE 12M-2, including new explanations and clarifications. Timecodes are added to film, video or audio material, and have also been adapted to synchronize music and theatrical production. They provide a time reference for editing, synchronization and identification. Timecode is a form of media metadata. The invention of timecode made modern videotape editing possible and led eventually to the creation of non-linear editing systems. Basic concepts SMPTE timecode is presented in ''hour:minute:second:frame'' format and is typically represented in 32 bits using binary-coded decimal. There are also ''drop-frame'' and ''color framing'' flags and three extra ''bina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4K Resolution
4K resolution refers to a horizontal display resolution of approximately 4,000 pixels. Digital television and digital cinematography commonly use several different 4K resolutions. In television and consumer media, 38402160 (4K UHD) is the dominant 4K standard, whereas the movie projection industry uses 40962160 (DCI 4K). The 4K television market share increased as prices fell dramatically during 2014 and 2015. 4K standards and terminology The term "4K" is generic and refers to any resolution with a horizontal pixel count of approximately 4,000. Several different 4K resolutions have been standardized by various organizations. The terms "4K" and "Ultra HD" are used more widely in marketing than "2160p". While typically referring to motion pictures, some digital camera vendors have used the term "4K photo" for still photographs, making it appear like an especially high resolution even though 3840×2160 pixels equal approximately 8.3 megapixels, which is not considered to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vertical Interval Timecode
Vertical Interval Timecode (VITC, pronounced "vitsee") is a form of SMPTE timecode encoded on one scan line in a video signal. These lines are typically inserted into the vertical blanking interval of the video signal. With one exception, VITC contains the same payload as SMPTE linear timecode (LTC), embedded in a new frame structure with extra synchronization bits and an error-detection checksum. The exception is that VITC is encoded twice per interlaced video frame, once in each field, and one additional bit (the "field flag") is used to distinguish the two fields. A video frame may contain more than one VITC code if necessary, recorded on different lines. This is often used in production, where different entities may want to encode different sets of time-code metadata on the same tape. As a practical matter, VITC can be more 'frame-accurate' than LTC, particularly at very slow tape speeds on analog formats. LTC readers can lose track of code at slow jog speeds whereas VITC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linear Timecode
Linear (or Longitudinal) Timecode (LTC) is an encoding of SMPTE timecode data in an audio signal, as defined in SMPTE 12M specification. The audio signal is commonly recorded on a VTR track or other storage media. The bits are encoded using the biphase mark code (also known as ''FM''): a 0 bit has a single transition at the start of the bit period. A 1 bit has two transitions, at the beginning and middle of the period. This encoding is self-clocking. Each frame is terminated by a ' sync word' which has a special predefined sync relationship with any video or film content. A special bit in the linear timecode frame, the ''biphase mark correction'' bit, ensures that there are an even number of AC transitions in each timecode frame. The sound of linear timecode is a jarring and distinctive noise and has been used as a sound-effects shorthand to imply ''telemetry'' or ''computers''. Generation and Distribution In broadcast video situations, the LTC generator should be tied int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Broadcasting Union
The European Broadcasting Union (EBU; french: Union européenne de radio-télévision, links=no, UER) is an alliance of public service media organisations whose countries are within the European Broadcasting Area or who are members of the Council of Europe. , it is made up of 112 member organizations from 54 countries, and 31 associate members from a further 20 countries. It was established in 1950, and had its administrative headquarters in Geneva and technical office in Brussels. The EBU owns and operates the Eurovision and Euroradio telecommunications networks on which major television and radio broadcasts are distributed live to its members. It also operates the daily Eurovision news exchange in which members share breaking news footage. In 2017, the EBU launched the Eurovision Social Newswire, an eyewitness and video verification service. Led by Head of Social Newsgathering, Derek Bowler, the service provides members of the EBU with verified and cleared-for-use newsw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atomic Clock
An atomic clock is a clock that measures time by monitoring the resonant frequency of atoms. It is based on atoms having different energy levels. Electron states in an atom are associated with different energy levels, and in transitions between such states they interact with a very specific frequency of electromagnetic radiation. This phenomenon serves as the basis for the International System of Units' (SI) definition of a second:The second, symbol s, is the SI unit of time. It is defined by taking the fixed numerical value of the caesium frequency, \Delta \nu_\mathsf, the unperturbed ground-state hyperfine transition frequency of the caesium 133 atom, to be when expressed in the unit Hz, which is equal to s−1. This definition is the basis for the system of International Atomic Time (TAI), which is maintained by an ensemble of atomic clocks around the world. The system of Coordinated Universal Time (UTC) that is the basis of civil time implements leap seconds to allo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Master Sync Generator
A video signal generator is a type of signal generator which outputs predetermined video and/or television oscillation waveforms, and other signals used in the synchronization of television devices and to stimulate faults in, or aid in parametric measurements of, television and video systems. There are several different types of video signal generators in widespread use. Regardless of the specific type, the output of a video generator will generally contain synchronization signals appropriate for television, including horizontal and vertical sync pulses (in analog) or sync words (in digital). Generators of ''composite'' video signals (such as NTSC and PAL) will also include a colorburst signal as part of the output. Types of video signal generators Video signal generators are primarily classed according to their function. In addition, they may be classified according to the video formats and interface standard they support—one generator may generate composite analog signals (t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Television Studio
A television studio, also called a television production studio, is an installation room in which video productions take place, either for the production of live television and its recording onto video tape or other media such as SSDs, or for the acquisition of raw footage for post-production. The design of a studio is similar to, and derived from, movie studios, with a few amendments for the special requirements of television production. A professional television studio generally has several rooms, which are kept separate for noise and practicality reasons. These rooms are connected via ' talkback' or an intercom, and personnel will be divided among these workplaces. Studio floor The studio floor is the actual stage on which the actions that will be recorded and viewed take place. A typical studio floor has the following characteristics and installations: * decoration and/or sets * professional video camera (sometimes one, usually several), typically mounted on pedestals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Framing
In video engineering, color framing refers to the color frame sequence of fields in a composite video signal through which the video frame timing and chrominance subcarrier signal timing—in particular, that of the color burst -- cycle through all possible phase relationships. The exact nature of the color frame sequence depends on the video standard being used. In the case of the three main composite video standards, PAL video has an 8-field (4 frame) color frame sequence, and NTSC and SECAM both have 4-field (2 frame) color frame sequences. Preserving the color framing sequence of video across edits and between channels in video effects was an important issue in early analog composite videotape editing systems, as cuts between different color sequences would cause jumps in subcarrier phase, and mixing two signals of different field dominance would result in color artifacts on the part of the signal that was not in sync with the output color frame sequence. To help preven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parts-per Notation
In science and engineering, the parts-per notation is a set of pseudo-units to describe small values of miscellaneous dimensionless quantities, e.g. mole fraction or mass fraction. Since these fractions are quantity-per-quantity measures, they are pure numbers with no associated units of measurement. Commonly used are parts-per-million (ppm, ), parts-per-billion (ppb, ), parts-per-trillion (ppt, ) and parts-per-quadrillion (ppq, ). This notation is not part of the International System of Units (SI) system and its meaning is ambiguous. Overview Parts-per notation is often used describing dilute solutions in chemistry, for instance, the relative abundance of dissolved minerals or pollutants in water. The quantity "1 ppm" can be used for a mass fraction if a water-borne pollutant is present at one-millionth of a gram per gram of sample solution. When working with aqueous solutions, it is common to assume that the density of water is 1.00 g/mL. Therefore, it is common to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wall-clock Time
Elapsed real time, real time, wall-clock time, wall time, or walltime is the actual time taken from the start of a computer program to the end. In other words, it is the difference between the time at which a task finishes and the time at which the task started. Wall time is thus different from CPU time, which measures only the time during which the processor is actively working on a certain task. The difference between the two can arise from architecture and run-time dependent factors, e.g. programmed delays or waiting for system resources to become available. Consider the example of a mathematical program that reports that it has used "CPU time 0m0.04s, Wall time 6m6.01s". This means that while the program was active for six minutes and one second, during that time the computer's processor spent only 4/100 of a second performing calculations for the program. Conversely, programs running in parallel on more than one processing unit can spend CPU time many times beyond their el ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PAL-M
PAL-M is the analogue TV system used in Brazil since 19 February 1972. At that time, Brazil was the first South American country to broadcast in colour. Colour TV broadcast began on 19 February 1972, when the TV networks Globo and Bandeirantes transmitted the Caxias do Sul Grape Festival. Transition from black and white to colour, however, was not complete until 1978. Two years later, in 1980, colour broadcast nationwide in Brazil was commonplace. It is unique among analogue TV systems in that it combines the 525-line 30 frames-per-second System M with the PAL colour encoding system (using very nearly the NTSC colour subcarrier frequency), unlike all other countries which pair PAL with 625-line systems and NTSC with 525-line systems. Origins NTSC being the "natural" choice for countries with monochrome standard M, the choice of a different colour system poses problems of incompatibility with available hardware and the need to develop new television sets and production hard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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