Stolthet Och Fördom
' (''Pride and Prejudice'') is a three-act opéra comique by Daniel Nelson, to a libretto by Swedish playwright (born 1968) based on the popular 1813 English novel by Jane Austen. The piece was written in 2010 to 2011 for the opera festival at Vadstena. Before the premiere the composer expressed his view of the work as an operetta in the sense that "a direct and immediate communication with an audience" is planned. One reviewer of the premiere noted musical influences of Michel Legrand and Igor Stravinsky in the score. The premiere took place on 21 July 2011, at Vadstena Castle, Sweden, with conducting soloists and the Vadstena Academy Opera Orchestra. A small ensemble is used: one flute, oboe, clarinet, horn, trumpet, a harp, piano, and strings and one percussionist. Roles The plot follows closely that in the novel, although some characters (Lady Catherine de Bourgh Lady Catherine de Bourgh ( ; ) is a Character (arts), character in the 1813 novel ''Pride and Prejudice'' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Daniel Nelson (Swedish Composer)
Daniel Nelson (born Bethesda, Maryland, 1 May 1965) is a composer living in Sweden.Pontenza music biography page accessed 25 February 2015. He grew up in Sweden from 1970 to 1985. Then from 1985 at the he took composition studies under Jean Eichelberger-Ivey, followed by MA studies at the University of Chicago
The University of Chicago (UChicago, Chicago, or UChi) is a Private university, private research university in Chicago, Illinois, United States. Its main campus is in the Hyde Park, Chicago, H ...
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Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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2011 Operas
Eleven or 11 may refer to: *11 (number) * One of the years 11 BC, AD 11, 1911, 2011 Literature * ''Eleven'' (novel), a 2006 novel by British author David Llewellyn *''Eleven'', a 1970 collection of short stories by Patricia Highsmith *''Eleven'', a 2004 children's novel in The Winnie Years by Lauren Myracle *''Eleven'', a 2008 children's novel by Patricia Reilly Giff *''Eleven'', a short story by Sandra Cisneros Music *Eleven (band), an American rock band * Eleven: A Music Company, an Australian record label *Up to eleven, an idiom from popular culture, coined in the movie ''This Is Spinal Tap'' Albums * ''11'' (The Smithereens album), 1989 * ''11'' (Ua album), 1996 * ''11'' (Bryan Adams album), 2008 * ''11'' (Sault album), 2022 * ''Eleven'' (Harry Connick, Jr. album), 1992 * ''Eleven'' (22-Pistepirkko album), 1998 * ''Eleven'' (Sugarcult album), 1999 * ''Eleven'' (B'z album), 2000 * ''Eleven'' (Reamonn album), 2010 * ''Eleven'' (Martina McBride album), 2011 * ''Eleven'' (Mr Fog ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Swedish-language Operas
Swedish ( ) is a North Germanic language from the Indo-European language family, spoken predominantly in Sweden and parts of Finland. It has at least 10 million native speakers, making it the fourth most spoken Germanic language, and the first among its type in the Nordic countries overall. Swedish, like the other Nordic languages, is a descendant of Old Norse, the common language of the Germanic peoples living in Scandinavia during the Viking Age. It is largely mutually intelligible with Norwegian and Danish, although the degree of mutual intelligibility is dependent on the dialect and accent of the speaker. Standard Swedish, spoken by most Swedes, is the national language that evolved from the Central Swedish dialects in the 19th century, and was well established by the beginning of the 20th century. While distinct regional varieties and rural dialects still exist, the written language is uniform and standardized. Swedish is the most widely spoken second language in Finlan ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bennet Family
The Bennet family is a fictional family created by the English novelist Jane Austen in her 1813 novel ''Pride and Prejudice''. The family consists of Mr and Mrs Bennet and their five daughters: Jane, Mary, Catherine, Lydia, and Elizabeth, who is the novel's protagonist. The family belongs to the landed gentry of Hertfordshire in the Regency era of English history. The relationships between the Bennets influence the evolution of the plot as they navigate the difficulties faced by young women in attempting to secure a good future through marriage. The Bennet daughters Jane and Elizabeth are the eldest and are appreciated by their father. Mary displays intellectual and musical pretensions. The two youngest daughters, Kitty (Catherine) and Lydia, are younger girls portrayed with characteristics considered to be immature. Paternal branch Mrs Bennet is eager to find husbands for her daughters. As a result of this, young men were dissuaded from marrying her daughters. Mr Benne ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lady Catherine De Bourgh
Lady Catherine de Bourgh ( ; ) is a Character (arts), character in the 1813 novel ''Pride and Prejudice'' by Jane Austen. According to Janet Todd, Lady Catherine can be seen as a foil to the novel's protagonist Elizabeth Bennet. Family Lady Catherine was the sister of Lady Anne Darcy, mother of Mr. Fitzwilliam Darcy and Georgiana Darcy. The sisters were the daughters of an earl and their brother is the sitting earl during the events of the novel. Thus she and her sister are always styled as Lady Catherine and Lady Anne, as their marriages to a knight or baronet (Austen never specifies whether Sir Lewis is knighted or holds a baronetcy) and an untitled man, respectively, do not confer upon them a preferable style. Lady Catherine is the widow of Sir Lewis de Bourgh. If she were not entitled to the courtesy style of an earl's daughter, she would be styled as Lady de Bourgh. The couple had a single daughter, Anne de Bourgh. Lady Catherine desired to marry her daughter to Mr. Darcy. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alto
The musical term alto, meaning "high" in Italian (Latin: '' altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Etymology In choral music for mixed voices, "alto" describes the lowest part commonly sung by women. The explanation for the anomaly of this name is to be found not in the use of adult falsettists in choirs of men and boys but further back in innovations in composition during the mid-15th century. Before this time it was usual to write a melodic ''cantus'' or '' superius'' against a tenor (from Latin ''tenere'', to hold) or 'held' part, to which might be added a contratenor, which was in counterpoint with (in other words, against = contra) the tenor. The composers of Ockeghem's generation wrot ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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George Wickham
George Wickham is a fictional character created by Jane Austen who appears in her 1813 novel ''Pride and Prejudice''. George Wickham is introduced as a militia officer who has a shared history with Mr. Darcy. Wickham's charming demeanour and his story of being badly treated by Darcy attracts the sympathy of the heroine, Elizabeth Bennet, to the point that she is warned by her aunt not to fall in love and marry him. It is revealed through the course of the story that George Wickham's true nature is that of a manipulative unprincipled layabout, a ne'er-do-well wastrel, compulsive liar and a degenerate, compulsive gambler, a seducer and a libertine, living the lifestyle of a rake. Lacking the finances to pay for his lifestyle, he gambles regularly (not just because he is a degenerate compulsive gambler and has no sense of economy) and cons credit from tradesmen and shopkeepers and skips out on paying-up. Jane Austen's inspiration for the plot developed around the character of Geo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |