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Stag (Melvins Album)
''Stag'' is the eighth studio album by American rock band Melvins, released in 1996 through Atlantic Records. This is the final album the band released under Atlantic before being dropped from the label. Promotional singles were released for the songs "The Bit" and "Bar-X the Rocking M" with the latter having a music video. The record is noted for its experimental, varied content, including elements of drone, ambient, country and instruments including sitar and trombone. Composition According to ''Spin'' writer Andrew Earles, ''Stag'' leans heavier on " Beefheartian sonic-fuckery" than its two predecessors, as it is "full of sitar jams, spasmodic trombone solos, dark ambient interludes, chipmunk punk, drone-gaze, cottonmouth country, and the comically slow doom-metal lurch of 'Lacrimosa'." According to Ira Robbins, the album is eclectic and humorous, comprising "the inaugural sitar, the wailing trombone on 'Bar-X the Rocking M', the unabashed pop vigor of 'Black Bock', the munc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melvins
Melvins (sometimes the Melvins) are an American rock band formed in 1983 in Montesano, Washington. Their early work was key to the development of both grunge and sludge metal. Primarily a trio, they have also performed as a quartet, with either two drummers or two bassists. Since 1984, vocalist and guitarist Buzz Osborne and drummer Dale Crover have been constant members. History Early years (1983–1987) The Melvins were formed in early 1983 by Buzz Osborne (guitar, vocals), Matt Lukin (bass), and Mike Dillard (drums) who all went to Montesano Jr./Sr. High School in Montesano, Washington. The band was named after a supervisor at a Thriftway in Montesano, where Osborne also worked as a clerk; "Melvin" was disliked by other employees, and the band's members felt it to be an appropriately ridiculous name. In the beginning, they played Jimi Hendrix and Who covers, and also began playing fast hardcore punk. Dillard left the band in 1984 and was replaced by local drummer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's lips vibrate inside a mouthpiece, causing the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the flugelhorn, the Baritone horn, baritone, and the euphonium. The most frequently encountered trombones are the tenor trombone and bass tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a subgenre of experimental rock that emphasizes Texture (music), texture, atmosphere, and non-traditional song structures over conventional rock techniques. Post-rock artists often combine rock instrumentation and rock stylings with Electronic musical instrument, electronics and digital production as a means of enabling the exploration of textures, timbres and different styles. Vocals, when present, are often used as an instrumental layer, with many bands opting for entirely instrumental compositions. The genre began in Indie music scene, indie and underground music scenes, but deviated. The term ''post-rock'' was coined by music journalist Simon Reynolds, being popularized in a review of Bark Psychosis' 1994 album ''Hex (Bark Psychosis album), Hex'', and he later expanded the concept as music "using rock instrumentation for non-rock purposes". The term has since developed to refer to bands oriented around dramatic and suspense-driven instrumental rock, making the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stoner Witch
''Stoner Witch'' is the seventh studio album by American rock band Melvins, released on October 18, 1994, by Atlantic Records. It is their second release for the label. Recording The album was recorded with Garth "GGGarth" Richardson and Joe Barresi in 19 days at the A&M Studios in Hollywood. Most of the tracks were captured in a single take, and all of the tracking and mastering was completed in a single, continuous session. The title comes from a term that drummer Dale Crover and his friends used to describe "the stoner chicks" at their high school. Music and composition Described as a grunge, stoner rock and sludge metal album, ''Stoner Witch'' melds hallmarks of the band's earlier work, such as "molten tempos and guitarist Buzz Osborne's nonsensical lyrics" with a relatively radio-friendly ear towards arrangements. According to AllMusic's Patrick Kennedy, the album picks up on the "basic framework of '' Houdini'', resolving into an ear-catching workup of classic rock them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog) is a broad genre of rock music that primarily developed in the United Kingdom through the mid- to late 1960s, peaking in the early-to-mid-1970s. Initially termed " progressive pop", the style emerged from psychedelic bands who abandoned standard pop or rock traditions in favour of instrumental and compositional techniques more commonly associated with jazz, folk, or classical music, while retaining the instrumentation typical of rock music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of " art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock includes a fusion of styles, approaches and genres, and tends to be diverse and eclectic. Progressive rock is often associated with long solos, exte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sia Michel
Sia Michel (born May 17, 1967, in Erie, Pennsylvania) is an American newspaper editor. As editor-in-chief of ''Spin'', she became the first woman to edit a large-circulation American rock magazine. Subsequently appointed as the deputy culture editor of ''The New York Times'', she was promoted to the position of Culture editor in January 2023. Biography After Michel graduated from the University of Pennsylvania, she began her journalism career as a reporter and music editor with ''SF Weekly''. In February 2002, she was appointed as editor-in-chief of ''Spin'' after having worked at the magazine for five years. The first woman to edit a large-circulation American rock magazine, she held that position until February 2006 when the magazine was bought out by new owners. During the time of her editorial leadership, the publication had a circulation of more than half a million readers.Kahn, Ryan and Sifton, "Sia Michel is The New York Times' new Culture editor," ''Editor & Publisher Mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stoner Metal
Stoner rock, also known as stoner metal or stoner doom, is a rock music fusion genre that combines elements of doom metal with psychedelic rock and acid rock. The genre emerged during the early 1990s and was pioneered foremost by Kyuss and Sleep (band), Sleep. Characteristics Stoner rock is typically slow-to-mid tempo and features a heavily Distortion (music), distorted, Groove (music), groove-laden bass-heavy sound, melodic vocals, and "retro" production. Due to the similarities between stoner and sludge metal, there is often a crossover between the two genres. This hybrid has traits of both styles, but generally lacks stoner metal's laid back atmosphere and its usage of psychedelic music, psychedelia. Bands such as Weedeater (band), Weedeater, High on Fire and Electric Wizard creatively fuse both styles. Terminology The descriptor "stoner rock" may originate from the title of the 1997 Roadrunner Records compilation ''Burn One Up! Music for Stoners''. Desert rock is also used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acoustic Blues
Country blues (also folk blues, rural blues, backwoods blues, or downhome blues) is one of the earliest forms of blues music. The mainly solo vocal with acoustic fingerstyle guitar accompaniment developed in the rural Southern United States in the early 20th century. It stands in contrast primarily to the urban blues style, especially in the pre-war era. History Artists such as Blind Lemon Jefferson (Texas), Charley Patton (Mississippi), Blind Willie McTell (Georgia) were among the first to record blues songs in the 1920s. Country blues ran parallel to urban blues, which was popular in cities. Historian Elijah Wald notes many similarities between blues, bluegrass, and country & western styles with roots in the American south. Record labels in the 1920s and 1930s carefully segregated musicians and defined styles for racially targeted audiences. Over time, the rural black and rural white music evolved into different styles, with artists such as Bobby Bland, Ray Charles, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munchkin
A Munchkin is a native of the fictional Munchkin Country in the Oz books by American author L. Frank Baum. Although a common fixture in Germanic fairy tales, they are introduced to modern audiences with the first appearance in the classic children's novel '' The Wonderful Wizard of Oz'' (1900) where they welcome Dorothy Gale to their city in Oz. The Munchkins are described as being the same height as Dorothy and they wear only shades of blue clothing, as blue is the Munchkins' favorite color. Blue is also the predominating color that officially represents the eastern quadrant in the Land of Oz. The Munchkins have appeared in various media, including the 1939 film '' The Wizard of Oz'', as well as in various other films and comedy acts. Concept While Baum may have written about it, there are no surviving notes for the composition of ''The Wonderful Wizard of Oz''. The lack of this information has resulted in speculation of the term origins he used in the book, which include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom.S. Frith, W. Straw, and J. Street, eds, ''iarchive:cambridgecompani00frit, The Cambridge Companion to Pop and Rock'' (Cambridge: Cambridge University Press), , pp. 95–105. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock music, Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, wikt:ephemeral, ephemeral, and accessible. Identifying factors of pop music usually include repeated choruses and Hook (music), hooks, short to medium-length songs written in a basic format (often the verse–chorus form, verse–chorus structure), and rhythms or tempos that can be easily danced to. Much of pop music also borrows elements from other styles such as rock, hip hop, urban contemporary, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doom-metal
Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre. Pentagram, Saint Vitus, Trouble and Candlemass have been referred to as "the Big Four of Doom Metal". Characteristics Instrumentation The electric guitar, bass guitar, and drum kit are the most common instruments used to play doom metal (alth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoegaze
Shoegaze (originally called shoegazing and sometimes conflated with dream pop) is a subgenre of indie rock, indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion (music), distortion and effects, audio feedback, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during such concerts. My Bloody Valentin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
