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Sonnets
A sonnet is a fixed poetic form with a structure traditionally consisting of fourteen lines adhering to a set Rhyme scheme, rhyming scheme. The term derives from the Italian word ''sonetto'' (, from the Latin word ''sonus'', ). Originating in 13th-century Sicily, the sonnet was in time taken up in many European-language areas, mainly to express romantic love at first, although eventually any subject was considered acceptable. Many formal variations were also introduced, including abandonment of the quatorzain limit – and even of rhyme altogether in modern times. Romance languages Sicilian Giacomo da Lentini is credited with the sonnet's invention at the Court of Frederick II, Holy Roman Emperor, Frederick II in the Sicilian city of Palermo. The Sicilian School of poets who surrounded Lentini then spread the form to the mainland. Those earliest sonnets no longer survive in the original Sicilian language, however, but only after being translated into Tuscan dialect. The form c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Baer (writer)
William Baer (born December 29, 1948) is an American writer, translator, editor, and academic. He has been the recipient of a Guggenheim Fellowship, a Fulbright (Portugal), and a Creative Writing Fellowship from the National Endowment for the Arts. Early life and education William Baer was born in Geneva, New York, in 1948. He was raised in The Bronx, New York City, and Wayne, New Jersey. After graduating from Rutgers University with a B.A. in English, he received an M.A. in English from New York University. He completed his doctoral dissertation in English at the University of South Carolina under the direction of James Dickey, before attending the Johns Hopkins Writing Seminars where he earned an M.A. in Creative Writing, working under David St. John and John Barth. He also graduated from the USC School of Cinematic Arts with an M.A. in Cinema, receiving the Jack Nicholson Screenwriting Award. Literary activities (Poetry) Baer is the author of seven books of poetry, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Da Lentini
Giacomo da Lentini, also known as Jacopo da Lentini or with the appellative Il Notaro, was an Italian poet and inventor of the 13th century. He was a senior poet of the Sicilian School and was a notary at the court of the Holy Roman Emperor Frederick II. Giacomo is credited with the invention of the sonnet. His poetry was originally written in literary Sicilian, though it only survives in Tuscan. Although some scholars believe that da Lentini's Italian poetry about courtly love was an adaptation of the Provençal poetry of the troubadours, William Baer argues that the first eight lines of the earliest Sicilian sonnets, rhymed ABABABAB, are identical to the eight-line Sicilian folksong stanza known as the ''Strambotto''. Therefore, da Lentini, or whoever else invented the form, added two tercets to the ''Strambotto'' in order to create the 14-line Sicilian sonnet. As with other poets of the time, he corresponded often with fellow poets, circulating poems in manuscript and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Form
Poetry (from the Greek word '' poiesis'', "making") is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet. Poets use a variety of techniques called poetic devices, such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism, to produce musical or other artistic effects. They also frequently organize these effects into poetic structures, which may be strict or loose, conventional or invented by the poet. Poetic structures vary dramatically by language and cultural convention, but they often use rhythmic metre (patterns of syllable stress or syllable (mora) weight). They may also use repeating patterns of phonemes, phoneme groups, tones (phonemic pitch shifts found in tonal languages), words, or entire phrases. These include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volta (literature)
The volta is a rhetorical shift or dramatic change in thought and/or emotion. Turns are seen in all types of written poetry. In the last two decades, the volta has become conventionally used as a word for this, stemming supposedly from technique specific mostly to sonnets. Volta is not, in fact, a term used by many earlier critics when they address the idea of a turn in a poem, and they usually are not discussing the sonnet form. It is a common Italian word more often used of the idea of a time or an occasion than a turnabout or swerve. Terminology The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of ''How Does a Poem Mean?'', John Ciardi speaks thus of the "fulcrum" in relation to the non-sonnet poem "O western wind" (O Western Wind/when wilt thou blow/The small rain down can rain//Christ! my love were in my arms/and I in my bed again): 'The first two lines are a cry of anguish to the western wind (in England, the wind of spring). The lam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sestet
A sestet is six lines of poetry forming a stanza or complete poem. A sestet is also the name given to the second division of an Italian sonnet (as opposed to an English or Spenserian Sonnet), which must consist of an octave, of eight lines, succeeded by a sestet, of six lines. The etymology of the word can be traced to the Italian word ''sestetto'', meaning “sixth”. The origin of the sonnet form has been traced to poems by Giacomo da Lentini in Sicily. The original sonnet form is the Sicilian Sonnet (also in octave and sestet) rhyming ABABABAB CDECDE or CDCDCD. It is generally believed that the first eight lines derive from the Sicilian form of the ''Stramboto''. The first recognized and documented user of this poetical form was the Italian poet Petrarch. In the usual course the rhymes are arranged ABCABC, but this is not necessary.One example is from ''Srasimum's Sestet'' which has a rhyme scheme of AACBBC. "Solid Determination to Ultimate Goals" – Srasimum's Sestet by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarch
Francis Petrarch (; 20 July 1304 – 19 July 1374; ; modern ), born Francesco di Petracco, was a scholar from Arezzo and poet of the early Italian Renaissance, as well as one of the earliest Renaissance humanism, humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the . Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the "Dark Ages (historiography), Dark Ages". [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Cavalcanti
Guido Cavalcanti (between 1250 and 1259 – August 1300) was an Italians, Italian poet. He was also a friend of and intellectual influence on Dante Alighieri. Historical background Cavalcanti was born in Florence at a time when the comune was beginning its economic, political, intellectual and artistic ascendancy as one of the leading cities of the Renaissance. The disunited Italian peninsula was dominated by a political particularism that pitted city-states against one another, often with this factionalism contributing to the fractious and sometimes violent political environments of each ''comune''. The domination of medieval religious interpretations of reality, morality and society was challenged by the rise of a new urban culture across Europe that gradually supplanted rural, local, ecclesiastical and feudal ways of thinking. There was an accompanying return to study, and to interpretation and emulation of the classics, known as a revival of antiquity. New secular and humanis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarch Canzoniere
Francis Petrarch (; 20 July 1304 – 19 July 1374; ; modern ), born Francesco di Petracco, was a scholar from Arezzo and poet of the early Italian Renaissance, as well as one of the earliest Renaissance humanism, humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the . Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the "Dark Ages (historiography), Dark Ages". [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quatorzain
A quatorzain (from Italian ''quattordici'' or French ''quatorze'', fourteen) is a poem of fourteen lines. Historically the term has been used interchangeably with the term "sonnet". Various writers have tried to draw distinctions between "true" sonnets and quatorzains. Nowadays the term is rarely used. When it is used, it is to distinguish fourteen-line poems that do not follow the various rules which describe the sonnet.Jones, Paul AnthonyThe Cabinet of Linguistic Curiosities p.141. The University of Chicago Press. 2017. See also * Bref double *Fourteener In the mountaineering parlance of the Western United States, a fourteener (also spelled 14er) is a mountain peak with an elevation of at least . The 96 fourteeners in the United States are all west of the Mississippi River. Colorado Co ... References Further reading {{poetry-stub Poetic forms Sonnet studies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Provençal Language
Provençal may refer to: * Something of, from, or related to Provence, a region of France ** Provençal dialect, a dialect of the Occitan language, spoken in the southeast of France ** ''Provençal'', meaning the whole Occitan language * Provencal, Louisiana, a village in the United States * Provençal, an alternative name for the Italian wine grape Dolcetto See also * Jeu provençal, a French boules game * Franco-Provençal Franco-Provençal (also Francoprovençal, Patois or Arpitan) is a Gallo-Romance languages, Gallo-Romance language that originated and is spoken in eastern France, western Switzerland, and northwestern Italy. Franco-Provençal has several di ..., a distinct Romance language, which should not be confused with the Occitan language or with the Provençal dialect of the Occitan language * Provence cuisine * Provence wine {{disambig Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave (poetry)
Octave has been derived from the Latin word ''octāva'', which means “eighth part.” It is a verse form that contains eight lines, which usually appear in an iambic pentameter. In simple words, it can be any stanza in a poem that has eight lines and follows a rhymed or unrhymed meter.The New Princeton Encyclopedia of Poetry and Poetics.''p. 223 Ed. Alex Preminger and T.V.F. Brogan. Princeton UP, 1993 An octave is a verse form consisting of eight lines of iambic pentameter (in English) or of hendecasyllables (in Italian). The most common rhyme scheme for an octave is ABBA ABBA. An octave is the first part of a Petrarchan sonnet The Petrarchan sonnet, also known as the Italian sonnet, is a sonnet named after the Italian poet Francesco Petrarca, although it was not developed by Petrarch himself, but rather by a string of Renaissance poets.Spiller, Michael R. G. The Devel ..., which ends with a contrasting sestet. In traditional Italian sonnets the octave always ends with a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Alighieri
Dante Alighieri (; most likely baptized Durante di Alighiero degli Alighieri; – September 14, 1321), widely known mononymously as Dante, was an Italian Italian poetry, poet, writer, and philosopher. His ''Divine Comedy'', originally called (modern Italian: ) and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante chose to write in the vernacular, specifically, his own Tuscan dialect, at a time when much literature was still written in Latin, which was accessible only to educated readers, and many of his fellow Italian poets wrote in French or Provençal dialect, Provençal. His ' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as ''La Vita Nuova, The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
