Song For My Father (song)
"Song for My Father" is a composition by Horace Silver. The original version, on the album of the same title by Silver's quintet, was recorded on October 26, 1964. It has become a jazz standard and is probably Silver's best-known composition. According to Silver, the song was "in part inspired by our Brazilian trip. We got the Brazilian rhythm for this tune from that trip, and the melodic line was inspired by some very old Cape Verdean Portuguese folk music." Composition "Song for My Father" has a 24- bar AAB construction and is in 4/4 time.Meadows, Eddie S. (2013) ''Jazz: Research and Pedagogy'' (3rd ed.). Routledge. It was composed in F minor. It has a bossa nova feel and features a bass ostinato. "It contains only four chords: Fm9 - E9 - D9 - C9. The piece uses even eighth notes throughout, not swing eighths." In his biography, Silver describes composing the song while attempting to use the bossa nova rhythm he had observed in Brazil. However, the melody reminded him of the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Horace Silver
Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s. After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their ''Horace Silver and the Jazz Messengers'' album contained Silver's first hit, "The Preacher (Horace Silver song), The Preacher". After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Swing (jazz Performance Style)
In music, the term ''swing'' has two main uses. Colloquially, it is used to describe the propulsive quality or "feel" of a rhythm, especially when the music prompts a visceral response such as foot-tapping or head-nodding (see pulse). This sense can also be called "groove". The term swing feel, as well as ''swung note(s)'' and ''swung rhythm'', is also used more specifically to refer to a technique (most commonly associated with jazz but also used in other genres) that involves alternately lengthening and shortening the first and second consecutive notes in the two part pulse-divisions in a beat. Overview Like the term "groove", which is used to describe a cohesive rhythmic "feel" in a funk or rock context, the concept of "swing" can be hard to define. Indeed, some dictionaries use the terms as synonyms: "Groovy ... denotes music that really swings." The ''Jazz in America'' glossary defines ''swing'' as, "when an individual player or ensemble performs in such a rhythmically ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1960s Instrumentals
Year 196 ( CXCVI) was a leap year starting on Thursday of the Julian calendar. At the time, it was known as the Year of the Consulship of Dexter and Messalla (or, less frequently, year 949 ''Ab urbe condita''). The denomination 196 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus attempts to assassinate Clodius Albinus but fails, causing Albinus to retaliate militarily. * Emperor Septimius Severus captures and sacks Byzantium; the city is rebuilt and regains its previous prosperity. * In order to assure the support of the Roman legion in Germany on his march to Rome, Clodius Albinus is declared Augustus by his army while crossing Gaul. * Hadrian's wall in Britain is partially destroyed. China * First year of the Jian'an Era, during the reign of the Xian Emperor of the Han. * The Xian Emperor returns to w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1960s Jazz Standards
Year 196 ( CXCVI) was a leap year starting on Thursday of the Julian calendar. At the time, it was known as the Year of the Consulship of Dexter and Messalla (or, less frequently, year 949 ''Ab urbe condita''). The denomination 196 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus attempts to assassinate Clodius Albinus but fails, causing Albinus to retaliate militarily. * Emperor Septimius Severus captures and sacks Byzantium; the city is rebuilt and regains its previous prosperity. * In order to assure the support of the Roman legion in Germany on his march to Rome, Clodius Albinus is declared Augustus by his army while crossing Gaul. * Hadrian's wall in Britain is partially destroyed. China * First year of the Jian'an Era, during the reign of the Xian Emperor of the Han. * The Xian Emperor returns to war-r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rikki Don't Lose That Number
"Rikki Don't Lose That Number" is a single released in 1974 by the American rock band Steely Dan and the opening track of their third album '' Pretzel Logic''. It was the most successful single of the group's career, peaking at number 4 on the ''Billboard'' Hot 100 in the summer of 1974. The song features Jim Gordon on drums, as does the bulk of the ''Pretzel Logic'' album. The guitar solo is by Jeff "Skunk" Baxter who soon after joined The Doobie Brothers. Victor Feldman's flapamba introduction to the song, which opens the album, is cut from the original ABC single version. The MCA single reissue (backed with "Pretzel Logic") includes the flapamba intro but fades out just before the actual end of the track. The introductory riff is an almost direct copy of the intro of Horace Silver's jazz classic " Song for My Father". Appraisal Reviewing the single for AllMusic, Stewart Mason said: Just to clear up a generation's worth of rumors about the lyrics of "Rikki Don't Lose ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Steely Dan
Steely Dan is an American rock band formed in Annandale-on-Hudson, New York, in 1971 by Walter Becker (guitars, bass, backing vocals) and Donald Fagen (keyboards, lead vocals). Originally having a traditional band lineup, Becker and Fagen chose to stop performing live by the end of 1974 and continued Steely Dan as a studio-only duo, utilizing a revolving cast of session musicians. ''Rolling Stone'' magazine named them "the perfect musical antiheroes for the seventies". Becker and Fagen played together in a variety of bands from their time together studying at Bard College in Annandale-on-Hudson. They later moved to Los Angeles, gathered a band of musicians and began recording music. Their debut album, '' Can't Buy a Thrill'' (1972), established a template for their career, blending elements of rock, jazz, Latin music, R&B, and bluesAllMusic Steely Dan: Biography with sophisticated studio production and cryptic, irony-infused lyrics. The band enjoyed critical and commerci ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Down Beat
''DownBeat'' (styled in all caps) is an American music magazine devoted to "jazz, blues and beyond", the last word indicating its expansion beyond the jazz realm that it covered exclusively in previous years. The publication was established in 1934 in Chicago, Illinois. It is named after the "downbeat" in music, also called "beat one", or the first beat of a musical measure. ''DownBeat'' publishes results of annual surveys of both its readers and critics in a variety of categories. The ''DownBeat'' Jazz Hall of Fame includes winners from both the readers' and critics' poll. The results of the readers' poll are published in the December issue, those of the critics' poll in the August issue. Since 2008, the Hall of Fame also includes winners from the Veterans Committee. Popular features of ''DownBeat'' magazine include its "Reviews" section where jazz critics, using a '1-Star to 5-Star' maximum rating system, rate the latest musical recordings, vintage recordings, and books; artic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mixolydian Mode
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic scale, related to the medieval mode. (The Hypomixolydian mode of medieval music, by contrast, has no modern counterpart.) The modern diatonic mode is the scale forming the basis of both the rising and falling forms of Harikambhoji in Carnatic music, the classical music form of southern India, or Khamaj in Hindustani music, the classical music form of northern India. Greek Mixolydian The idea of a Mixolydian mode comes from the music theory of ancient Greece. The invention of the ancient Greek Mixolydian mode was attributed to Sappho, the poet and musician. However, what the ancient Greeks thought of as Mixolydian is very different from the modern interpretation of the mode. The prefix ''mixo''- (-) means "mixed", referring to its re ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vamp (music)
In music, an ostinato (; derived from the Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as John Lennon’s “ Mind Games” (1973), Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), The Verve's " Bitter Sweet Symphony" (1997), and Flo Rida's " Low" (2007). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term cove ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Englewood Cliffs, New Jersey
Englewood Cliffs is a borough in Bergen County, in the U.S. state of New Jersey. As of the 2020 United States census, the borough's population was 5,342, an increase of 61 (+1.2%) from the 2010 census count of 5,281, which in turn reflected a decline of 41 (-0.8%) from the 5,322 counted in the 2000 census. The borough houses the world headquarters of CNBC (NBCUniversal), the North American headquarters of South Korean conglomerate LG Corp,LG's Sustainable Flagship HOK, backed up by the as of October 17, 2012. Acces ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roger Humphries
Roger Humphries (born January 30, 1944) is an American jazz drummer. Born into a family of ten children in Pittsburgh, Pennsylvania, Humphries began playing drums at age four, and went professional at age 14. He led an ensemble at Carnegie Hall at age 16. Early in the 1960s, he began touring with jazz musicians; one of his more prominent gigs was in a trio with Stanley Turrentine and Shirley Scott in 1962. In 1964, he worked with Horace Silver, appearing on the album '' Song for My Father'', where he played on four tracks, including the title tune (on which album Roy Brooks played on two tracks from a session recorded a year earlier) and in 1965, Humphries performed on the Horace Silver album '' The Cape Verdean Blues'' with Silver, tenor saxophonist Joe Henderson, trumpeter Woody Shaw, trombonist J.J. Johnson and bassist Bob Cranshaw. Following this Humphries drummed for Ray Charles. Humphries's list of credits in jazz, R&B, and pop is extensive. Musicians he has played with ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Teddy Smith
Theodore Smith (January 22, 1932, in Washington, D.C.—August 24, 1979, in Washington, D.C.) was an American jazz double-bassist. Smith played with Betty Carter in 1960, and with Clifford Jordan (with whom he recorded the LP ''Bearcat'' in 1962) and Kenny Dorham in 1961-62. In 1962-63 he played with Jackie McLean and Slide Hampton. Following this he played with Horace Silver, including at the 1964 Montreux Jazz Festival, Montreux, Antibes Jazz Festival, Antibes, and Paris Jazz Festival, Paris jazz festivals and on the album ''Song for My Father (album), Song for My Father''. Following this Smith played with Sonny Rollins (1964–65) and Sonny Simmons (1966). Smith's performance on Song for My Father (song), the title track of ''Song for My Father'', beginning with the opening unison figure between Smith's bass and Silver's piano, has been one of the most widely heard pieces of jazz music in the world for nearly a half-century and an influence on such artists as Stevie Wonder ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |