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Saul (Handel)
''Saul'' (HWV 53) is a dramatic oratorio in three acts written by George Frideric Handel with a libretto by Charles Jennens. Taken from the Books of Samuel, First Book of Samuel, the story of ''Saul'' focuses on the Saul, first king of Israel's relationship with his eventual successor, David—one which turns from admiration to envy and hatred, ultimately leading to the downfall of the eponymous monarch. The work, which Handel composed in 1738, includes the famous "Dead March", a funeral anthem for Saul and his son Jonathan (1 Samuel), Jonathan following their deaths in the Battle of Mount Gilboa at the hands of the Philistines, and some of the composer's most dramatic choral pieces. ''Saul'' premiered successfully at the Her Majesty's Theatre, King's Theatre in London on 16 January 1739, and was revived by Handel in subsequent seasons. Background The German-born Handel had been resident in London since 1712 and had there enjoyed great success as a composer of Italian operas. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel By Balthasar Denner
George may refer to: Names * George (given name) * George (surname) People * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Papagheorghe, also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George, son of Andrew I of Hungary Places South Africa * George, South Africa, a city ** George Airport United States * George, Iowa, a city * George, Missouri, a ghost town * George, Washington, a city * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Computing * George (algebraic compiler) also known as 'Laning and Zierler system', an algebraic compiler by Laning and Zierler in 1952 * GEORGE (computer), early computer built by Argonne National Laboratory in 1957 * GEORGE (operating system), a range of operating systems (George 1–4) for the ICT 1900 range of computers in the 1960s * GEORGE (programming language), an autocode system invented by Charles Leonard Hamblin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bishop Of London
The bishop of London is the Ordinary (church officer), ordinary of the Church of England's Diocese of London in the Province of Canterbury. By custom the Bishop is also Dean of the Chapel Royal since 1723. The diocese covers of 17 boroughs of Greater London north of the Thames, River Thames (historically the City of London and the County of Middlesex) and a small part of the County of Surrey (the district of Borough of Spelthorne, Spelthorne, historically part of Middlesex). The Episcopal see, see is in the City of London, where the seat is St Paul's Cathedral, which was founded as a cathedral in 604 and was rebuilt from 1675 following the Great Fire of London (1666). Third in seniority in the Church of England after the archbishops of Archbishop of Canterbury, Canterbury and Archbishop of York, York, the bishop is one of five senior bishops who sit as of right as one of the 26 Lords Spiritual in the House of Lords (for the remaining diocesan bishops of lesser rank, seats are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Baines
Anthony Cuthbert Baines (6 October 1912 – 2 February 1997) was an English bassoon player and organologist who produced a wide variety of works on the history of musical instruments, and was a founding member of the Galpin Society.'' Experimental Musical Instruments'', volumes 12–13, 1996. Career Baines was born on 6 October 1912 in London. His older brother was the instrumentalist and composer Francis Baines. Philip Bate (2001). Baines, Anthony C(uthbert). ''Grove Music Online'' (Oxford University Press) He attended Westminster School and then read for a degree in natural sciences, specialising in chemistry, at Christ Church, Oxford (1933). He won a scholarship to the Royal College of Music to study the bassoon (1933–35). He performed with the London Philharmonic Orchestra (1935–48), interrupted by service during the Second World War.A. C. Baines (ed.): ''Musical Instruments Through the Ages'' (Harmondsworth: Pelican Books, 1961), cover text. In 1949 he became assista ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 189 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sackbut
A sackbut is an early form of the trombone used during the Renaissance music, Renaissance and Baroque music, Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change Pitch (music), pitch, but is distinct from later trombones by its smaller, more cylindrically-proportioned bore (wind instruments), bore, and its less-flared bell (wind instrument), bell. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide with two parallel sliding tubes, rather than just one. Records of the term ''trombone'' predate the term ''sackbut'' by two decades, and evidence for the German term ''Posaune'' is even older. ''Sackbut'', originally a French term, was used in England until the instrument fell into disuse in the eighteenth century; when it returned, the Italian term ''trombone'' became dominant. In modern English, an older trombone or a replica is called a ''sackbut''. The bell section ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Harris (grammarian)
James Harris, FRS (24 July 1709 – 22 December 1780) was an English politician and grammarian. He was the author of ''Hermes, a philosophical inquiry concerning universal grammar'' (1751). Life James Harris was born at Salisbury, Wiltshire, the son of James Harris (1674–1731) by his second marriage to Elizabeth (c. 1682–1744), daughter of Anthony Ashley Cooper, 2nd Earl of Shaftesbury. He was educated at the Salisbury Cathedral School, and Wadham College, Oxford. On leaving university he was entered at Lincoln's Inn as a student of law, though he was not intended for the Bar. The death of his father in 1733 brought him an independent fortune and Malmesbury House in Salisbury's Cathedral Close. Harris became a county magistrate. He was Member of Parliament for Christchurch from 1761 until his death, and Comptroller to the Queen from 1774 to 1780. He held political office under George Grenville: in January 1763 he became a lord of the admiralty, and in April that y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tubal-cain
Tubal-cain or Tubalcain ( – ''Tūḇal Qayīn'') is a person mentioned in the Bible, in , named therein as the first blacksmith. He is stated as the "forger of all instruments of bronze and iron". A descendant of Cain, he was the son of Lamech and Zillah. Tubal-cain was the brother of Naamah and half-brother of Jabal and Jubal. Jewish narrative According to Rashi, Tubal-cain's name literally means "Cain's-Spices", with the Hebrew word Tū́ḇal () deriving from the word Tū́ḇlin () meaning spices. Rashi states that he was named this, because he "seasoned and improved the work of Cain". In other words, because he was a blacksmith, who helped to make weapons which could be used to kill more efficiently, he invokes his ancestor Cain's sin of murder. Furthermore according to Tanhuma bar Abba, one day, Tubal-cain and his father, Lamech, were hunting together with Tubal-cain serving as an aid for his blind father. In the distance is Cain who Lamech believes to be an anima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tower Of London
The Tower of London, officially His Majesty's Royal Palace and Fortress of the Tower of London, is a historic citadel and castle on the north bank of the River Thames in central London, England. It lies within the London Borough of Tower Hamlets, which is separated from the eastern edge of the square mile of the City of London by the open space known as Tower Hill. It was founded toward the end of 1066 as part of the Norman Conquest. The White Tower (Tower of London), White Tower, which gives the entire castle its name, was built by William the Conqueror in 1078 and was initially a resented symbol of oppression, inflicted upon London by the new Normans, Norman ruling class. The castle was also used as a prison from 1100 (Ranulf Flambard, Bishop of Durham) until 1952 (the Kray twins), although that was not its primary purpose. A grand palace early in its history, it served as a royal residence. As a whole, the Tower is a complex of several buildings set within two concentric ring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kettledrum
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettledrums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized beater called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombones
The trombone (, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's lips vibrate inside a mouthpiece, causing the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the flugelhorn, the baritone, and the euphonium. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as non-transposing instruments, reading at concert pitch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitatives
Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must perform in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. An opera seria had a historical or Biblical subject, whereas an opera buffa had a contemporary subject. Italian ''opera seria'' (invariably to Italian libretto, libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the Royal court, court operas based in Warsaw (since 1628), Bavarian State Opera, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
