Roman Mythology
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Roman Mythology
Roman mythology is the body of myths of ancient Rome as represented in the literature and visual arts of the Romans. One of a wide variety of genres of Roman folklore, ''Roman mythology'' may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period. Roman mythology draws from the mythology of the Italic peoples and ultimately from Proto-Indo-European mythology. Roman mythology also draws directly on Greek mythology, potentially as early as Rome's protohistory, but primarily during the Hellenistic period of Greek influence and through the Roman conquest of Greece, via the artistic imitation of Greek literary models by Roman authors. The Romans identified their own gods with those of the ancient Greeks—who were closely historically related in some cases, such as Zeus and Jupiter—and reinterpreted myths about Greek deities under the names of their Roman counterparts. Greek and ...
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Classical Mythology
Classical mythology, Greco-Roman mythology, or Greek and Roman mythology is both the body of and the study of myths from the ancient Greeks and ancient Romans as they are used or transformed by cultural reception. Along with philosophy and political thought, mythology represents one of the major survivals of classical antiquity throughout later Western culture. The Greek word ''mythos'' refers to the spoken word or speech, but it also denotes a tale, story or narrative. As late as the Roman conquest of Greece during the last two centuries Before the Common Era and for centuries afterwards, the Romans, who already had gods of their own, adopted much mythology directly from the Greeks while preserving their own Roman (Latin) names for the gods. In storytelling and literature, this thereby caused an equivalence between many Roman and Greek deities; some examples include between the Roman sky god Jupiter or Jove and the Greek counterpart Zeus; between the Roman fertility goddess Venu ...
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Altar Mars Venus Massimo
An altar is a Table (furniture), table or platform for the presentation of religion, religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, Church (building), churches, and other places of worship. They are used particularly in paganism, Christianity, Buddhism, Hinduism, Judaism, modern paganism, and in certain Islam, Islamic communities around Caucasus, Caucasia and Anatolia, Asia Minor. Many historical-medieval faiths also made use of them, including the Religion in ancient Rome, Roman, Religion in ancient Greece, Greek, and Norse paganism, Norse religions. Etymology The modern English language, English word ''wikt:altar#English, altar'' was derived from Middle English ''wikt:alter#Latin, altar'', from Old English ''wikt:alter, alter'', taken from Latin ''wikt:altare#Latin, altare'' ("altar"), probably related to ''wikt:adolere#Etymology 2, adolere'' ("burn"); thus "burning place", influenced by ''wikt:altus#Latin, altus'' ( ...
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Jupiter (mythology)
Jupiter ( la, Iūpiter or , from Proto-Italic language, Proto-Italic "day, sky" + "father", thus "sky father" Greek: Zeus, Δίας or Zeus, Ζεύς), also known as Jove (genitive case, gen. ''Iovis'' ), is the sky god, god of the sky and god of thunder, thunder, and Pantheon (gods), king of the gods in ancient Roman religion and Roman mythology, mythology. Jupiter was the chief deity of Roman state religion throughout the Roman Republic, Republican and Roman Empire, Imperial eras, until Constantine the Great and Christianity, Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most comm ...
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Western Painting
The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. Until the mid-19th century it was primarily concerned with representational and Classical modes of production, after which time more modern, abstract and conceptual forms gained favor. Initially serving imperial, private, civic, and religious patronage, Western painting later found audiences in the aristocracy and the middle class. From the Middle Ages through the Renaissance painters worked for the church and a wealthy aristocracy. Beginning with the Baroque era artists received private commissions from a more educated and prosperous middle class. The idea of "art for art's sake" began to find expression in the work of the Romantic painters like Francisco de Goya, John Constable, and J. M. W. Turner. During the 19th century commercial galleries became established and continued to provide patronage in the 20th century. Western painting reached its ...
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